Biografia:
The Clientele é um quarteto britânico formado em Hampshire, em 1997 (inicialmente com 3 integrantes), que faz música inspirada em antigas bandas dos anos 60, entre elas os Beatles e na literatura suburbana. É composta por Alasdair MacLean (vocais e guitarra), Mark Keen (bateria), James Hornsey (baixo) and Mel Draisey (cordas, teclados, percursão e coro).
Read more on Last.fm
Outras músicas:
- Since K Got Over Me
- 6 Am Morningside
- An Hour Before The Light
- Bookshop Casanova
- Emptily Through Holloway
- Empty
- Five Day Morning
- Geometry Of Lawns
- Graven Wood
- Here Comes The Phantom
- I Had To Say This
- I Hope I Know You
- Isnt Life Strange
- Joseph Cornell
- K
- Kelvin Parade
- Lacewings
- My Own Face Inside The Trees
- Porcelain
- Reflections After Jane
- Saturday
- Somebody Changed
- Violet Hour
- We Could Walk Together
- When Shes Tired Of Dancing
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Artist: The Clientele
Album: Strange Geometry
Song: E.M.P.T.Y.
Tabbed by: Jimbob - [email protected]
As with the other Clientele tabs, you need to add a few
embellishments due to the picking. On the normal E chord during
the chorus Alistair seems to use his little finger on the high
E string to pick out the 4th and 2nd frets.
The E* means play with the 7th fret barre version of the chord.
Also use your little finger here in the chorus to pick out some
of those high notes further up the neck. The B(sus4) chord
means alternate between B and Bsus4 (fairly obvious in the
track).
| B | E | A | E | x2
B E A E
When I'm riding home at night now
B E A E
I get in so tired
B E A E
To the saws and bows that spell out
B E A E
E-M-P-T-Y
----------
B E* F#
But driving west now
E* B
Half-past five
E* F#
My skin is cut
E* B
My hands are knives
E* F# E* B
I could be anyone alive
E A E
But I just can't fit
B E A E
And it's too late to quit
----------
Chorus:
E* B(sus4)
When the night air comes to me
E
I wonder if the days I've lived through count
E* B(sus4)
With the world strung like a rosary
E
Through faces moving in the crowd
----------
A E B(sus4)
What is the color and the number
E
When happiness begins?
A E B(sus4)
When the knight waits in the laurels
F#(low) E
Hesitating...
----------
| C# |
B
I found a clarity I've never known
E A E
In fag-end weeks before I left for school
C#
The darkness in the pylons
B
And the smoke and creosote
E A E
Cancelling the faces that we knew
| B | E | A | E | x2
Solo:
| E | (freak out on the E chord)
----------
B E* F# E* B
Did they forget the light inside your eyes?
E* F# E* B
Those simple words, those lovers' signs?
E* F# E* B
The hand is dealt, the cards are played
E A E
But I just can't fit
B E A E
And it's too late to quit
----------
Chorus:
E* B(sus4)
I saw them, and I knew them all
E
Inside a sheet of flame
E* B(sus4)
I saw them, and I knew them all
E
Inside a sheet of flame
----------
B E A E
When I'm riding home at night now
B E A E
I get in so tired
B E A E
To the saws and bows that spell out
B E A E
E-M-P-T-Y
E-M-P-T-Y
E-M-P-T-Y
#----------------------------PLEASE NOTE-----------------------------#
# This represents the author's own work and interpretation of the #
# song. To be used only for private study, scholarship, or research. #
#--------------------------------------------------------------------#
Album: Strange Geometry
Song: E.M.P.T.Y.
Tabbed by: Jimbob - [email protected]
As with the other Clientele tabs, you need to add a few
embellishments due to the picking. On the normal E chord during
the chorus Alistair seems to use his little finger on the high
E string to pick out the 4th and 2nd frets.
The E* means play with the 7th fret barre version of the chord.
Also use your little finger here in the chorus to pick out some
of those high notes further up the neck. The B(sus4) chord
means alternate between B and Bsus4 (fairly obvious in the
track).
| B | E | A | E | x2
B E A E
When I'm riding home at night now
B E A E
I get in so tired
B E A E
To the saws and bows that spell out
B E A E
E-M-P-T-Y
----------
B E* F#
But driving west now
E* B
Half-past five
E* F#
My skin is cut
E* B
My hands are knives
E* F# E* B
I could be anyone alive
E A E
But I just can't fit
B E A E
And it's too late to quit
----------
Chorus:
E* B(sus4)
When the night air comes to me
E
I wonder if the days I've lived through count
E* B(sus4)
With the world strung like a rosary
E
Through faces moving in the crowd
----------
A E B(sus4)
What is the color and the number
E
When happiness begins?
A E B(sus4)
When the knight waits in the laurels
F#(low) E
Hesitating...
----------
| C# |
B
I found a clarity I've never known
E A E
In fag-end weeks before I left for school
C#
The darkness in the pylons
B
And the smoke and creosote
E A E
Cancelling the faces that we knew
| B | E | A | E | x2
Solo:
| E | (freak out on the E chord)
----------
B E* F# E* B
Did they forget the light inside your eyes?
E* F# E* B
Those simple words, those lovers' signs?
E* F# E* B
The hand is dealt, the cards are played
E A E
But I just can't fit
B E A E
And it's too late to quit
----------
Chorus:
E* B(sus4)
I saw them, and I knew them all
E
Inside a sheet of flame
E* B(sus4)
I saw them, and I knew them all
E
Inside a sheet of flame
----------
B E A E
When I'm riding home at night now
B E A E
I get in so tired
B E A E
To the saws and bows that spell out
B E A E
E-M-P-T-Y
E-M-P-T-Y
E-M-P-T-Y
#----------------------------PLEASE NOTE-----------------------------#
# This represents the author's own work and interpretation of the #
# song. To be used only for private study, scholarship, or research. #
#--------------------------------------------------------------------#
The Common Linne (...)
The Congos
The Connels
The Contortionis (...)
The Contours