Biografia:
Nada Surf foi formado em 1993 em Nova Iorque. A banda de Rock Alternativo alcançou alto grau de fama com a música Popular, presente no seu primeiro álbum, High/Low. A banda sobreviveu ao rótulo de one hit wonder e continua a sua existência no cenário independente norte-americano. Seus discos posteriores conseguiram boa aceitação de crítica e formaram uma legião fiel de fãs.
Discografia
* 1994 - Karmic (EP)
* 1996 - High/Low
* 2000 - The Proximity Effect
Read more on Last.fm
Outras músicas:
- Blonde On Blonde
- Inside Of Love
- Killians Red
- Neither Heaven Nor Space
- 80 Windows
- All Is A Game
- Always Love
- Amateur
- Animal
- Are You Lightning
- Bacardi
- Bad Best Friend
- Beautiful Beat
- Believe Youre Mine
- Blankest Year
- Blizzard Of 77
- Clear Eye Clouded Mind
- Cold To See Clear
- Concrete Bed
- Do It Again
- Electrocution
- End Credits
- Enjoy The Silence
- Everybody Lies
- Evolucion
- Friend Hospital
- From Now On
- Fruit Fly
- Here Goes Something
- Hi Speed Soul
- I Like What You Say
- Ice On The Wing
- If You Leave
- Imaginary Friends
- Jules And Jim
- Looking Through
- Meow Meow Lullaby
- New Bird
- No Quick Fix
- Out Of The Dark
- Popular
- River Phoenix
- Robot
- Rushing
- See These Bones
- Silent Fighting
- Teenage Dreams
- The Way You Wear Your Head
- Weightless
- What Is Your Secret
- Whose Authority
- Your Legs Grow
- Zen Brain
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Cold To See Clear, Nada Surf
(Capo on 2nd fret)
**Note: the song can be played with the chords in their standard fingering patterns and
it will sound fine.
But to play more faithfully to the original (the way Matthew Caws plays it), the
fingering patterns for the
three chords in the Intro, Verse, and Outro can be played as:
D A Em
e|---0---------0---------0-------|
B|---7---------5---------8-------|
G|---0---------0---------0-------|
D|---7---------7---------9-------|
A|---5---------0---------7-------|
E|-----------------------0-------|
[Intro]
D A Em A D
Clothes make the man. The house makes the heart,
A Em
don’t get me started about how hard it is
D A Em
to start or stay on track, or don’t dream,
D A Em
or do whether you want, or want not to.
[Chorus]
G D A Em G
What I arrived to, the radio took me, the radio radio made me.
D A Em
What can I do but dre--------am?
G D A Em G
What can we do, but listen to stories, wretched or glorious?
D A
Is it me and you in other sce-------nes?
[Verse]
D A Em A D
I don’t mind if it’s raining. I don’t mind if it’s hot.
A Em A
I don’t mind what you’re thinking.
D
and I don’t mind if you’re not.
short interlude/bridge to chorus: D A Em A
[Chorus]
G D A Em G
What I arrived to, the airwaves they took me, the radio radio made me.
D A Em
What can I do but dre--------am?
G D A Em G
What can we do, but listen to stories, wretched or glorious?
D A G
Is it me and you in other sce-----nes?
D A
Where I found my eyes, it’s loving that took me
Em G D A
It's Sundays out walking the mile. The son makes the ma----n.
[Bridge]
A Em
A little cold to see clear.
A Em D
A little cold to see cle-------------ar.
A Em
Cold to see clear.
A Em
A little cold to see clear.
A Em D
A little cold to see cle-------------ar.
[Chorus]
G D A Em G
What I arrived to, the airwaves they took me, the radio radio makes me.
D A Em
What else can I do but dre-------am?
G D A Em G
What can we do, but listen to stories, wretched or glorious?
D A G
Is it me and you in other sce-----nes?
D A
Where I found my eyes, it’s love and it took me
Em G D A
It's Sundays out walking the mile. The son makes the ma-----n.
[Outro]
D A Em A D
I don’t mind if it’s raining. I don’t mind if it’s hot.
A Em A
I don’t mind what you’re thinking.
D
and I don’t mind if you’re not.
(Capo on 2nd fret)
**Note: the song can be played with the chords in their standard fingering patterns and
it will sound fine.
But to play more faithfully to the original (the way Matthew Caws plays it), the
fingering patterns for the
three chords in the Intro, Verse, and Outro can be played as:
D A Em
e|---0---------0---------0-------|
B|---7---------5---------8-------|
G|---0---------0---------0-------|
D|---7---------7---------9-------|
A|---5---------0---------7-------|
E|-----------------------0-------|
[Intro]
D A Em A D
Clothes make the man. The house makes the heart,
A Em
don’t get me started about how hard it is
D A Em
to start or stay on track, or don’t dream,
D A Em
or do whether you want, or want not to.
[Chorus]
G D A Em G
What I arrived to, the radio took me, the radio radio made me.
D A Em
What can I do but dre--------am?
G D A Em G
What can we do, but listen to stories, wretched or glorious?
D A
Is it me and you in other sce-------nes?
[Verse]
D A Em A D
I don’t mind if it’s raining. I don’t mind if it’s hot.
A Em A
I don’t mind what you’re thinking.
D
and I don’t mind if you’re not.
short interlude/bridge to chorus: D A Em A
[Chorus]
G D A Em G
What I arrived to, the airwaves they took me, the radio radio made me.
D A Em
What can I do but dre--------am?
G D A Em G
What can we do, but listen to stories, wretched or glorious?
D A G
Is it me and you in other sce-----nes?
D A
Where I found my eyes, it’s loving that took me
Em G D A
It's Sundays out walking the mile. The son makes the ma----n.
[Bridge]
A Em
A little cold to see clear.
A Em D
A little cold to see cle-------------ar.
A Em
Cold to see clear.
A Em
A little cold to see clear.
A Em D
A little cold to see cle-------------ar.
[Chorus]
G D A Em G
What I arrived to, the airwaves they took me, the radio radio makes me.
D A Em
What else can I do but dre-------am?
G D A Em G
What can we do, but listen to stories, wretched or glorious?
D A G
Is it me and you in other sce-----nes?
D A
Where I found my eyes, it’s love and it took me
Em G D A
It's Sundays out walking the mile. The son makes the ma-----n.
[Outro]
D A Em A D
I don’t mind if it’s raining. I don’t mind if it’s hot.
A Em A
I don’t mind what you’re thinking.
D
and I don’t mind if you’re not.
Najwa Latiff
Naked Eyes
Naktines Persono (...)
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NÄm