Pra quem não conhece, Bob Mould era o líder de uma das melhores bandas dos anos 80, o Hüsker Dü. Embora o nome seja de origem dinamarquesa (em português "você se lembra?"), a banda nasceu em Minneapolis, da união de Mould com baixista Greg Norton e o baterista Grant Hart, que também compunha e fazia a voz principal em suas canções. Se ter um baterista cantando e tocando ao mesmo tempo já era algo foda o suficiente, Bob Mould tinha uma voz e estilo marcantes, que definiram, junto com o R.
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From: Todd Dunbebin Subject: TAB:Believe What You're Saying Date: Thu, 10 Aug 1995 08:19:10 GMT
Believe What You're Saying
I'd like to thank Ryan Cox [email protected] ,for the tab he posted but I was noticing a couple of things that weren't quite right. Possibly because he got it from Bob's 120 Minutes segment. I took it from where Ryan started and added, by listening to the campfire mix on "Besides". Bob is adding an F# third string fourth fret to the Dmaj chord in the intro between verses and the first Dmaj of each line of the chorus.
Believe What You're Saying Bob Mould from Sugar's album Besides
Intro G Dadd F#Cmaj7 DaddF# G Dadd F#Cmaj7 DaddF# (D)This is where the(G) line is That I've(Cmaj7) drawn across the sand(D) And this is where my (G)heart aches (Cmaj7)Unaware and in my (D)hand (Em)This is where it's(Cmaj7){#1} gone (Em)This is where the(Cmaj7) heartache's(G) going on(D){#2} (Cmaj7)I can go it A(D)lone
*CHORUS*
I can't (G)belie(DaddF#)ve (Cmaj7)what your'E say(D)ing I've got to(G) leave(DaddF#) for your'e(Cmaj7) sailing on (D)and on I can't(G) repeat(DaddF#) what it's (Cmaj7)all about it's wrong(D) I can't (Cmaj7)believe(D hold) what your'e saying (INTRO) This is how the time goes In an ordinary town And this is how it all ends up When you run the whole thing down This is how its gone This is how it's already gone and I know You keep going along CHORUS SOLO CHORUS {#1}Bob does a little walk from the Cmaj7 to the next Em that consists of the singly picked notes CBAG finally to the Em all the while holding down the rest of the Cmaj7 chord {#2}Bob does a little riffing on the high E string with a Dsus2 Dmaj Dsus4 Back and forth listen for it.
-- "Tryin' not to suck at something..." http://oucsace.cs.ohiou.edu/personal/jhanusz.html ======> Todd Dunbebin <======== [email protected]