Brian Peter George St. Jean le Baptiste de la Salle Eno (15 de maio de 1948, Woodbridge, Inglaterra) é um compositor britânico. Eno é famoso pelo uso de sintetizadores, utilizados em seus diversos trabalhos, como o grupo Roxy Music e a sua parceria com o guitarrista Robert Fripp. Também trabalhou ao lado de David Bowie, David Byrne (dos Talking Heads), U2 e Coldplay.
Brian Eno também é o criador das estratégias oblíquas, um conjunto de cartas que guiam o criador em momentos de impasse.
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# #
From [email protected] Sun Apr 27 11:29:04 1997 Date: Wed, 23 Apr 97 09:45:31 EDT From: Gary Von Colln To: [email protected] Subject: CRD: Golden Hours
GOLDEN HOURS Brian Eno, from album Another Green Word Music transcribed by Gary Von Colln
C - Em - C - Em - D - G - (2x)
CEm The passage of time is flicking dimly upon the screen. CEm I can't see the lines I used to think I could read between. DG Perhaps my brains have turned to sand.
CEm Oh me oh my I think it's been an eternity. CEm You'd be suprised at my degree of uncertainty DG How can moments go so slow
CEm Several times I've seen the evening slide away. CEm Watching the signs taking over from the fading day. DG Perhaps my brains are old and scrambled.
Solo
CEm Several times I've seen the evening slide away. CEm Watching the signs taking over from the fading day. DG Changing water into wine.
CEm Several times I've seen the evening slide away CEm Watching the signs taking over from the fading day. DG Putting grapes back on the vine.
Background words for last two verses:
Who would believe what a poor set of eyes can show you. Who would believe what an innocent voice could do Never a silence always a face at the door.
Who would believe what a poor set of ears can tell you. Who would believe what a weak pair of hands can do. Never a silence always a foot in the door.