Biografia:
Steven Paul Smith (Omaha, Nebraska, 6 de Agosto de 1969 - 21 de outubro, 2003, Los Angeles, California), mais conhecido como Elliott Smith, era um cantor e músico norte-americano, nascido em Omaha, Nebraska, mas viveu grande parte da sua vida em Portland, Oregon, onde ganhou popularidade. Seu principal instrumento era o violão, mas também sabia tocar piano, clarinete, baixo, gaita e bateria.
Depois de tocar na banda Heatmiser por alguns anos,
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Outras músicas:
- 2:45 A.m.
- Alameda
- All Cleaned Out
- Angeles
- Baby Britain
- Ballad Of Big Nothing
- Between The Bars
- Big Problem
- Coast To Coast
- Division Day
- First Timer
- Happiness
- I Figured You Out
- King's Crossing
- Kings Crossing
- La
- Memory Lane
- Miss Misery
- Needle In The Hay
- No Name 3
- Oh Well, Ok
- Pretty Ugly Before
- Rose Parade
- Say Yes
- Shake Sugaree
- She Won't Ever Look At Me
- Some Song
- Somebody That I Used To Know
- Son Of Sam
- Speed Trials
- The Biggest Lie
- Thirteen (cover)
- Twilight
- Waltz #2
- Whatever Folk Song In C
- Wouldn't Mama Be Proud
- You Make It Seem Like Nothing
- Pitseleh
- 2 45 Am
- A Distorted Reality Is Now A Necessity To Be Free
- A Fond Farewell
- A Question Mark
- Alphabet Town
- Amity
- Another Standard Folk Song
- Big Decision
- Bled White
- Bottle Up And Explode
- Cant Make A Sound
- Cecilia Amanda
- Christian Brothers
- Coming Up Roses
- Condor Ave
- Confusion
- Dancing On The Highway
- Drive All Over Town
- Easy Way Out
- Either Or
- Everybody Cares Everybody Understands
- Everything Means Nothing To Me
- Everything Reminds Me Of Her
- Fear City
- Flowers For Charlie
- Fond Farewell
- From A Poison Well
- Golden Street
- Grand Mal
- Half Right
- Have You Seen Her
- High Times
- I Better Be Quiet Now
- I Cant Answer You Anymore
- I Didnt Understand
- Im Gonna Get Crushed
- In The Lost And Found
- Independence Day
- Jealous Guy
- Junk Bond Trader
- Last Call
- Lets Get Lost
- Like A Cop
- Looking Over My Shoulder
- New Monkey
- No Confidence Man
- No Name 1
- No Name 2
- No Name 4
- No Name 5
- Oh Well Okay
- Passing Feeling
- Pictures Of Me
- Placeholder
- Plainclothes Man
- Pretty Mary K
- Punch And Judy
- Roman Candle
- Satellite
- See You Later
- She Wont Ever Look At Me
- Shiva Opens Her Arms
- Shooting Star
- Shooting Xstar
- Shytown
- Single File
- Splitzville
- St Ides Heaven
- Stickman
- Strung Out Again
- Stupidity Tries
- Sweet Adeline
- Talking To Mary
- The Real Estate
- The White Lady Loves You More
- Trouble
- Troubles
- True Love
- Unlucky Charm Come Out Now
- Waltz 1
- Waltz 2 Xo
- Waterloo Sunset
- Were All Friends Now
- Where I Get It From
- Wouldnt Mama Be Proud
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Tabbed by: Will Hardy
Email: [email protected]
Oh Well, Okay
By Elliott Smith
Bb Dm Eb Bb Dm Bb
here's the silhouette the face always turned away
Gm Eb Bb Dm
the bleeding color gone to black, dying like a day
G7 Eb G7 G#
couldn't figure out what made you so unhappy
Eb G7 Cm
shook your head to say no no no
Eb G#
and stopped for a spell
G7 G#m
and stayed that way
G7 G#
oh well, okay
i got pictures, i just don't see it anymore
climbing hour upon hour through a total bore
with the one i keep where it never fades
in the safety of a pitch black mind
an airless cell that blocks the day
oh well, okay
INTERLUDE
Eb Gm G# Eb Gm Eb
Cm G# Eb Gm
C7 C# F7 F#
if you a get a feeling next time you see me
C# F7 F#
do me a favor and let me know
C# F#
cos it's hard to tell
F7 F#m
it's hard to say
F7 F#
oh well, okay
F7 Bbm
oh well, okay
F7 Bbm
oh well, okay
Email: [email protected]
Oh Well, Okay
By Elliott Smith
Bb Dm Eb Bb Dm Bb
here's the silhouette the face always turned away
Gm Eb Bb Dm
the bleeding color gone to black, dying like a day
G7 Eb G7 G#
couldn't figure out what made you so unhappy
Eb G7 Cm
shook your head to say no no no
Eb G#
and stopped for a spell
G7 G#m
and stayed that way
G7 G#
oh well, okay
i got pictures, i just don't see it anymore
climbing hour upon hour through a total bore
with the one i keep where it never fades
in the safety of a pitch black mind
an airless cell that blocks the day
oh well, okay
INTERLUDE
Eb Gm G# Eb Gm Eb
Cm G# Eb Gm
C7 C# F7 F#
if you a get a feeling next time you see me
C# F7 F#
do me a favor and let me know
C# F#
cos it's hard to tell
F7 F#m
it's hard to say
F7 F#
oh well, okay
F7 Bbm
oh well, okay
F7 Bbm
oh well, okay
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