Biografia:
“Here’s to tonic, here’s to gin, here’s to sparks and here’s to gasoline…” You’re The Radio
We are lucky to have musicians like Thea Gilmore, musicians that want more from themselves and more from music than some pre-formed, whistle-friendly cud, something to chew on but never fully digest. In an age where artists – male and female – tend to be either hyper-sexualised or completely neutered, Gilmore is that rare creature, an actual adult with a heart and a soul, a grown up with an opinion.
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Outras músicas:
- Avalanche
- Brother Can You Spare A Dime
- Coming Back To You
- Concrete
- Contessa
- Dance In New York
- Glistening Bay
- Have You Heard
- Hide N Seeking
- Icarus Wind
- If You Miss Me At The Back Of The Bus
- Inverigo
- Josefs Train
- London
- My Own Private Riot
- Old Soul
- Play Until The Bottles Gone
- Rise
- Rosie
- Song No 4
- Thatll Be Christmas
- The List
- The Lower Road
- Youre The Radio
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
From the record Loft Music (2004).
Thea plays it in F minor on the record.
This is, however, a version quite close to the original from the 1932 musical revue Americana.
By Jay Gorney (music) and E Y Harburg (words).
Some notes on the chords below.
[Verse 1]
Cm Am7-5 D7
Once I built a rail-road
G7 C7
Made it run
F7 Bb7 Ebmaj7 A7
Made it race against time.
Ab Gm13
Once I built a railroad
Cm Adim
Now it's done
Ab7 G7 G7+5 Cm Ab7 G7
Brother, can you spare a dime?
[Verse 2]
Cm Am7-5 D7
Once I built a tow- er
G7 C7
to the sun
F7 Bb7 Ebmaj7 A7
Brick and rivet and lime.
Ab Gm13
Once I built a tower,
Cm Adim
Now it's done.
Ab7 G7 G7+5 Cm Db13
Brother, can you spare a dime?
[Bridge]
C7
Once in khaki suits
Gm7-5 C7
Gee we looked swell
Gm7-5 C7
Full of that yankee doodle dum.
F7 Cm7 F7
Half a million boots went sloggin' off to hell
Cm Cm/Bb Cm/A Ab7/Eb G7/D G7+5
I was the kid with the drum!
[Verse 3]
Cm Abmaj7
Say don't you remember?
Abdim7 C7
You called me Al.
Bm7-5 Bb7 Ebmaj7 A7
It was Al all the time.
Ab G7/F
Say don't you remember?
Cm Am13
I'm your pal.
Ab7 G7 G7+5 Cm
Buddy, can you spare a dime?
Ab7 G7 G7+5 Cm
Say, buddy, can you spare a dime?
Ab7 G7 G7+5 Cm
Buddy, can you spare a dime?
----
Notes for c minor:
Instead of the Am7-5 in the first line of verse 1 and 2, you can play Cm/A.
They contain the exact same notes, in fact.
For picking in c minor:
The falling line D7, G7, C7, F7, Bb7, Emaj7 can be played nicely like this.
Limited finger movement and a simple pattern recurring three times
(save the slight variation on the last chord, maj7 instead of 7)
Barré on 5 Barré on 3 Barré on 1
D7 G7 C7 F7 Bb7 Emaj7
e 8 7 6 5 4 3
b 7 6 5 4 3 3
G 5 7 3 5 1 3
D x 5 x 3 x 1
A 5 x 3 x 1 x
E x x x x x x
Thea plays it in F minor on the record.
This is, however, a version quite close to the original from the 1932 musical revue Americana.
By Jay Gorney (music) and E Y Harburg (words).
Some notes on the chords below.
[Verse 1]
Cm Am7-5 D7
Once I built a rail-road
G7 C7
Made it run
F7 Bb7 Ebmaj7 A7
Made it race against time.
Ab Gm13
Once I built a railroad
Cm Adim
Now it's done
Ab7 G7 G7+5 Cm Ab7 G7
Brother, can you spare a dime?
[Verse 2]
Cm Am7-5 D7
Once I built a tow- er
G7 C7
to the sun
F7 Bb7 Ebmaj7 A7
Brick and rivet and lime.
Ab Gm13
Once I built a tower,
Cm Adim
Now it's done.
Ab7 G7 G7+5 Cm Db13
Brother, can you spare a dime?
[Bridge]
C7
Once in khaki suits
Gm7-5 C7
Gee we looked swell
Gm7-5 C7
Full of that yankee doodle dum.
F7 Cm7 F7
Half a million boots went sloggin' off to hell
Cm Cm/Bb Cm/A Ab7/Eb G7/D G7+5
I was the kid with the drum!
[Verse 3]
Cm Abmaj7
Say don't you remember?
Abdim7 C7
You called me Al.
Bm7-5 Bb7 Ebmaj7 A7
It was Al all the time.
Ab G7/F
Say don't you remember?
Cm Am13
I'm your pal.
Ab7 G7 G7+5 Cm
Buddy, can you spare a dime?
Ab7 G7 G7+5 Cm
Say, buddy, can you spare a dime?
Ab7 G7 G7+5 Cm
Buddy, can you spare a dime?
----
Notes for c minor:
Instead of the Am7-5 in the first line of verse 1 and 2, you can play Cm/A.
They contain the exact same notes, in fact.
For picking in c minor:
The falling line D7, G7, C7, F7, Bb7, Emaj7 can be played nicely like this.
Limited finger movement and a simple pattern recurring three times
(save the slight variation on the last chord, maj7 instead of 7)
Barré on 5 Barré on 3 Barré on 1
D7 G7 C7 F7 Bb7 Emaj7
e 8 7 6 5 4 3
b 7 6 5 4 3 3
G 5 7 3 5 1 3
D x 5 x 3 x 1
A 5 x 3 x 1 x
E x x x x x x
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