Jets to Brazil was an American rock band formed in 1997. It was founded by Blake Schwarzenbach, former frontman of Jawbreaker. When Blake relocated to Brooklyn, New York, after Jawbreaker had disbanded, he reunited with friend Jeremy Chatelain, and the two began working on four-track recordings aided by drum machines. This lasted until former Texas Is the Reason drummer Chris Daly joined the band. Daly came up with the name "Jets to Brazil," and the band joined Jade Tree Records in 1997.
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Jets To Brazil Crown Of The Valley Orange Rhyming Dictionary 1998 Jade Tree Records Submitted by: [email protected]
Key: E, G, A
Chords used: E - 022100 D - xx0232 A - x02220 G - 320033 C - x32010
Intro: E--D-A- x4
Verse 1: E we are the high street service trays coming to DA take you away E pasadena 68 with speed on your DA breakfast plate
Chorus 1: EG aunt cancer calls DA them happy pills C they keep her G calm and cool EAE until he leaves
Verse 2: E the moccasin skin obsession leather thigh white tennis DA skirt so high E the eyes of mine are new and kind but the hair is not grey it DA is white
Chorus 2 EG and grandfather DA is an ascot noose C can't tie the G tassels on his DAE shoes leave me
Bridge 1: AD oh god stop tearing ED off the roof of my AE experimental bathroom DA it's the only thing E that's halfway mine D and not for your AEEEE prying and lying eyes
Verse 3: E these are the red eyed politics the cocktail DA revisionists E war room rules no wives or kids here men sing DA he boy in them E the hedge casts heroes late across our lawn the valley D hunt militiamen all AE gone thought we had the lock in 54 now the maid owns D the house next door A and what's more
Chorus 3: EG swims in the pool DA she used to clean CG our new king looks DAE like a queen leave me
Bridge 2: AD the empire is melting ED like ice cream on A the altar of the EA sun this skin D we've stretched E for centuries D it's faded it's fraying it's AE meaningless to me