Ao terminar o Jane’s Addiction, Perry Farrell passou a se dedicar a outras coisas como, por exemplo, a organização anual do festival de música Lollapalooza. Mas não conseguiu ficar muito tempo longe dos palcos. Em 1993, cerca de um ano depois do fim do Jane’s Addiction, Perry se juntou ao baixista Martyn Lenoble, ex-Thelonious Monster, ao guitarrista Peter DiStefano, além do baterista Stephen Perkins, seu companheiro de Jane’s Addiction, que estava tocando no Infectious Grooves. E assim formaram o Porno for Pyros.
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE--------------------------------# #This file is the author's own work and represents their interpretation of the# #song. You may only use this file for private study, scholarship, or research.# #-----------------------------------------------------------------------------# 100 Ways Porno for Pyros Good God's Urge
Transcribed by Stan Muller [email protected] Another in my PFP series
The beginning is played with an E and a form of F# with the top two(b and high e) strings open. Hammer on to the high e right before the changes. I'll refer to the weird form of F# by F# since i don't know it's real name.
EF#E You didn't have to give your necklace, to me before you left F#E now i lay awake and think, how very smart you were F# Thought about you every day..
DED I hear the rain coming in from miles away ED air is as clean as your skin is to my face E thought about you every day...
GA 100 ways GA i thought about you and me 100 ways GA 100 ways
EF#EF#
EF#E Now i lay awake and dream,you're right above my face F#E look in to my eyes the way you do, don't look away F# thought about you every day
DED Birds build their homes, right above my head ED They make the same, kind of sounds you do E When we're laying in my bed...
GA 100 ways GA i thought about you and me 100 ways GA 100 ways
EF#EF#
Here the break goes to a different tempo with more strange chord formations. Again the E is normal, but on the B and A in this section play a major bar chord rooted on the low e, with the top two strings open.
BAE Na-----na-na-na-na-na-na-naaaa AB Na-na-na--na-na-naaa
Repeat this a couple of times with improv on the vocals then:
EF#EF#
(For this verse, strum chord once and let ring) EF# And if i had my way, when i woke up EF# in the morning, i would read and write EF# before i ever drew the shade,, i would kiss you EF# before you opened up your eyes
(Back to regular strumming) DED Birds build their homes, right above my head ED They make the same, kind of sounds you do E When we're laying in my bed...
GA 100 ways GA i thought about you and me 100 ways GAE(Let Ring) 100 ways
@100 ways A. B. EE7/F#EF#GB e|----0--0-2p0----0--0-2p0--|--0--2--3--7-------| b|----0--0-0-0----0--0-0-0--|--0--2--3--7-------| G|----1--1-1-1----1--1-1-1--|--1--3--4--8-------| D|-2--2--2-2-2----2--2-2-2--|--2--4--5--9-------| A|--------------------------|--2--4--5--9-------| E|-0------------2-----------|--0--2--3--7-------|
a. intro/verses. the E note on the D string gets played twice before the percussion starts sneaking in and then this is played. i'm pretty sure i'm missing a chord in there somewhere, but i can't find it.
b. for the chorus and the scat singing part and "in the morning, if i had my way..."