Jack Hody Johnson (Honolulu, Havaí, Estados Unidos, 18 de maio de 1975), cresceu na Baía Norte de Oahu, Havaí, aprendeu a tocar violão aos 14 anos de idade.
Jack se aproximou mais da música aos 17 anos, quando ao participar de uma competição de surfe, sofreu um acidente que o deixou 90 dias parado. Durante esse período começou a compor influenciado por ídolos como Bob Marley.
Foi estudar cinema na Califórnia aos 18 anos, não queria ser um profissional do surfe
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Listen to the song and you notice that he does a quick change between C and Cadd9 then to C. I added it below in a few places - stodman
[Verse 1]
CCadd9C I can't give you everything you want CDm* But I could give you what you thought you need. Dm* C A map to keep beneath your seat, you'll read to me in time I'll get you there Dm* C I fold it up so we don't find our way back soon, nobody knows we're here.
CCadd9C We can park the van and walk to town CDm* Find cheapest bottle of wine that we could find C And talk about the road behind how getting lost is not a waste of time. Dm* The water moor will take us home in the moment we will sing as the forest sleeps.
[Chorus]
Em* Dm* C Well it's all for the sake of arriving with you Em* Dm* C Well it's all .. for the sake of arriving with you
[Verse 2]
CCadd9C Well I will make the table into a bed CDm* The candle is burning down its time to rest. Dm* C I can't take back things already gone, but I could give you promises for keeps. Dm* C And I would only take them back if they become your own and you give 'em to me .
[Chorus]
Em* Dm* C And it's all for the sake of arriving with you. Em* Dm* C Well it's all for the sake of arriving with you.
[Bridge]
Dm* We could make this into anything Dm* C We could make this into more than words we speak. Dm* This could make us into anything Dm* C It could make us grow and become what we'll be.
[Outro]
C Mmmmmm .. How and we will know Dm* C It's just like it feels... It’s just like it feels C Mmmmmm ... How can we really know Dm* C It's just like it feels... It’s just like it feels Dm* C It's just like it feels... How does it feel Dm* C It's just like it feels... It’s just like it feels Dm* C How does it feel... It’s just like it feels Dm* How does it feel...