Biografia:
O Rainer Maria foi criado em 1995 na cidade de Madison, Wisconsin, EUA.
Formada por Caithlin deMarrais (vocais/baixo), Kaia Fischer (guitarra/vocais) e William Kuehn (bateria), eles gravaram um demo com 6 músicas, que foi auto-intitulado com o nome da banda. A partir daí, eles lançaram mais 5 CDs: "Past Worn Searching" (1997), "Look Now Look Again" (1999), "A Better Version of Me" (2001), "Long Knives Drawn" (que é o disco mais conhecido do grupo, com o single 'Ears Ring', que é o carro-chefe da banda - disco de 2003).
Read more on Last.fm
Outras músicas:
- Ears Ring
- Alchemy
- Already Lost
- Artificial Light
- Atlantic
- Atropine
- Automatic
- Blackbird
- Bottle
- Breakfast For Champions
- Broke Open Love
- Broken Radio
- Burn
- Catastrophe
- Centrifuge
- Ceremony
- Clear And True
- Communicator
- Ct Catholic
- Feeling Neglected
- Floors
- Forest Mattress
- Hell And High Water
- Hellebore
- Ill Make You Mine
- Im Melting
- Life Of Leisure
- Long Knives
- Lost Dropped And Cancelled
- Lower Worlds
- Mystery And Misery
- Ornaments Of Empty
- Planetary
- Possession
- Rise
- Save My Skin
- Situation Relation
- Soul Singer
- Southpaw
- Spit And Fire
- Suicides And Lazy Eyes
- Terrified
- The Awful Truth Of Loving
- The Contents Of Lincolns Pockets
- The Double Life
- The Imperatives
- The Reason The Night Is Long
- The Seven Sisters
- There Will Be No Light
- Thought I Was
- Tinfoil
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Rainer Maria
Mystery And Misery
Long Knives Drawn
2003
Submitted by: [email protected]
Key: F#, B
Tuning: Standard EADGBe
Chords used:
F# - 244322
B - x24442
E - 022100
Ebm - x68876
C#m - x46654
Verse 1:
F# B
misrepresented
F#
initially you
looked like
you’d looked
like you’d
B
been sainted
Refrain 1:
E
but now I am
B
acquainted
E
with your dark
B
eyes and dirty mind
Verse 2:
F# B
was it uncalculated?
F#
you took me by surprise
getting all worked
B
up under the table
Refrain 2:
E
is your age
B
a good indication?
E
cuz you won’t
let on to me
F#
what you know or
you don’t know
Chorus 1:
B
and you’ve got a
certain detached
E
glare and I know
what you’re getting
around to maybe
you’re already there
B
you’ve got a
certain detached
E
glare and I know
what you’re getting
around to maybe
you’re already there
Ebm
but oh you’re wicked
C#m
you look so wicked
Chorus 2:
B
from the beginning
I made it clear
E
what I expected
but now I might
regret that cuz
B
mystery and misery
can sometimes be
E
a call to action
and can be a
source of passion
Ebm
but oh you’re wicked
C#m
you look so wicked
Bridge:
F#
well I can
B
read your eyes
F#
so say I’m the
B
one you like
F#
well I can
B
read your eyes
F#
so say I’m the
B
one you like
F#
I’m the one
B
you like
F#
I’m the one
B
you like
F#
I’m the one
B
you like
B
all the time
Verse 3:
F# B
misrepresented
F#
initially you
looked like
you’d looked to
me like you’d
B
been sainted
Verse 4:
F# B
was I uncalculated?
F#
you took me by surprise
getting all worked
B
up under the table
(Repeat Refrain 2)
(Repeat Chorus 1)
Chorus 3:
B
from the beginning
I made it clear
E
what I expected
but now I might
regret that cuz
B
mystery and misery
can sometimes be
E
a call to action
and can be a
source of passion
Ebm
but oh you’re wicked
C#m B(hold)
you look so wicked
Mystery And Misery
Long Knives Drawn
2003
Submitted by: [email protected]
Key: F#, B
Tuning: Standard EADGBe
Chords used:
F# - 244322
B - x24442
E - 022100
Ebm - x68876
C#m - x46654
Verse 1:
F# B
misrepresented
F#
initially you
looked like
you’d looked
like you’d
B
been sainted
Refrain 1:
E
but now I am
B
acquainted
E
with your dark
B
eyes and dirty mind
Verse 2:
F# B
was it uncalculated?
F#
you took me by surprise
getting all worked
B
up under the table
Refrain 2:
E
is your age
B
a good indication?
E
cuz you won’t
let on to me
F#
what you know or
you don’t know
Chorus 1:
B
and you’ve got a
certain detached
E
glare and I know
what you’re getting
around to maybe
you’re already there
B
you’ve got a
certain detached
E
glare and I know
what you’re getting
around to maybe
you’re already there
Ebm
but oh you’re wicked
C#m
you look so wicked
Chorus 2:
B
from the beginning
I made it clear
E
what I expected
but now I might
regret that cuz
B
mystery and misery
can sometimes be
E
a call to action
and can be a
source of passion
Ebm
but oh you’re wicked
C#m
you look so wicked
Bridge:
F#
well I can
B
read your eyes
F#
so say I’m the
B
one you like
F#
well I can
B
read your eyes
F#
so say I’m the
B
one you like
F#
I’m the one
B
you like
F#
I’m the one
B
you like
F#
I’m the one
B
you like
B
all the time
Verse 3:
F# B
misrepresented
F#
initially you
looked like
you’d looked to
me like you’d
B
been sainted
Verse 4:
F# B
was I uncalculated?
F#
you took me by surprise
getting all worked
B
up under the table
(Repeat Refrain 2)
(Repeat Chorus 1)
Chorus 3:
B
from the beginning
I made it clear
E
what I expected
but now I might
regret that cuz
B
mystery and misery
can sometimes be
E
a call to action
and can be a
source of passion
Ebm
but oh you’re wicked
C#m B(hold)
you look so wicked
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