Declan Patrick Aloysius MacManus, nascido em 25 de agosto de 1954, mais conhecido pelo nome artístico de Elvis Costello, é um cantor, compositor e músico britânico. Teve participação nos primórdios do cenário pub rock (movimento concentrado no Norte de Londres e Sudeste do Condado de Essex que pregava uma volta ao básico, se colocando contra muito da cena pop da época, dominada pelo rock progressivo e por sons elaborados da costa oeste dos EUA)
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## from: Christian Korbanka, Cologne, Germany e-mail: [email protected] lyrics and chords of: Busy Bodies by Elvis Costello And The Attractions
Suggestions and corrections are always welcome! date: 95/10/15
DA/C# So you think that you have seen her, D/F#G When you?re lying in between her DA/C# And you tell me that you don?t care D/F#G Busy bodies getting nowhere DG Everybody?s getting meaner DADD/F# GDBm7A Busy bodies caught in the concertina
DGEA You check her outline, break her regulations F#/C#Bm/DEAG You watch her legs through several service stations F#mFEmA7 Busy bodies, very busy, getting nowhere
Nowhere, nowhere, nowhere
DA/C# Now you?re ready for a merger D/F#G With the company you?re part of DA/C# And you do the dirty business D/F#G With your latest sleeping partner DG You?re becoming automatic DADD/F# GDBm7A Busy bodies out playing with the traffic
DGEA You want attention. You try my patience F#/C#Bm/DEAG With the best intentions you are nothing but a nuisance F#mFEmA7 Busy bodies, busy busy, getting nowhere
Nowhere, nowhere, nowhere
DA/C# Now you?ve given your performance D/F#G Though the matinee was idle DA/C# And you find out that a wave of D/F#G Her right hand could seem so tidal DG Just a second satisfaction DADD/F# GDBm7A Busy bodies temp