Biografia:
O Marillion teve sua origem no início dos anos 80 apresentando-se como o principal representante da nova geração do Rock Progressivo Inglês, já que este estava em decadência desde o aparecimento do Movimento Punk e do New Wave, além do abandono do estilo feito pelas bandas consideradas seus principais "medalhões", como o Genesis, Yes, ELP e Pink Floyd.
O primeiro single da banda, “Market Square Heroes”, misturando elementos de Rock Progressivo setentista
Read more on Last.fm
Outras músicas:
- 80 Days
- A State Of Mind
- Afraid Of Sunlight
- After Me
- Assasing Song
- Beautiful
- Chelsea Monday
- Childhoods End
- Dont Hurt Yourself
- Drilling Holes
- Easter
- Exile On Princes Street
- Garden Party
- He Knows You Know
- Hotel Hobbies
- Its Not Your Fault
- Jester Tear
- Jigsaw
- Kayleigh
- Man Of A Thousand Faces
- Marbles I
- Memory Of Water
- Misplaced Childhood
- Montreal
- Neverland
- Now Shell Never Know
- Number One
- One Fine Day
- Punch And Judy
- Quartz Less Is More
- Real Tears For Sale
- Script For A Jesters Tear
- Slainte Mhath
- Somewhere Else
- Space
- Sugar Mice
- The New Kings
- The Space
- This Is The 21St Century
- This Train Is My Life
- Thousand Faces
- Tux On
- Warm Wet Circles
- When I Meet God
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from post-office.nevada.edu (post-office.nevada.edu [131.216.1.11]) by redrock.nevada.edu (8.6.4/8.6.4) with ESMTP id DAA22375 for; Thu, 13 Jan 1994 03:34:16 -0800
Received: from top.cs.vu.nl (top.cs.vu.nl [192.31.231.43]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id DAA12638 for; Thu, 13 Jan 1994 03:34:08 -0800
Received: from galjoen.cs.vu.nl by top.cs.vu.nl id aa08705; 13 Jan 94 12:33 MET
Date: Thu, 13 Jan 94 12:33:37 MET
From: Stefan
To: [email protected]
Subject: "Jigsaw" by Marillion
Message-ID: <[email protected]>
Hi there!
These are, I believe, the chords to "Jigsaw" by Marillion:
We are [F#] jigsaw pieces, aligned on the perimeter edge,
[B] Interlocked through a missing [F#] piece.
We are re[F#]naissance children, becalmed beneath the bridge of sighs,
For[B]ever throwing firebrands at the [F#] stondework.
We are [Abm] siamese children [E] related by the [F#] heart.
[Abm] Bleeding from the [E] surgery of i[F#]nitial confrontation.
[Abm] Holding the word [E] scalpels in trembling [F#] lips.
Stand [Abm] straight, [E] look me in the eye
and [B] say good[F#]bye.
Stand [Abm] straight, we've [E] drifted past the point
of [B] reasons [F#] why.
[Abm] Yesterday start to[E]morrow,
tomorrow [B] starts to[F#]day.
And the [Abm] problem always seems to be we're [E] picking up the pieces
on the [B] rico[F#]chet [C#sus4].
[Abm] This is the [F#] ricochet.
2nd verse: same chords
2nd chorus: same chords until:
... picking up the pieces on the [B] rico[F#]chet.
[Dm] [F] This is the [C] rico[Bb]chet.
Are we [Dm] trigger happy? [F] Russian roulette in the [C] waiting room [Bb].
[Dm] Empty chambers [F] embracing the [C] end [Bb].
[Dm] Puzzled visions [F] haunt the ripples of a [C] trevi [Bb] moon.
[Dm] Dream coins for the fountain [F] or te cover your [C] eyes [Bb].
We [Am] reached ignition point [F] from the sparks of [G] pleasantries.
We [Am] sensed the smoke ad[F]vancing from ho[G]rizons.
You[Am] must have known that [F] I was considering an e[G]scape.
Stand [C#m] straight, [A] look me in the eye
and [E] say good[B]bye.
Stand [C#m] straight, We've [A] drifted past the point
of [E] reasons [B] why.
[C#m] Yesterday starts to[A]morrow,
tomorrow [E] starts to[B]day.
And the [C#m] problem always seems to be we're [A] picking up the pieces
on the [E] rico[B]chet.
[Bm] [G] This is the [A] ricochet....
I'll be [Bm] seeing you again [G] on the [A] ricochet....
----------------------------------------------------------------------
Well, that's it. By the way, does anybody out there understand anything
of these lyrics? I don't!
Stefan Frank
Vrije Universiteit, Amsterdam
The Netherlands
e-mail: [email protected]
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from post-office.nevada.edu (post-office.nevada.edu [131.216.1.11]) by redrock.nevada.edu (8.6.4/8.6.4) with ESMTP id DAA22375 for
Received: from top.cs.vu.nl (top.cs.vu.nl [192.31.231.43]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id DAA12638 for
Received: from galjoen.cs.vu.nl by top.cs.vu.nl id aa08705; 13 Jan 94 12:33 MET
Date: Thu, 13 Jan 94 12:33:37 MET
From: Stefan
To: [email protected]
Subject: "Jigsaw" by Marillion
Message-ID: <[email protected]>
Hi there!
These are, I believe, the chords to "Jigsaw" by Marillion:
We are [F#] jigsaw pieces, aligned on the perimeter edge,
[B] Interlocked through a missing [F#] piece.
We are re[F#]naissance children, becalmed beneath the bridge of sighs,
For[B]ever throwing firebrands at the [F#] stondework.
We are [Abm] siamese children [E] related by the [F#] heart.
[Abm] Bleeding from the [E] surgery of i[F#]nitial confrontation.
[Abm] Holding the word [E] scalpels in trembling [F#] lips.
Stand [Abm] straight, [E] look me in the eye
and [B] say good[F#]bye.
Stand [Abm] straight, we've [E] drifted past the point
of [B] reasons [F#] why.
[Abm] Yesterday start to[E]morrow,
tomorrow [B] starts to[F#]day.
And the [Abm] problem always seems to be we're [E] picking up the pieces
on the [B] rico[F#]chet [C#sus4].
[Abm] This is the [F#] ricochet.
2nd verse: same chords
2nd chorus: same chords until:
... picking up the pieces on the [B] rico[F#]chet.
[Dm] [F] This is the [C] rico[Bb]chet.
Are we [Dm] trigger happy? [F] Russian roulette in the [C] waiting room [Bb].
[Dm] Empty chambers [F] embracing the [C] end [Bb].
[Dm] Puzzled visions [F] haunt the ripples of a [C] trevi [Bb] moon.
[Dm] Dream coins for the fountain [F] or te cover your [C] eyes [Bb].
We [Am] reached ignition point [F] from the sparks of [G] pleasantries.
We [Am] sensed the smoke ad[F]vancing from ho[G]rizons.
You[Am] must have known that [F] I was considering an e[G]scape.
Stand [C#m] straight, [A] look me in the eye
and [E] say good[B]bye.
Stand [C#m] straight, We've [A] drifted past the point
of [E] reasons [B] why.
[C#m] Yesterday starts to[A]morrow,
tomorrow [E] starts to[B]day.
And the [C#m] problem always seems to be we're [A] picking up the pieces
on the [E] rico[B]chet.
[Bm] [G] This is the [A] ricochet....
I'll be [Bm] seeing you again [G] on the [A] ricochet....
----------------------------------------------------------------------
Well, that's it. By the way, does anybody out there understand anything
of these lyrics? I don't!
Stefan Frank
Vrije Universiteit, Amsterdam
The Netherlands
e-mail: [email protected]
Marina Kaye
Marina Lazzara
Marina Luczenko
Marina Marx
Marina Maximilia (...)
Mario Castro
Mario Cavagnaro
Mario Clavell
Mario De Mezapa
Mario Duarte