O R.E.M. foi uma banda estadunidense de rock (de Athens, Geórgia) formada em 1980. Seu nome é uma referência ao estágio de sono REM (Em inglês, Rapid Eye Movement, Movimento Rápido dos Olhos) no qual ocorrem os sonhos mais vividos.
Resumo: Através da década de 1980 a banda trabalhou sem descanso, lançando álbuns anualmente por sete anos consecutivos, do seu EP de estréia de 1982 Chronic Town até o álbum de 1988 Green. Seu estilo punk
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From: [email protected] (Chris Bray)
"Monster" album by REM --------- "WHAT'S THE FREQUENCY, KENNETH?"
(Solo taken from _Guitar World_ January 1995)
Intro: DGDG
ADBmGADAG "What's the frequency, Kenneth?" is your Benzedrine, uh-huh ADBmGADBmE I was brain-dead, locked out, numb, not up to speed GA I thought I'd pegged you an idiot's dream GA Tunnel vision from the outsider's screen DADGAAGA I never understood the frequency, uh-huh DADGAAGAD You wore our expectations like an armored suit, uh-huh
ADBmGADA *Fill1 G I'd studied your cartoons, radio, music, tv, movies, magazines ADBmGADBm *Fill2 E Richard said, "Withdrawal in disgust is not the same as apathy" GA A smile like the cartoon, tooth for a tooth GA You said that irony was the shackles of youth DADGAAGA You wore a shirt of violent green, uh-huh DADGAAGA I never understood the frequency, uh-huh
ADBmGADA *Fill1 G "What's the frequency, Kenneth?" is your Benzedrine, uh-huh ADBmGADBm *Fill2 E Butterfly decal, rearview mirror, dogging the scene GA You smile like the cartoon, tooth for a tooth GA You said that irony was the shackles of youth DADGAAGA You wore a shirt of violent green, uh-huh DADGAAGA I never understood the frequency, uh-huh DADGAA You wore our expectations like an armored suit, uh-huh GA I couldn't understand DADGAA You said that irony was the shackles of youth, uh-huh GA I couldn't understand DADGAA You wore a shirt of violent green, uh-huh GA I couldn't understand DADGAAGA I never understood, don't fuck with me, uh-huh
AGD I know you AGD I know you've seen her AGD She's a sad tomato AGD She's three miles of bad road AGD Walking down the street AGD Will I never meet her? AGD She's a real woman-child AGD Oh my kiss breath turpentine
B
EAGA I am smitten EAG I'm the real thing (I'm the real thing) EAGA Have you seen her come around? G My crush with eyeliner
AGD I'm imbibed AGD I'm infatuated AGD It's all too much pressure AGD She's all that I can take AGD What position should I wear? AGD Cop an attitude? (Fake her) AGD How can I convince her? (Fake her) AGD That I'm invented too, yeah
B
EAGA I am smitten EAG I'm the real thing (I'm the real thing) EAGA We all invent ourselves G and you know me
BRIDGE: B,A (2x) D,high E,G
(Solo over bridge): e-------7------------------ B--5bhr---5--3--3bhr------- (2x) then G---------------------5-2-0
e------------------------------------------ B ------7----7-----7-------9-----9-----9--- G-sl/7----7----7-----7sl/9---9-----9-----9- G D-----------7----7-------------9-----9-----
AGD Yeah, she's a sad tomato AGD She's three miles of bad road AGD She's her own invention (She's her own invention) AGD That gets me in the throat AGD What can I make myself be? AGD Life is strange, yeah (Life is strange) AGD What can I make myself be (Fake her) AGD To make her mine?
B
EAGA I am smitten EAG I'll do anything (I'll do anything) EAGA A kiss breath turpentine, G my crush with eyeliner
EAGA I am smitten EAG You know me (Yeah, you know me) EAGA I could be your Frankenstein G my crush with eyeliner
EAGA I am smitten EAG I'm the real thing (I'm the real thing) EAGA Won't you be my valentine? G My crush with eyeliner
D Make your money with a suit and tie ABA Make your money with a true denial CG Make your money with expert advice, GABA If you can wing it (before chorus hold 1st A on this line)
D Make your money with a power ply ABA Make your money with a buyout bribe CGGABA Make it lie as long as you mean it
Chorus: GCG I'm not King of Comedy GCG Grease the pig, give a squeeze (squeeze me)
D Make your money with exploitation ABA Make it holy illumination CG Say a prayer at every station GABA Don't forget to ask for mercy
D Make your money with a pretty face ABA Make it easy with product placement CG Make it charged with controversy GABA I'm straight, I'm queer, I'm bi
GCG I'm not king of comedy, GCG I'm not your magazine, GCG I'm not your television
{Bridge:} G5 Slide (8x)
D Make your money, make it rich ABA make it young and make it quick CG Make your money on the jukebox, baby, GABA let's pick up sticks
D Make your enemies make your moves ABA Make your critics stumble through CG Make it smart and make it schmooze GABA Make it look easy
GCG I'm not king of comedy, GCG I'm not your magazine, GCG I'm not your television GCG I'm not your movie screen GCG I'm not commodity (all together now)
{Following chords are picked:} GCG I'm not commodity GCG I'm not commodity GCG I'm not commodity GCG I'm not commodity
[Riff] I'm looking for an interruption, do you believe? You looking, did my dreams Be prepared for anything You come into my little scene Hooray hooray hip hip hooray There's one thing I can guarantee: You won't have to dig, dig too deep
GEm Said leave me to lay, but touch me deep, GEm I don't sleep, I dream GEmGEm I'll settle for a cup of coffee, but you know what I really need
[Riff] Are you looking to drive my dreams? You here to run my screens? You come, deliver my demons Hooray hooray hip hip hooray Are you coming to ease my headache? Do you give good head? Am I good in bed?
GEm I don't know, I guess so GEm I don't sleep, I dream GEmGEm I'll settle for a cup of coffee, but you know what I really need
[Riff] I'm looking for an interruption, can you believe? Some medicine for my headache Hooray hooray hip hip hooray I'm pitching for a new direction Pinch me when I wake Don't tell me my dreams are fake
GEm you leave me to lay, you touch me deep, GEm I don't sleep, I dream GEmGEm I'll settle for a cup of coffee, but you know what I really need
GEm Leave me to lay, but touch me deep, GEm I don't sleep, I dream GEmGEm I'll settle for a cup of coffee, but you know what I really need
[Riff to end]
------ STAR 69
Intro: | B | E | A | F# | x2
BEAF#BEAF# You don't have to take the bar exam to see BEAF#BEAF# What you did is Ignoramus 1 0 3 BEAF# Where have I got to hang my hat BEAF# you don't have line to me all this just to be your friend. BEAF# I was there to tell you BEAF# extortion and arson, petty larceny.
BF#BF#BF#A I know you called. I know you called. I know you called. BF#BF#BF#A I know you called. I know you called. I know you hung up my line.
Star 69.
| B | E | A | F# | x2
BEAF# I know all about the warehouse fire. BEAF# I know squirrelies didn't chew the wire. BEAF# Three people have my number, the other two were with me. BEAF# I don't stand tall, but I'm not your patsy. BEAF# This time you have gone too far with me.
BF#BF#BF#A I know you called. I know you called. I know you called. BF#BF#BF#A I know you called. I know you called. I know you hung up my line.
Star 69.
{Break:} B-3bw3r(pickoff)0-
| B | E | A | F# | x2
BEAF#BEAF# Why'd you put your quarter down on me? BEAF#BEAF# This reads like some dark Inside Edition, Hard Copy. BEAF# I can't be your character witness, I can't be your alibi. BEAF# Don't arrange the FBI, here this spy versus spy. BEAF# You my friend are guilty as can be.
BF#BF#BF#A I know you called. I know you called. I know you called. BF#BF#BF#A I know you called. I know you called. I know you hung up my line. BF#BF#BF#A I know you called. I know you called. I know you called. BF#BF#BF#A I know you called. I know you called. I can't be your alibi. | B | E | A | F# | Star 69.
[Pattern 1] I don't know why you're mean to me [Pattern 2] When I call on the telephone [Pattern 1] and I don't know what you mean to me but I want to turn you on, [Pattern 2] turn you up, figure you out, want to take you on
CGFCFG These words, "You will be mine" CGFCDmG These words, "You will be mine, all the time"
[Fill]
[Pattern 1] The Fool might be my middle name [Pattern 2] But I'd be foolish not to say [Pattern 1] Going to make whatever it takes, ring you up, call you down, sign your name, secret love [Pattern 2] Couldn't I take you in and make you mine?
CGFCFG These words, "You will be mine" CGFCDmG These words, "You will be mine, all the time", oh
AmGAmG I tripped and fell, did I fall? AmFmaj7Am7Dm What I want you to feel, G I want to feel it now
[Pattern 1] You know with love come strange currencies [Pattern 2] And here is my appeal: [Pattern 1] I need a chance, a second chance, a third chance, a fourth chance, a word, a signal, a nod, a little breath [Pattern 2] just to fool myself, catch myself, to make it real, real
CGFCFG These words, "You will be mine" CGFCDmG These words, "You will be mine, all the time", oh CGFCFG These words, "You will be mine" CGFCDm These words haunt me, hunt me down, catch in my throat, make me pray, G say love's combined, oh
CGFCFG CGFCDmG
[Fill]
End on a C chord
------- TONGUE
Tab by : Trygve Sandven Haaland
Capo on 1st fret => E = F, A=Bb etc.
EAEA call my name, here I come. EAG#m 90 to nothing, watch me run.
you call. I am ashamed to say.
ugly girls know their fate. anybody can get laid. you want a room with a fire escape. I want to tell you how much I hate this.
DGDG don't leave that stuff all over me. DF#mGF#mA It pains me
please just leave it. I should toss that vanity license plate. toss that make-up painted face. box those poems, chocolate cake. scratch that name on the record player. please just leave me be. don't lay that stuff all over me. it crawls all over. all over me.
Chords over solo: (Dsus2)? (A?) EAGF#m-A
call my name, here I come. your last ditch lay, will I never learn? caramel turn on a dusty apology. it crawls all over me. you turn all over. it pains me. please just leave it.
------ BANG AND BLAME (Liberated from January 1995 _Guitar for the Practicing Musician_) (Buy it for a more complete version) TABed by: Chris Bray ([email protected])
Chords used: Amadd2: xx7500 G6: xx5430 A, C, G, B, Bb chords: Use E-shaped barre chords...
{Intro}: (Gtr. 1: w/ light dist. & delay set at 484 milliseconds) Am E-|----------------------------|-------------------------| B-|----------------------------|-------------------------| G-|-o----5---(5)---(5)---(5)---|--(5)---(5)---(5)---(5)--| D-|-o----7---(7)---(7)---(7)---|--(7)---(7)---(7)---(7)--| A-|----------------------------|-------------------------| E-|----------------------------|-------------------------|
Amadd2 If you could see yourself now, baby G6 Amadd2 it's not my fault. You used to be so in control. G6 You're going to roll right over this one. G6 Just roll me over, let me go. You're laying blame. Amadd2 Take this as no, no, no, no, no.
ACAG You bang, bang, bang, bang, bang then blame, blame, blame. ACBBbAG6 You bang, bang, bang, bang, bang. It's not my thing so let it go.
Amadd2 G6 If you could see yourself now baby, the tables have turned. Amadd2 the whole world hinges on your swings. G6 Amadd2 your secret life of indiscreet discretions. G6 Amadd2 I'd turn the screw and leave the screen. Don't point your finger. G6 You know that's not my thing. You came to
ACAG bang, bang, bang, bang, bang then blame, blame, blame. AC Badd4 You bang, bang, bang, bang, bang. It's not my thing so let it go now.
{Interlude}: (Gtr w/ distorted tone):
E5 let ring... E-|----------0---------|--------0--------------| B-|----------0---0-----|-----------0-----------| G-|-o--------9------9--|--------------8------o-| then.... D-|-o--9--9------------|--9--9-----------9---o-| A-|----7--7------------|--9--9-----------------| E-|----0--0------------|--7--7-----------------| |----------- Play Three Times ------------|
let ring... E-|---------0-----|---------------0----------| B-|------------0--|-(0)--------------0-------| G-|---------------|------6--------------6----| D-|---7--7--------|------------------------7-| A-|---7--7--------|----------7---------------| E-|---5--5--------|--------------------------|
{Gtr2 (Clean tone)}:
AmG5 You've got a little worry. I know it all too well. AmG5 I've got your number, but so does every kiss-and-tell Amadd2 G6 who dares to cross your threshold, or happens on your way, Amadd2 G6 Stop laying blame. You know that's not my thing.
Amadd2 G6 Amadd2 (Ooh.)_______________ (Ooh.)_______________ G6 You know that's not my thing.
ACAG You came to bang, bang, bang, bang, bang, then blame, blame, blame. ACBBb Bang, bang, bang, bang, bang. It's not my thing so let it go.
ACAG You bang, bang, bang, bang, bang, then blame, blame, blame. ACBBbE Bang, bang, bang, bang, bang. It's not my thing so let it go.
AG6
Amadd2 G6 You kiss on me, tug on me, rub on me, jump on me, Amadd2 G6 You bang on me, beat on me, hit on me, let go on me, Amadd2 G6 (Ooh.)________________ You let go on me. Amadd2 G6 (Ooh.)________________
DE I crossed your great divide DE I stirred your ocean's tide DE I called your bluff until DE I blew your circuits wide
DE I'll be your albatross, DE devil dog, Jesus Lord DE I don't wanna be Iggy Pop DE but if that's what it takes
CAD If there is some confusion CAD If there is some confusion CAD If there is some confusion E who's to blame? CADE who's to blame?
----- LET ME IN
EmD/F# Yeah, all those stars drip down like butter, EmG5D/F# in promises, a sea. EmD/F# We hold out our pans, lift our hands to catch them. EmG5D/F# We eat them up, drink them up, up, up, up
AmGCAmGCAm Heyyyyyy, let me in. AmGCAmGCEm Heyyyyyy, let me in.
EmD/F# I only wish that I could hear you whisper down, EmG5D/F# mister fisherman, to a less peculiar ground. EmD/F# He gathered up his loved ones and he brought them all around EmG5D/F# to say goodbye, nice try.
AmGCAmGCAm Heyyyyyy, let me in. yeah yeah yeah AmGCAmGCEm Heyyyyyy, let me in. Let me in.
{Break:} D/F#
EmD/F# I had a mind to try to stop you. Let me in. Let me in. EmG5D/F# I've got tar on my feet and I can't see. EmD/F# All the birds look down and laugh at me. EmG5D/F# Clumsy, crawling out of my skin.
AmGCAmGCAm Heyyyyyy, let me in. yeah yeah yeah AmGCAmGCEm Heyyyyyy, let me in. AmGCAmGCAm Heyyyyyy, let me in. yeah yeah yeah AmGCAmGCEm Heyyyyyy, let me in.
>From Trygve Sandven Haaland ([email protected]): Riff: G --2-2-0-2---2-2-0-2-3-2-0-- D --0-0-0-0---0-0-0-0-0-0-0--
[Riff] Here comes that awful feeling again Welcome the ugly animal. I hold my breath to what you sing, My pyro b-ba-ba ball and chain, I'm not afraid, I messed it, messed it, messed it, messed it up
AG I've got my telescope head in the haystack AG I'm getting tired of your dodgeball circus act AG NC Put pepper in my coffee, I forgot to bark on command
[Riff] Here comes that awful feeling again Make way for monster jealousy The strong man kicked sand into my breakfast cereal bowl I'd spelled your name with Oatios, he messed it, messed it, messed it, messed it up
AG I've got my telescope head in the haystack AG I'm getting tired of your dodgeball circus act AG NC Put pepper in my coffee, I forgot to bark on command
Bridge: | A | C | D | F | A | C | D | E | | A | C | D | F | A | C | D | E |
[Riff] If I were you I'd really run from me I really really wish that I were you I'd give this a crunchy and drop a load on your head This monster in me makes me wish you'd messed it, messed it up
AG I've got my telescope head in the haystack AG I'm getting tired of your dodgeball circus act A Put pepper in my coffee, I forgot to bark AG NC Put pepper in my coffee, I forgot to bark on command
Bridge: | A | C | D | F | A | C | D | E | | A | C | D | F | A | C | D | E |
(you're mean, mean, mean you tease, tease, tease me)
{Continue with the bridge progression until end.}
If I were you I'd really run from me I'd really really wish that I were you When I get loose I'll climb a tree and drop a load on your head This monster in me makes me retch, you messed it, messed it up
(you're mean, mean, mean you tease, tease, tease me)
Do you smell jealousy? Do you smell jealousy, jealousy, jealousy?
'You' off Monster is Dm, Gm for the verse and it holds Am for awhile and goes to C for the chorus (I think)...with a Dm riff during the verses (the notes are pretty much in the chord, hammer-on on the 2nd fret of G string and open D string).
Let the sun beat through the clouds, Let me kiss you on the mouth. All my childhood toys with chew marks in from a smile. Let me hold your syrup close to mine. Let me watch you, Hollywood and Vine. And I want you like the movies, touch me now. I love you crazy, just keep on. I love you madly, just keep watch. You wipe my lips, You turn me on. My attentions are turned to you.
Did I dream you were a tourist in the Arizona sun? I can see you there with luna moths and watermelon gum. I woke up in the sleeping bag, With nowhere else to run. You're standing in the bathroom telling me its all in fun. I love you crazy, just keep on. I love you madly, just keep watch. You wipe my lips, You turn me on. My attentions are turned to you.
I can whisper in your ear. I can write a calendar year I can wing around your Saturn smile, shut out the moon I walked the tension wire line. And I learned to disrespect the signs. And I want you like a Pisces rising, even though I love you crazy, just keep on. I love you madly, just keep watch. You wipe my lips, You turn me on. My attentions are turned to you.
-- ============================================================================== [email protected] | Chris Bray [email protected] | University of Arkansas, Fayetteville [email protected] | WWW: http://www.engr.uark.edu/~csb1 ============================================================================== I think someone should have had the decency to tell me the luncheon was free. To make someone run out with potato salad in his hand, pretending like he's throwing up, is not what I call hospitality. ==============================================================================