Biografia:
Ian Moore (born August 8, 1968) is a guitarist and singer-songwriter from Austin, Texas. He studied fiddle as a child, but switched to guitar when wrist problems interfered. His music contains elements of folk, rock and roll, world music, and blues. Covers include Jimmy Cliff's "Many Rivers to Cross", the Beatles' "Hey Bulldog," and Bob Dylan's "You're a Big Girl Now." He has played with such musicians as the Rolling Stones, Bob Dylan, and ZZ Top, and appeared in Billy Bob Thornton's movie Sling Blade.
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Outras músicas:
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
'Magdalena' by Ian Moore
from the "Damn, It's Early" albulm
(for those that don't know, it's an albulm of live performances from a morning radio show in Austin, TX)
Transcribed by Pure Chapman - [email protected]
G(II) G/F# Em
Well the morning is fading.... to the day
G(II) G/F# Em
And I lie here and watch as you.... fade away
Am Em
And the stillness holds me down like a thief
Am Em
And it robs me of my peace
G Am G
But it's all for the love.... of Magdalena
G(II) G/F# Em
And she is a river.... for my eyes
G(II) G/F# Em
I grasp at her beauty.... she floats right on by
Am Em
Any man should know.... such sorrow
Am Em
Yeah my tears they know no pain, ooooh
G Am G
It's all for the love.... of Magdalena
B7 Cadd9 G(II)
And her scent that she leaves behind, well it tempts me where I lay yeah
B7 Cadd9 G(II)
Empty promises leave me wondering where she went astray
Cadd9 G(II) Am(II) G(II)
And she flickers, and she fades oooh oh she fades, hey.... 3 4
G(II) G/F# Em
G(II) G/F# Em
Am Em
Ooooh Ooooh
Am Em
Ooooh Ooooh
G Am G
G(II) G/F# Em
The morning is fading.... to the day
G(II) G/F# Em
And I lie here and watch.... as you fade, as you fade away, hey
Am Em
Leave the things as they need to be yeah
Am Em
Ooooh but some things are not for me yeah, but its uh
G Am
But it's all for the love....
G Am
It's all for the love, yeaah It's all for the love
G Am
It's all for the love, it's all for the love, yeah
E A D G B E
G 3 2 0 0 0 3
G(II) 3 2 0 0 3 3
G/F# 2 2 0 0 3 3
Em 0 2 2 0 0 0
Am 0 0 2 2 1 0
Am(II) 5 7 7 5 5 5
Cadd9 x 3 2 0 3 3
He throws in a high barre G chord (root on the 10th fret of A string) at the end of the first verse
also this little fill he does as he's transitioning from Em's to the next chord:
e -----------------------|
B -----------------------|
G -----------------------|
D -----------------------|
A -----------2-----------|
E --0--2--3--------------|
That's about it. Listen to it to get all the timing down. A friend and I are working on the solo.....
comments, send 'em my way.
from the "Damn, It's Early" albulm
(for those that don't know, it's an albulm of live performances from a morning radio show in Austin, TX)
Transcribed by Pure Chapman - [email protected]
G(II) G/F# Em
Well the morning is fading.... to the day
G(II) G/F# Em
And I lie here and watch as you.... fade away
Am Em
And the stillness holds me down like a thief
Am Em
And it robs me of my peace
G Am G
But it's all for the love.... of Magdalena
G(II) G/F# Em
And she is a river.... for my eyes
G(II) G/F# Em
I grasp at her beauty.... she floats right on by
Am Em
Any man should know.... such sorrow
Am Em
Yeah my tears they know no pain, ooooh
G Am G
It's all for the love.... of Magdalena
B7 Cadd9 G(II)
And her scent that she leaves behind, well it tempts me where I lay yeah
B7 Cadd9 G(II)
Empty promises leave me wondering where she went astray
Cadd9 G(II) Am(II) G(II)
And she flickers, and she fades oooh oh she fades, hey.... 3 4
G(II) G/F# Em
G(II) G/F# Em
Am Em
Ooooh Ooooh
Am Em
Ooooh Ooooh
G Am G
G(II) G/F# Em
The morning is fading.... to the day
G(II) G/F# Em
And I lie here and watch.... as you fade, as you fade away, hey
Am Em
Leave the things as they need to be yeah
Am Em
Ooooh but some things are not for me yeah, but its uh
G Am
But it's all for the love....
G Am
It's all for the love, yeaah It's all for the love
G Am
It's all for the love, it's all for the love, yeah
E A D G B E
G 3 2 0 0 0 3
G(II) 3 2 0 0 3 3
G/F# 2 2 0 0 3 3
Em 0 2 2 0 0 0
Am 0 0 2 2 1 0
Am(II) 5 7 7 5 5 5
Cadd9 x 3 2 0 3 3
He throws in a high barre G chord (root on the 10th fret of A string) at the end of the first verse
also this little fill he does as he's transitioning from Em's to the next chord:
e -----------------------|
B -----------------------|
G -----------------------|
D -----------------------|
A -----------2-----------|
E --0--2--3--------------|
That's about it. Listen to it to get all the timing down. A friend and I are working on the solo.....
comments, send 'em my way.
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