O Indigo Girls é composto por Amy Ray e Emily Saliers. Elas se conheceram no playground de uma escola primária em Decatur, Georgia, e têm tocado juntas desde o ensino médio. Foram contratadas pela Epic Records em 1989 e ganharam o Grammy de melhor albúm comtemporâneo folk naquele ano. Algumas de suas músicas são "Galileo", "Closer to Fine," e "Shame on You."
Além de musicistas, Ray e Saliers são ativistas, sempre apoiando campanhas para o controle de armas
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## #
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------#
MONA LISAS AND MAD HATTERS (Elton John & Bernie Taupin) ------------------------------------------------------
[I got the basic chords from an Elton John songbook, then I fixed them up a little so they match the Indigo Girls version.]
* Capo 2, I think. Maybe only 1. * Each chord is half a measure; well, not _exactly_ half, but let's put it this way: two chords equal one measure. * Where I put an asterisk by a chord, that means play around with it. - For the C's, that means make some C(9)'s, x32030 or x30010. - Dm7: play Dm7(4), xx0213 or xx0011. - F: play F(9), xx3213 or x33011 or xx3011. - D: Play D, D(9), and Dsus; xx0232, xx0230, & xx0233 - In other words, the usual Indigo Girls variations...
CDmCC* E7E7AmC/G And now I know Spanish Harlem are not FFCCDm7Dm7Dm7* Dm7* Just pretty words to say CDmCC* E7E7AmC/G I thought I knew, but now I know that rose trees FFCCDm7* Dm7* Never grow in New York City
FFCCDm7Dm7CC Until you've seen this trash can dream come true FFCCGG7CC You stand at the edge while people run you through FFCCG7G7CC I thank the lord there's people out there like you FFCCDm7Dm7* I thank the lord there's people out there like you
GCGGCCBbBbFFCC While Mona Lisas and Mad Hatters, sons of bankers, sons of lawyers CCCCFFF* F* Turn around and say good morning to the night E7E7AmGFEmD* D* D* D* For unless they see the sky, but they can't, and that is why FFGGF* F* CC They know not if it's dark outside or light
This Broadway's got, it's got a lot of songs to sing, and If I knew the tune I might join in I'll go my way alone, grow my own, my own seeds Shall be sown in New York City
Subway's no way for this good man to go down Rich man can ride, and the hobo he can drown And I thank the lord for the people I have found I thank the lord for the people I have found
While Mona Lisas...
And now I know Spanish Harlem...
Subway's no way...
While Mona Lisas... FFCCFF* C. They know not if it's dark outside or light.