Biografia:
James Blake (nascido em 25 de setembro de 1988) é um produtor musical, cantor e compositor natural de Londres, Inglaterra. Começou a carreira com algumas gravações experimentais da fusão de dubstep com soul e vocais gravemente distorcidos: o single Air and Lack Thereof (2009) e os EPs The Bells Sketch, CMYK e Klavierwerke, todos no ano de 2010.
Blake é frequentemente apontado como uma das figuras mais importantes do cenário post-dubstep, junto de suas influências proeminentes da música soul.
Read more on Last.fm
Outras músicas:
- Limit To Your Love
- Retrograde
- Vincent
- A Case Of You
- Fall Creek Boys Choir
- Forever
- Give Me My Month
- I Am Sold
- I Need A Forest Fire
- If The Car Beside You Moves Ahead
- Ill Come Too
- Lindisfarne 1
- Love Me In Whatever Way
- Measurements
- Modern Soul
- My Willing Heart
- Our Love Comes Back
- Overgrown
- Radio Silence
- The Wilhelm Scream
- To The Last
- Unluck
- What Was It You Said About Luck
- Wilhelms Scream
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Lovely tune from James Blake's second album. Playing it on guitar
just about works, strumming softly. The first couple of verses
are just a bassline playing D and A notes, it's neither a D major
nor a D minor chord really.
D* Dm7
e|-----1-|
B|-----1-|
G|-7---2-|
D|-7---0-|
A|-5---0-|
E|-------|
D*
And I want you to know
I took it with me
That when things are thrown away
Like they are daily
Time passes in the constant state
G
So if that is how it is
Am Am/G
I don't wanna be a star
F
But a stone on the shore
Dm7
A door frame in the wall
F Em
When everything's overgrown
D*
But what she really really wanted was my rights and my wrongs
And I wouldn't understand but I would try to play along
[The outro is different, rather than our D*]
F Em Dm7
But what she really really wanted was my rights and my wrongs
(Em) F Em Dm7
And I wouldn't understand but I would try to play along
just about works, strumming softly. The first couple of verses
are just a bassline playing D and A notes, it's neither a D major
nor a D minor chord really.
D* Dm7
e|-----1-|
B|-----1-|
G|-7---2-|
D|-7---0-|
A|-5---0-|
E|-------|
D*
And I want you to know
I took it with me
That when things are thrown away
Like they are daily
Time passes in the constant state
G
So if that is how it is
Am Am/G
I don't wanna be a star
F
But a stone on the shore
Dm7
A door frame in the wall
F Em
When everything's overgrown
D*
But what she really really wanted was my rights and my wrongs
And I wouldn't understand but I would try to play along
[The outro is different, rather than our D*]
F Em Dm7
But what she really really wanted was my rights and my wrongs
(Em) F Em Dm7
And I wouldn't understand but I would try to play along
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