Biografia:
O Indigo Girls é composto por Amy Ray e Emily Saliers. Elas se conheceram no playground de uma escola primária em Decatur, Georgia, e têm tocado juntas desde o ensino médio. Foram contratadas pela Epic Records em 1989 e ganharam o Grammy de melhor albúm comtemporâneo folk naquele ano. Algumas de suas músicas são "Galileo", "Closer to Fine," e "Shame on You."
Além de musicistas, Ray e Saliers são ativistas, sempre apoiando campanhas para o controle de armas
Read more on Last.fm
Outras músicas:
- Power of two
- Galileo
- 1 2 3
- Able To Sing
- Airplane
- All That We Let In
- All The Way
- Andy
- Back Together Again
- Ballad Of Squeaky Fromme
- Beauty Queen Sister
- Become You
- Blood And Fire
- Bury My Heart
- Caramia
- Center Stage
- Chickenman
- Closer To Fine
- Cold As Ice
- Cold Beer And Remote Control
- Come A Long Way
- Compromise
- Cordova
- Cortez The Killer
- Crazy Game
- Daddys All Gone
- Dairy Queen
- Damo
- Dead Mans Hill
- Deconstruction
- Devotion
- Digging For Your Dream
- Dirt And Dead Ends
- Dont Give That Girl A Gun
- Driver Education
- Elizabeth
- Everybodys Waiting
- Everything In Its Own Time
- Faye Tucker
- Fishtails
- Fleet Of Hope
- Fly Away
- Free In You
- Fugitive
- Get Out The Map
- Ghost
- Ghost Of The Gang
- Go
- Gone Again
- Happy In The Sorrow Key
- Heartache For Everyone
- Hey Jesus
- High Horse
- I Believe In Love
- I Dont Wanna Know
- I Dont Want To Talk
- I Dont Want To Talk About It
- Ill Change
- It Wont Take Long
- Its Alright
- John
- Joking
- Kid Fears
- Language Or The Kiss
- Last Tears
- Lay My Head Down
- Least Complicated
- Leaving
- Leeds
- Left Me A Fool
- Let It Be Me
- Let Me Go Easy
- Little Perennials
- Love Of Our Lives
- Love Of The Common People
- Love Will Come To You
- Loves Recovery
- Midnight Train To Georgia
- Moment Of Forgiveness
- Mona Lisas And Mad Hatters
- Money Made You Mean
- Mystery
- Nashville
- Never Stop
- No Way To Treat A Friend
- Olympia Inn
- Our Deliverance
- Ozilline
- Peace Tonight
- Pendulum Swinger
- Prince Of Darkness
- Rise Of The Black Messiah
- Rise Up
- River
- Rock And Roll Heavens Gate
- Romeo And Juliet
- Salty South
- Scooter Boys
- Second Time Around
- Secure Yourself
- Shame On You
- Share The Moon
- Shed Your Skin
- Shes Saving Me
- Sister
- Something Real
- Soon Be To Nothing
- Southland In The Springtime
- Spread The Pain Around
- Starkville
- Strange Fire
- Sugar Tongue
- Tether
- The Untitled Song
- The Water Is Wide
- The Wood Song
- Thin Line
- This Train Revised
- Three County Highway
- Three Hits
- Touch Me Fall
- Tried To Be True
- True Romantic
- Walk Away
- War Rugs
- We Get To Feel It All
- Welcome Me
- What Are You Like
- Wood Song
- World Falls
- Yoke
- You Left It Up To Me
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
MYSTERY (Emily Saliers)
-----------------------
[The chords written down here are Amy's, more or less. She plays either
a 12-string or high-strung guitar (which is basically a 12-string with the
bigger strings removed). Some fingerings are at the end.]
[Emily's guitar is tuned DADGAD, so most of her chords actually have A and
D notes in them: G becomes G(9), A becomes A7sus4, Em becomes Em7(4), etc.
Buy the _Swamp_Ophelia_ songbook if you want Emily's chord fingerings.]
[Each chord, or pair of chords joined by hyphens, is one 6/8 measure.]
Dmaj9 G D - Dsus4 D - Dsus9 Dmaj9 G D - Gm D
[intro] (Handed down or made by hand)
Dmaj9 G
Each time you'd pull down the driveway
D - Dsus4 D
I wasn't sure when I would see you again
Em7 G - A7sus4
Yours was a twisted, blind-sided highway
D - Gm D
No matter which road you took then
Dmaj9 G
Oh you set up your place in my thoughts
D - Dsus4 D
Moved in and made my thinking crowded
Em7 D/F#
Now we're out in the back with the barking dogs
G A7sus4 A7
My heart the red sun, your heart the moon clouded
G A
I could go crazy on a night like tonight
D - D/C# Gmaj7/B
When summer's beginning to give up her fight
G A
And every thought's a possibility
D - D/C# D7/C
And voices are heard, but nothing is seen
G A
Why do you spend this time with me
G - A D - Dsus4 D
May be an equal mystery
So what is love then
Is it dictated or chosen (handed down or made by hand)
Does it sing like the hymns of a thousand years
Or is it just pop emotion (handed down or made by hand)
And if it ever was there, and it left
Does it mean it was never true
And to exist it must elude
Is that why I think these things of you
But I could go crazy on a night like tonight
When summer's beginning to give up her fight
And every thought's a possibility
And voices are heard, but nothing is seen
Why do you spend this time with me
May be an equal mystery
C9
Oh, but you like the taste of danger
C9 D - Dsus4 D
It shines like sugar on your lips
C9 C9
And you like to stand in the line of fire
Em7 D7/C
Just to show you can shoot straight from your hip
G Gm
There must be a thousand things you would die for
D - D/C# Gmaj7/B
I can hardly think of two
Em7 D/F#
But not everything is better spoken aloud
G A7sus4 A7
Not when I'm talking to you
Dmaj9 G
Oh, the pirate gets the ship and the girl tonight
D - Dsus4 D
Breaks a bottle to christen her
Em7 G - A7sus4
Basking in the exploits of her thief
D - Gm D
She's a very good listener
Dmaj9 G
And maybe that's all that we need is to meet in the middle
D - Dsus4 D
Of impossibility
Em7
Standing at opposite poles
G - A D - Dsus4 D
Equal partners in a mystery
Em7
We're standing at opposite poles
G - A D - Dsus4 D - Dsus4 D - Gm D.
Equal partners in a mystery
AMY'S CHORDS:
Dmaj9: x00220 G: 320033 Gm: xx0333 A7sus4: x02030
D/C#: x40232 Gmaj7/B: x20032 D7/C: x30232
C9: x32330 (actually x32333, but can _you_ play that?)
(The rest should be pretty standard.)
If you want to get that jangly 12-string kind of sound on an ordinary
6-string, put a capo at the 5th fret and transpose everything to the
key of A. Then, try using these for some of your chord fingerings:
Amaj9 D(9) A As2s4 A As2s4
x02100 x00230 x07650 - x07700 x07650 - x07700
[intro]
Amaj9 D(9) A Dm(9) A
x02100 x00230 x02220 - x03230 x02220
[intro]
Later in the song, the only suggestions I have are 32320x for G9,
and x02220 x02120 x00252 (A Amaj7 D(9)) instead of A A/G# Dmaj7/F#.
- Adam Schneider, [email protected]
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
MYSTERY (Emily Saliers)
-----------------------
[The chords written down here are Amy's, more or less. She plays either
a 12-string or high-strung guitar (which is basically a 12-string with the
bigger strings removed). Some fingerings are at the end.]
[Emily's guitar is tuned DADGAD, so most of her chords actually have A and
D notes in them: G becomes G(9), A becomes A7sus4, Em becomes Em7(4), etc.
Buy the _Swamp_Ophelia_ songbook if you want Emily's chord fingerings.]
[Each chord, or pair of chords joined by hyphens, is one 6/8 measure.]
Dmaj9 G D - Dsus4 D - Dsus9 Dmaj9 G D - Gm D
[intro] (Handed down or made by hand)
Dmaj9 G
Each time you'd pull down the driveway
D - Dsus4 D
I wasn't sure when I would see you again
Em7 G - A7sus4
Yours was a twisted, blind-sided highway
D - Gm D
No matter which road you took then
Dmaj9 G
Oh you set up your place in my thoughts
D - Dsus4 D
Moved in and made my thinking crowded
Em7 D/F#
Now we're out in the back with the barking dogs
G A7sus4 A7
My heart the red sun, your heart the moon clouded
G A
I could go crazy on a night like tonight
D - D/C# Gmaj7/B
When summer's beginning to give up her fight
G A
And every thought's a possibility
D - D/C# D7/C
And voices are heard, but nothing is seen
G A
Why do you spend this time with me
G - A D - Dsus4 D
May be an equal mystery
So what is love then
Is it dictated or chosen (handed down or made by hand)
Does it sing like the hymns of a thousand years
Or is it just pop emotion (handed down or made by hand)
And if it ever was there, and it left
Does it mean it was never true
And to exist it must elude
Is that why I think these things of you
But I could go crazy on a night like tonight
When summer's beginning to give up her fight
And every thought's a possibility
And voices are heard, but nothing is seen
Why do you spend this time with me
May be an equal mystery
C9
Oh, but you like the taste of danger
C9 D - Dsus4 D
It shines like sugar on your lips
C9 C9
And you like to stand in the line of fire
Em7 D7/C
Just to show you can shoot straight from your hip
G Gm
There must be a thousand things you would die for
D - D/C# Gmaj7/B
I can hardly think of two
Em7 D/F#
But not everything is better spoken aloud
G A7sus4 A7
Not when I'm talking to you
Dmaj9 G
Oh, the pirate gets the ship and the girl tonight
D - Dsus4 D
Breaks a bottle to christen her
Em7 G - A7sus4
Basking in the exploits of her thief
D - Gm D
She's a very good listener
Dmaj9 G
And maybe that's all that we need is to meet in the middle
D - Dsus4 D
Of impossibility
Em7
Standing at opposite poles
G - A D - Dsus4 D
Equal partners in a mystery
Em7
We're standing at opposite poles
G - A D - Dsus4 D - Dsus4 D - Gm D.
Equal partners in a mystery
AMY'S CHORDS:
Dmaj9: x00220 G: 320033 Gm: xx0333 A7sus4: x02030
D/C#: x40232 Gmaj7/B: x20032 D7/C: x30232
C9: x32330 (actually x32333, but can _you_ play that?)
(The rest should be pretty standard.)
If you want to get that jangly 12-string kind of sound on an ordinary
6-string, put a capo at the 5th fret and transpose everything to the
key of A. Then, try using these for some of your chord fingerings:
Amaj9 D(9) A As2s4 A As2s4
x02100 x00230 x07650 - x07700 x07650 - x07700
[intro]
Amaj9 D(9) A Dm(9) A
x02100 x00230 x02220 - x03230 x02220
[intro]
Later in the song, the only suggestions I have are 32320x for G9,
and x02220 x02120 x00252 (A Amaj7 D(9)) instead of A A/G# Dmaj7/F#.
- Adam Schneider, [email protected]
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