Biografia:
John Townes van Zandt, mais conhecido como apenas Townes van Zandt nasceu em Fort Worth, no Texas, no dia 7 de março de 1944. Foi um grande compositor e cantor de folk, escritor e poeta, muito admirado por grandes nomes do folk-country, como Bob Dylan e Neil Young.
Faleceu em 1997, vítima de substâncias tóxicas.
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Outras músicas:
- At My Window
- Be Here To Love Me
- Cocaine Blues
- Colorado Girl
- Dead Flowers
- Pancho And Lefty
- Poncho and Lefty
- To Live Is To Fly
- Upon My Soul
- Waiting Around To Die
- Waiting Round To Die
- A Song For
- Aint Leavin Your Love
- Alone And Forsaken
- Ballad Of Ira Hayes
- Big Country Blues
- Black Crow Blues
- Black Jack Mama
- Blue Wind Blew
- Brand New Companion
- Brother Flower
- Buckskin Stallion Blues
- Columbine
- Come Tomorrow
- Cowboy Junkies Lament
- Delta Momma Blues
- Dollar Bill Blues
- Dont Let The Sunshine Fool Ya
- Dont Take It Too Bad
- Dont You Take It Too Bad
- Fare Thee Well Miss Carousel
- Flyin Shoes
- For The Sake Of The Song
- Fraulein
- Greensboro Woman
- Heavenly Houseboat Blues
- Hey Willie Boy
- High Low And In Between
- Highway Kind
- I Aint Ever Satisfied
- If I Needed You
- Ill Be Here In The Morning
- Indian Cowboy
- Ira Hayes
- Kathleen
- Katie Belle Blue
- Like A Summer Thursday
- Little Willie The Gambler
- Loretta
- Lovers Lullaby
- Lungs
- Many A Fine Lady
- Marie
- Mr Mudd And Mr Gold
- My Proud Mountains
- No Deal
- No Place To Fall
- None But The Rain
- Nothin
- Only Him Or Me
- Our Mother The Mountain
- Pueblo Waltz
- Quicksilver Daydreams Of Maria
- Rake
- Rexs Blues
- Sad Cinderella
- Saint John The Gambler
- Second Lovers Song
- She Came And She Touched Me
- Sixteen Summers Fifteen Falls
- Snake Mountain Blues
- Snake Song
- Snow Dont Fall
- Snowin On Raton
- St John The Gambler
- Still Looking For You
- Tecumseh Valley
- Texas River Song
- The Catfish Song
- The Hole
- The Silver Ships Of Andilar
- Tower Song
- Turnstyled Junkpiled
- Two Girls
- Two Hands
- Waitin Around To Die
- Waiting For The Day
- When He Offers His Hand
- When Shes Acting This Way
- When Your Dream Lovers Die
- White Freight Liner Blues
- White Freightliner Blues
- You Are Not Needed Now
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#--------------------------------------------------------------#
Submitted by Rainer Fischer
#--------------------------------------------------------------#
Dm F Dm
You can't hold me
Dm C Dm
I'm too slippery
Dm F Dm
I do no sleepin'
Dm C Dm
I get lonely
Dm F G
you can touch me
G F Dm
if you want to
Dm F Dm
I got poison
Dm C Dm
I just might bite you
Lie in circles
on the sunlight
shine like diamonds
on a dark night
ain't no mercy
in my smilin'
only fangs and
sweet beguiling
Future, he don't
try to find me
skin I been through
dies behind me
solid hollow
wrapped in hatred
not a drop of
venom wasted
You can slip in
try to find me
hold your breath and
flat deny me
it makes no difference
to my thinkin'
I'll be here when
you start sinkin'
I found it convenient to play with a capo in the 5th fret so I actually play Am C Am Am G Am and
so on. In the beginning of a line I strum the empty strings and then 'hammer on' the three fingers
for the Am. The Fs and Cs are quickly sqeezed in between the other chords. It's hard to say how
really to play it, it has to be felt (that's what I tell my band members on every occasion..). It
should by avoided to play the high strings, at least not too often or too loud, especially at the Cs
and Fs (This also makes it easier for the left hand). In between the verses I play a line of bass
notes:
D F B(hammer on->)C E D (maybe ...F D).
I also would like to add the bass line introducing 'Fare thee well Miss Carousel'.
Probably invented by the bass player but I like it very much.
B E / (E) F# G# / G# A G# F#/ F# G# E -> E-chord.
Maybe the last bar is just f# f# f#.
And never ask me for a correct notation of the rhythm... RF
#--------------------------------------------------------------#
Submitted by Rainer Fischer
#--------------------------------------------------------------#
Dm F Dm
You can't hold me
Dm C Dm
I'm too slippery
Dm F Dm
I do no sleepin'
Dm C Dm
I get lonely
Dm F G
you can touch me
G F Dm
if you want to
Dm F Dm
I got poison
Dm C Dm
I just might bite you
Lie in circles
on the sunlight
shine like diamonds
on a dark night
ain't no mercy
in my smilin'
only fangs and
sweet beguiling
Future, he don't
try to find me
skin I been through
dies behind me
solid hollow
wrapped in hatred
not a drop of
venom wasted
You can slip in
try to find me
hold your breath and
flat deny me
it makes no difference
to my thinkin'
I'll be here when
you start sinkin'
I found it convenient to play with a capo in the 5th fret so I actually play Am C Am Am G Am and
so on. In the beginning of a line I strum the empty strings and then 'hammer on' the three fingers
for the Am. The Fs and Cs are quickly sqeezed in between the other chords. It's hard to say how
really to play it, it has to be felt (that's what I tell my band members on every occasion..). It
should by avoided to play the high strings, at least not too often or too loud, especially at the Cs
and Fs (This also makes it easier for the left hand). In between the verses I play a line of bass
notes:
D F B(hammer on->)C E D (maybe ...F D).
I also would like to add the bass line introducing 'Fare thee well Miss Carousel'.
Probably invented by the bass player but I like it very much.
B E / (E) F# G# / G# A G# F#/ F# G# E -> E-chord.
Maybe the last bar is just f# f# f#.
And never ask me for a correct notation of the rhythm... RF
#--------------------------------------------------------------#
Tradicional
Tradicional Infa (...)
Trading Yesterda (...)
Traditional
Traditional Amer (...)
Traditional Fili (...)
Traditional Finn (...)
Traditional Fren (...)
Traditional Germ (...)
Traditional Guat (...)