Alcançou o sucesso na década de 70, fazendo uma música influenciada pelo jazz e pelo folk rock. Suas letras são introspectivas e de caráter romântico, e estão entre as melhores criadas na história do rock. Gravou três discos que entraram para a história do rock: Clouds, de 1969, Court and Spark, de 1974, e Blue, de 1971, que ocupa a 30ª posição na lista dos 500 melhores álbuns de todos os tempos da revista Rolling Stone.
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Intro: D – A/D – D/G – E/A D – A/D – G – A E/A – D – A/D – Bm F#m7 – Ebsus4 – E – A – E/A A No tongue in the bell and the fish wives yell, E/AF#m7E/F# But they might as well be mute. D/GBm7 So you get to keep the pictures, Cmaj7AE/A That don’t seem like much.
F#mE Cold white keys under your fingers, Amaj7G Now you’re thinkin’, “That’s no substitute, D/GGmaj7D It just don’t do it like the song A/DBAG#m7F# Of a warm, warm body lov- - ing your touch.”
In the court they carve your legend With an apple in its jaw And the women you wanted They get their laughs
Long silk stockings on the bedposts of refinement You’re too raw They think you’re too raw It’s the judgment of the moon and stars Your solitary path BAE/A Draw yourself a bath G#m7F# Think what you’d like to have E/A For supper, or take a walk ED/G A park, A bridge, A tree, A river
DA/DA Re-voked, but not yet cancelled GD/GGmaj7DA/D The gift goes on, in si-lence F#m7B In a bell jar, still the song.