Biografia:
Vindos da Austrália, Tali White(voz/bate/percus), Marty Donaldd(Guitar) e Mark Monnone(baixo) trazem forte influência do pop britânico do final dos anos 80/início dos 90, grande banda com grandes músicas. Misturando-se The Smiths com The Housemartins mais um pouco de Violent Femmes, temos os Lucksmiths.
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Outras músicas:
- There Is A Boy That Never Goes Out
- Cassingle Revival
- Cat In Sunshine
- Clever Hans
- Cliched Title For Kris
- Deep Sea Diving Suit
- Fiction
- Forgetting Of Wisdom
- Friendless Summer
- Frisbee
- From Macauley Station
- Goodness Gracious
- Guess How Much I Love You
- Little Athletics
- Midweek Midmorning
- Motorscooter
- Point Being
- Punchlines
- Requiem For The Punters Club
- Run Spot Run
- Scottsdale
- Southernmost
- Spond
- Summer Town
- Sunlight In A Jar
- T Shirt Weather
- Tale Of Two Cities
- The Chapter In Your Life Entitled San Francisco
- The Golden Age Of Aviation
- Untidy Towns
- Weatherboard
- Year Of Driving Langourously
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Lucksmiths – Ficiton (from Warmer Corners.)
Written down here, gentle reader
G
It seems too good to be true
C
But there’s a girl in Kansas City
G
With my favourite tattoo
Am C G
Oh why would I lie to you?
C
This was in another century
G
Somewhere near the summer’s end
C
The fahrenheit was frightening
G
I was awake the whole weekend
C
Invited to a barbecue
G
I found refuge in the kitchen
C
Discussing post-war US literature
G
With a girl whose upper arm read “fiction”
Am C G
Like it might have been typewritten
C G – C G
C
When I asked her its significance
G
She said she sometimes took reminding
C
What she wanted to be doing
G
Whether reading it or writing
C
I admitted admiration
G
For both typeface and intent
C
And said more softly — sotto voce —
G
I knew too well what she meant
Am C G
She just smiled and in a while she went
Dm Am G
For a time I forgot this ever took place
C
She left her bottle on the bookcase
G – C G – C G – C G – C G – C G
C
So though I leave you little option
G
But to take me at my word
C
I assure you, dearest listener
G
That it happened as you’ve heard
C
A beer left on a bookshelf
G
At a bygone barbecue
C
By a girl from Kansas City
G
With my favourite tattoo
Am C G
Oh why would I lie to you?
Am C G
Oh why would I lie to you?
Am C G
Oh why would I lie?
Written down here, gentle reader
G
It seems too good to be true
C
But there’s a girl in Kansas City
G
With my favourite tattoo
Am C G
Oh why would I lie to you?
C
This was in another century
G
Somewhere near the summer’s end
C
The fahrenheit was frightening
G
I was awake the whole weekend
C
Invited to a barbecue
G
I found refuge in the kitchen
C
Discussing post-war US literature
G
With a girl whose upper arm read “fiction”
Am C G
Like it might have been typewritten
C G – C G
C
When I asked her its significance
G
She said she sometimes took reminding
C
What she wanted to be doing
G
Whether reading it or writing
C
I admitted admiration
G
For both typeface and intent
C
And said more softly — sotto voce —
G
I knew too well what she meant
Am C G
She just smiled and in a while she went
Dm Am G
For a time I forgot this ever took place
C
She left her bottle on the bookcase
G – C G – C G – C G – C G – C G
C
So though I leave you little option
G
But to take me at my word
C
I assure you, dearest listener
G
That it happened as you’ve heard
C
A beer left on a bookshelf
G
At a bygone barbecue
C
By a girl from Kansas City
G
With my favourite tattoo
Am C G
Oh why would I lie to you?
Am C G
Oh why would I lie to you?
Am C G
Oh why would I lie?
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