Biografia:
The Starting Line, formado por Kenny Vasoli com guitarristas Matt Watts, Mike Golla, e
baterista Tom Gryskewicz, Oito anos atrás nos suburbios de Pennsylvania estava lançando o mais vendido albúm de suas carreira em 31 de Julho titulado Direction. A Inspiração veio quando estava escrevendo as músicas se tornou uma "Direção", Vasoli olhou para artistas consagrados como, Bob Dylan and James Brown. "Eu sei que nosso albúm não parece isso.
Read more on Last.fm
Outras músicas:
- 21
- 3S A Charm
- A Goodnights Sleep
- Almost There Going Nowhere
- Are You Alone
- Artistic License
- Autography
- B
- Bedroom Talk
- Best Of Me
- Birds
- Break Up Day
- Cheek To Cheek
- Classic Jazz
- Cut Print It
- Decisions Decisions
- Direction
- Drama Summer
- Dramma Summer
- Drawbacks
- Given The Chance
- Hello Houston
- Hold On
- Hurry
- I Could Be Wrong
- Im Real
- Inspired By The
- Island
- Lasting Impressions
- Leaving
- Left Coast Envy
- Luck
- Make Yourself At Home
- Making Love To The Camera
- Million Hearts
- Need To Love
- Nights And Weekends
- Nothings Gonna Stop Us Now
- Photography
- Pictures
- Playing Favorites
- Ready
- Saddest Girl Story
- Selective
- Somebodys Gonna Miss Us
- Something Left To Give
- Stay Where I Can See You
- Surprise Surprise
- The Best Of Me
- The Best Of Me Accoustic
- The Drama Summer
- The Night Life
- The Rain Cloud And I
- This Ride
- Time To Run
- Up And Go
- Way With Words
- West Girl Scout Road
- What You Want
- World
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
The Starting Line
Nights And Weekends
Based On A True Story Japan Edition
Submitted by: [email protected]
Intro: D
Gutiar riff: Verses:
e|-12-----12------12----|
B|----10-----10-----10--|
G|-------9------9-------|
D|----------------------|
A|----------------------|
E|----------------------|
Verse 1:
A E D
At 4 A.M. she came out of that blue
A E D/F#
I haven't seen such red since I've seen you
D
I'm upset, but I'm fine
A E/G#
I'm just surprised you're so unemotional
D
She said, in reply,
A E/G#
"and I did some drinking and it's got me thinking of you"
A E D
I've changed some words I'd like to give to you
A E D/F#
They flew behind the plane for all to view
D
And it read in bold type -
A E/G#
"I won't be surprised if you're unemotional"
D
You're burnt read, I'm pale white
A E/G#
Inspired, depressed, and still unimpressed
Refrain:
D E C#m D
Well I could read your lips, but they don't make sense
E C#m D
They both scream kiss when your eyes don't yet
E D
They don't yet, they don't yet
Chorus:
F#m D A
I've been thinking a lot about you (and I said, "the phone hasn't rang 'til today")
E
Is it true, do you hate me? (and the nights and the weekends fray)
F#m D A
'Cause she said, "I've been thinking a lot about you (but I know that you're time isn't cheap)
E
Is it true, do you hate me?" (on the nights and the weekends)
(Repeat Refrain twice and chorus)
Verse 2:
A E D
At 5 A.M. I came out of that blue
A E D/F#
And I raised my voice as high as I could to you
D
You said, "please Ken, let's not fight"
A E/G#
I'm just surprised I've stayed on the phone this long
D A E/G#
And I said, in reply, "it's easy to lie when you're so unemotional"
When so unemotional, oh
(Repeat Chorus till fade)
End on A
Nights And Weekends
Based On A True Story Japan Edition
Submitted by: [email protected]
Intro: D
Gutiar riff: Verses:
e|-12-----12------12----|
B|----10-----10-----10--|
G|-------9------9-------|
D|----------------------|
A|----------------------|
E|----------------------|
Verse 1:
A E D
At 4 A.M. she came out of that blue
A E D/F#
I haven't seen such red since I've seen you
D
I'm upset, but I'm fine
A E/G#
I'm just surprised you're so unemotional
D
She said, in reply,
A E/G#
"and I did some drinking and it's got me thinking of you"
A E D
I've changed some words I'd like to give to you
A E D/F#
They flew behind the plane for all to view
D
And it read in bold type -
A E/G#
"I won't be surprised if you're unemotional"
D
You're burnt read, I'm pale white
A E/G#
Inspired, depressed, and still unimpressed
Refrain:
D E C#m D
Well I could read your lips, but they don't make sense
E C#m D
They both scream kiss when your eyes don't yet
E D
They don't yet, they don't yet
Chorus:
F#m D A
I've been thinking a lot about you (and I said, "the phone hasn't rang 'til today")
E
Is it true, do you hate me? (and the nights and the weekends fray)
F#m D A
'Cause she said, "I've been thinking a lot about you (but I know that you're time isn't cheap)
E
Is it true, do you hate me?" (on the nights and the weekends)
(Repeat Refrain twice and chorus)
Verse 2:
A E D
At 5 A.M. I came out of that blue
A E D/F#
And I raised my voice as high as I could to you
D
You said, "please Ken, let's not fight"
A E/G#
I'm just surprised I've stayed on the phone this long
D A E/G#
And I said, in reply, "it's easy to lie when you're so unemotional"
When so unemotional, oh
(Repeat Chorus till fade)
End on A
The Steel Woods
The Steeles
The Steepwater B (...)
The Stellas
The Stems
The Stone Roses
The Stoneman Fam (...)
The Stooges
The Storys
The Strange Fami (...)