Biografia:
Boo Hewerdine (b. 1961, London) is an English singer-songwriter. His work includes lead singer and creative force behind The Bible, formed in the 1980s, and reformed in 1994, as well as solo recordings and work for film. He lives in Ely.
Hewerdine (born Mark Hewerdine) moved to Cambridge as a child, but returned to London in his late teens, and worked in a record shop. Suffering from agoraphobia, it was not a happy time of his life, and he was fired from his job after being wrongly accused of theft.
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Outras músicas:
- Bible Pages
- Evidence
- Ghost Of Summer Walking
- Harvest Gypsies
- It Always Reminds Me Of You
- Joke
- Muddy Water
- Murder In The Dark
- New Years Eve
- Oil On The Water
- Out Of This World
- Patience Of Angels
- Please Dont Ask Me To Dance
- Ship Song
- Silvertone
- Sing To Me
- Slow Learner
- Sweet Invisible
- The Birds Are Leaving
- The Man That I Am
- Weatherman
- White Lilies
- Worlds End
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#-----------------------------PLEASE NOTE-------------------------------------#
#This OLGA file is the author's own work and represents their interpretation #
#of the song. You may only use this file for private study, scholarship, or #
#research. Remember to view this file in Courier, or other monospaced font. #
#See http://www.olga.net/faq/ for more information. #
#-----------------------------------------------------------------------------#
Subject: b/boo_hewerdine/evidence.crd
Date: Sun, 25 May 1997 20:13:17 -0700
From: Sylmar Converter Control Room
Evidence
By Boo Hewerdine
by Chris ([email protected])
(CAPO 1 )
Intro: G D G D A
G D Esus E
Verse:
G D G D A
white.... roses... when I..... always send you
we go.. dancing your eyes are always on the
G D Esus E
red.. everyone supposes the name on the card is mine
door.. then I ask you who are you... waiting for...
G D G D A
late night phone call.... whispered voices from another
I was only joking but here comes the punch line right across the
G D Esus E
room and when I answer all I get is silence on the other line
floor and if he breaks in we won't be dancing any-more.*(TO CODA)*
D A D E n.C.
and there's your evi- dence there's your evi- dence
Repeat Verse: Then *(TO CODA)*
**(CODA)**
D A D A D A
there's y-o-u-r..evi- dence.there's your evi- dence there's yo--
D A Bm E
--ur evi- dence... how can you say that it's impossible...
DD AA DD AA F#m G A A
I don't mind this waiting till midnight
F#m G A A F#m G F#m G
or that your kisses are cold...... I dont mind being left behind
F#m G A D A
yea.... I just wish I'd been told......your evi- dence.....
D A D A Bm
your...evi- dence.... your....evi- dence.. how can you say
E DD AA DD AA D A
it's impossible.... there's your evi- dence
D A D A
your evi- dence... your evi- dence........
Bm E DD AA n.C.
how can you say.. it's impossible
G D G D A G D Esus (end)
Esus= 0 Note 1. the end of verse 2 is kind of tricky,
0 it stops short and goes right into
2 the chorus part under the D & A chords
2 at least that's what it sounds like
2 to me.
0
Note 2. if you didn't notice this song is
played with a Capo on the 1st. fret.
#This OLGA file is the author's own work and represents their interpretation #
#of the song. You may only use this file for private study, scholarship, or #
#research. Remember to view this file in Courier, or other monospaced font. #
#See http://www.olga.net/faq/ for more information. #
#-----------------------------------------------------------------------------#
Subject: b/boo_hewerdine/evidence.crd
Date: Sun, 25 May 1997 20:13:17 -0700
From: Sylmar Converter Control Room
Evidence
By Boo Hewerdine
by Chris ([email protected])
(CAPO 1 )
Intro: G D G D A
G D Esus E
Verse:
G D G D A
white.... roses... when I..... always send you
we go.. dancing your eyes are always on the
G D Esus E
red.. everyone supposes the name on the card is mine
door.. then I ask you who are you... waiting for...
G D G D A
late night phone call.... whispered voices from another
I was only joking but here comes the punch line right across the
G D Esus E
room and when I answer all I get is silence on the other line
floor and if he breaks in we won't be dancing any-more.*(TO CODA)*
D A D E n.C.
and there's your evi- dence there's your evi- dence
Repeat Verse: Then *(TO CODA)*
**(CODA)**
D A D A D A
there's y-o-u-r..evi- dence.there's your evi- dence there's yo--
D A Bm E
--ur evi- dence... how can you say that it's impossible...
DD AA DD AA F#m G A A
I don't mind this waiting till midnight
F#m G A A F#m G F#m G
or that your kisses are cold...... I dont mind being left behind
F#m G A D A
yea.... I just wish I'd been told......your evi- dence.....
D A D A Bm
your...evi- dence.... your....evi- dence.. how can you say
E DD AA DD AA D A
it's impossible.... there's your evi- dence
D A D A
your evi- dence... your evi- dence........
Bm E DD AA n.C.
how can you say.. it's impossible
G D G D A G D Esus (end)
Esus= 0 Note 1. the end of verse 2 is kind of tricky,
0 it stops short and goes right into
2 the chorus part under the D & A chords
2 at least that's what it sounds like
2 to me.
0
Note 2. if you didn't notice this song is
played with a Capo on the 1st. fret.
Book on Tape Wor (...)
Boom Desjardins
Boom Forest
Boomdabash
Boomer Castleman