Importante cantante y compositor de bonitas melodías folk, su primer sencillo “Taxi” logró un éxito inminente, pero sus primeros dos álbumes, “Head And Trais” y “Sniper And Other Love Songs” no disfrutarían del mismo éxito. Su tercer trabajo, “Short Stories”, permaneció en las listas unos seis meses gracias al sencillo “W.O.L.D.”. El disco “Verities And Balderdash” fue disco de oro y Chapin también consigue una nominación de la Academia por su documental “Legendary Champions” en 1968.
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From: [email protected] (David S. Blumenthal)
Stranger With The Melodies Harry Chapin As recorded (approximately :) ) on Legends of the Lost and Found
Information: TAB: one space equals one eigth note
main pattern repeats through out song (note variations at end of choruses): DD/GD/ED/A e|----3---|2---0---|----3---|2---0---|----3---|2---0---|----3---|2---0---| B|--3---3-|--2---3-|--3---3-|--2---3-|--3---3-|--2---3-|--3---3-|--2---3-| G|-2-2-2-2|-3-3-2-2|-2-2-2-2|-3-3-2-2|-2-2-2-2|-3-3-2-2|-2-2-2-2|-3-3-2-2| D|0-------|--------|--------|--------|--------|--------|--------|--------| A|--------|--------|--------|--------|--------|--------|0-------|--------| E|--------|--------|3-------|----(2)-|0-------|--------|--------|--------|
D It was my first night in that roomin' house, D/G in the last room down the hall. D/E I heard a hoarse voice, and an old guitar, D/A comin' through the paper thin walls. D A crazy nonsense nursery rhyme, D/G it did not mean a thing. D/E But for the first of what was to be a thousand times, D/A this is what I heard him sing.
CHORUS: D Hold that "D" chord on the old guitar, D/G 'till I find the "G." D/E Drop it down to old "E" minor, D/ADD/A 'till the "A" chord rolls back home around to "D."
DD/G I had to lay there listening, it seemed he was in the room. D/ED/A The stranger with the melodies, singin' there in the gloom. BmF And he repeated it over and over again, such a soft and sinking sound. AmEm It was kind of like a music box that was slowly windin' down. FEm And he sang it, he hummed it, he whistled it, and he strummed it. GAAA7A6 He laughed it, and he cried it. He did anything but hide it.
CHORUS: AD Hold that "D" chord on the old guitar, D/G 'till I find the "G." D/E Drop it down to old "E" minor, D/ADD/A 'till the "A" chord rolls back home around to me.
DD/G So I lay there in that lumpy bed, counted choruses instead of sheep, D/ED/A 'till I banged on the wall and out I called, "Hey bub, I need some sleep." (D) (stop pattern, just base) (G) A sudden void of silence, then I heard that hoarse voice say, (E) (A) D (resume pattern) D/A "It weren't so long ago, boy, they paid me to play. DD/G So I said, "It's kind of late for music, sir. Two hours 'till it's daylight." D/ED/A He answered, "I need my music most in these dark hours of the night. BmF You see I've tried gettin' high on somethin', son; it only brings me down. AmEm Stayin' dry don't work out better, boy, 'cause my eyes get wet and I drown. FEm Won't you please let me continue, and I'll be in your debt. GAAA7A6 You see I'm not singin' to remember, son. I'm just singin' to forget.
CHORUS: AD Hold that "D" chord on the old guitar, D/G 'till I find the "G." D/E Drop it down to old "E" minor, D/ADD(strum) D(strum) A 'till the "A" chord rolls back home around to me.
CG That's when I said, if I'm supposed to listen to you, sir, CG one quick question, then. FCA Why in the hell do you sing one song, over and over again?
(spoken) And this is what he said.
DDDD/G I gave her the music, son. She gave me the words. D/ED/A Together we'd write the kinds of songs the angels must have heard. DD/G Of course, we'd fight like cats and dogs; life ain't no rosebud dream. D/ED/A Still, where ever we'd go, everybody'd know, we were truly a team. DD/G I can't remember now if I'd done her wrong, or if she'd done wrong to me. D/ED/A Still, all I know is when I let her go, it did not set me free. Bm That's when I said, "You sound like what's-his-name." F He said, "That's who I am. Am But you can't wrap a name around you boy, Em 'cause it really don't mean a damn. FEm You see, a song don't have no meanin', when it don't have nothin' to say. GAAA7A6A What she could do was magic, son. All I can do is play. D He started singin' again, that's when I drifted off, D/G and maybe I'd dreamed what I'd heard, D/E about the stranger with the melodies, D/A who'd gone and lost the words.
CHORUS: D Hold that "D" chord on the old guitar, D/G 'till I find the "G." D/E Drop it down to old "E" minor, D/ADD(final) 'till the "A" chord rolls back home around to "D."
----------------------------------------------------------------------- | _/_/_/ _/ _/ _/ _/_/_/ | Dave Blumenthal | | _/ _/ _/ _/ _/ _/ _/ | [email protected] | | _/ _/ _/_/_/ _/ _/ _/_/ | The Ohio State University | | _/ _/ _/ _/ _/_/ _/ | Statistical Computing Laboratory | | _/_/_/ _/ _/ _/ _/_/_/ | (614) 292-5535 | ------ There is a fine difference between insight and insanity. -------