Biografia:
Paul Shapera is an artist who works both under this name and (for a few years) Mocha Lab. He has created a number of different albums, of which the most popular is "The Dolls Of New Albion: A Steampunk Opera". They can all be bought online, mainly under his bandcamp page. He is currently working on a sequel to the Steampunk Opera, known as "The Dieselpunk Radio Hour" and is planning to create another sequel after that. He is mainly a writer and producer, while others help him work on his albums.
Read more on Last.fm
Outras músicas:
- Annabel Has A Doll
- Annabel Raises The Dead
- Annabels Lament
- Bonfire Of The Dolls
- Edgar Builds A Business
- Edgar Gets His Heart Broken
- Elysian Night
- Fay Considers Edgars Proposal
- I Will Bring You Down
- New Albion 1
- New Albion 2
- New Albion 3
- New Albion 4
- Postcards From Perdition Trail
- Priscilla And Jasper Play Cards
- Prisiclla Contemplates
- The Ballad Of The Gambler And The Monk
- The Day They Come
- The Dolls Of New Albion
- The Movement 1
- The Movement 2
- The Old Trunk In The Attic
- The Suicide
- Voodoopunk
- We Bid The First Generation Adieu
- We Bid You All Adieu
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
[Intro} D
D E
E F
F F#
Am E D F
D D E
So Edgar tries the experiments he’s read
E F
Annabella’s formula for bringing back the dead
F
The experiments of course prove a success
F# G Ab A
And thus a crazy notion comes into his head
Bbm Cm
One day you will see
C# Eb F
That I can be someone you never thought I’d be
Bbm Cm
One day you will see
C# Eb F
That I can be someone you never thought I’d be
[Interlude]
D
D C Bb A
G F A (x2)
Bm A C G (x2)
D A
My friends step right up, I have brought you a thing,
C G
Why it's a miracle process that you will never believe
D A
Your grandma, your parents, your child, I say who
C G
Yes whomever you've lost I can bring back to you
D A
You doubt me of course, think I'm out of head
C G
But this week I'll choose 5 folks and bring back their dead
D A
And I'll put them in quality, mechanical dolls
C G
Life sized, yes for free and you'll see it's not talk
[Interlude] Bm A C G (x2)
D A
My friends, can you hear me, the crowd's grown so big
C G
And these orders, why I'll tell you I barely know how to keep
D A
Up with, so I must tell you, I'm building a store
C G
Where your dead ones can be brought to you folks once more
D A
With all this success I can offer new deals
C G
Their bodies now come in different colors and feels
D A
Like mahogany, lilac, and deep oaken red
C G
Seven models to choose from to fit your dear dead
[Interlude] Bm A C G (x2)
D A
Gentlemen welcome, will the board please sit down
C G
our profits this quarter are almost beyond count
D A
We're opening new factories, starting new ads
C G
We're making our fortunes, so I've one thing to ask
D A
There's a man they call Sillof and he once stole my girl
C G
I want him destroyed, all he has in this world
D A
His business his home and his carriage all crushed
C G
I want him left penniless, face down in the dust
[Interlude]
D C Bb A
G F A (x2)
(picking:)
D A Bm A G D Bm A
D A Bm
All your intentions take their toll
A G
All you hate enthralls your soul
D Bm
When you win you sometimes lose
A
And all you love does not love you (x2)
D A
Fay, good to see you. I asked you here so
C G
You could listen to what I want to offer to you
D A
That man who you left me for, you know he's in ruins
C G
A broken down wreck, but Fay my fortune booms
D A
And I have a surprise, your dear long dead dad
C G
I have taken the liberty of bringing him back
D A
He sits now in my parlor, but Fay the only way
C G
You can see him or talk to him is to come back and stay.
D E
E F
F F#
Am E D F
D D E
So Edgar tries the experiments he’s read
E F
Annabella’s formula for bringing back the dead
F
The experiments of course prove a success
F# G Ab A
And thus a crazy notion comes into his head
Bbm Cm
One day you will see
C# Eb F
That I can be someone you never thought I’d be
Bbm Cm
One day you will see
C# Eb F
That I can be someone you never thought I’d be
[Interlude]
D
D C Bb A
G F A (x2)
Bm A C G (x2)
D A
My friends step right up, I have brought you a thing,
C G
Why it's a miracle process that you will never believe
D A
Your grandma, your parents, your child, I say who
C G
Yes whomever you've lost I can bring back to you
D A
You doubt me of course, think I'm out of head
C G
But this week I'll choose 5 folks and bring back their dead
D A
And I'll put them in quality, mechanical dolls
C G
Life sized, yes for free and you'll see it's not talk
[Interlude] Bm A C G (x2)
D A
My friends, can you hear me, the crowd's grown so big
C G
And these orders, why I'll tell you I barely know how to keep
D A
Up with, so I must tell you, I'm building a store
C G
Where your dead ones can be brought to you folks once more
D A
With all this success I can offer new deals
C G
Their bodies now come in different colors and feels
D A
Like mahogany, lilac, and deep oaken red
C G
Seven models to choose from to fit your dear dead
[Interlude] Bm A C G (x2)
D A
Gentlemen welcome, will the board please sit down
C G
our profits this quarter are almost beyond count
D A
We're opening new factories, starting new ads
C G
We're making our fortunes, so I've one thing to ask
D A
There's a man they call Sillof and he once stole my girl
C G
I want him destroyed, all he has in this world
D A
His business his home and his carriage all crushed
C G
I want him left penniless, face down in the dust
[Interlude]
D C Bb A
G F A (x2)
(picking:)
D A Bm A G D Bm A
D A Bm
All your intentions take their toll
A G
All you hate enthralls your soul
D Bm
When you win you sometimes lose
A
And all you love does not love you (x2)
D A
Fay, good to see you. I asked you here so
C G
You could listen to what I want to offer to you
D A
That man who you left me for, you know he's in ruins
C G
A broken down wreck, but Fay my fortune booms
D A
And I have a surprise, your dear long dead dad
C G
I have taken the liberty of bringing him back
D A
He sits now in my parlor, but Fay the only way
C G
You can see him or talk to him is to come back and stay.
paul taylor
Paul Thomas Saun (...)
Paul Thorn
Paul Tiernan
Paul Toledo