Belle & Sebastian teve início em Janeiro de 1996, na cidade de Glasgow, Escócia, quando Stuart Murdoch e Stuart David se encontraram assim, meio sem querer, e começaram a tirar um som juntos. Murdoch escrevia canções sem qualquer pretensão. Porém, precisaria de um trabalho para finalizar o curso na faculdade. Recrutaram uns amigos num café 24 horas, um por um. Estava formado o Belle & Sebastian (nome de dois personagens de uma série de livros infantis franceses): Murdoch
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
[verse] C#F#C# I could be sleeping (C#) F#C# I could be dreaming (C#) A#m/FF# I could have ordinary people kissing me from town to town (F#) C# Mission Impossible, they've got a spy for every blink of your eye
[verse] I'm feeling awkward I'm feeling tongue-tied They've got a knife for every time you take the same train into work Family's like a loaded gun, you point it in the wrong direction someone's gonna get killed
[bridge] D#m If you had such a dream (Fm) F#C# Would you get up and do the things you believe in?
[verse] Is he your husband? Or just your boyfriend? Is he the moron who's been beating you and keeping you inside? I've never done this kind of thing But if I kill him now, well who's gonna miss him?
[verse] I went up to the school I took a walk on Castlehill For every step there is a local boy who wants to be a hero F#F#mC# Do you wanna do it now, outside the butcher's with a knife and a bike chain
la la la yeah yeah yeah yeah
[repeat bridge]
[instrumental part] F#C#A few times D#mF#
F#C#
D#m If you had such a dream (Fm) F#C# Would you get up and do those things C# if you had such a dream (D#m) FmF# Would you get up and do those things
G# While your head is clear F# While your head is clear G# While your head is clear F# While your head is clear G# la la la la la la la &c. F# la la la la la la &c.
G# F# continuously till fadeout
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Use barre chords throughout: F# = 9th fret barre chord (A shape) C# = 9th fret barre chord (E shape) C#* = higher chord voicing than C#, 16th fret maybe??
When you get to the G# F# part, just use <466544> and <244322>, respectively.