Biografia:
Colin Hay é um músico escocês, mas conhecido por australiano, já que desde a adolescência morou na Austrália.
Seu nome de batismo é Colin James Hay, e ele nasceu em 1953 em Saltcoats, uma localidade da Escócia. A família se mudou para a Austrália quando ele tinha 14 anos. Nessa época, Colin começou a se interessar em tocar guitarra e cantar. Em 1978, junto com Ron Strykert (guitarra), Greg Ham (sax e flauta), John Rees (baixo) e Jerry Speiser (bateria), formaram o Men at Work, que se tornou um sucesso e um ícone do surf-rock.
Read more on Last.fm
Outras músicas:
- Against The Tide
- Are You Looking At Me
- Back In My Loving Arms
- Beautiful World
- Don't Believe You Anymore
- Go Ask An Old Man
- Going Somewhere
- I Just Don't Think I'll Ever Get Over You
- I Wish I Was Still Drinking
- Into My Life
- Into The Cornfields
- Maggie
- My Brilliant Feat
- Overkill
- She Keeps Me Dreaming
- Small Town Big Hell
- Waiting For My Real Life To Begin
- Wayfaring Sons
- A Thousand Million Reasons
- And If You Only Knew
- Are We There Yet
- Children On Parade
- Come Tumblin Down
- Company Of Strangers
- Conversation
- Dear Father
- Did You Just Take The Long Way Home
- Dont Believe You Anymore
- Dont Wait Up
- Down Under
- Dreamtime In Glasgow
- Fishermans Friend
- Freedom Calling
- Frozen Fields Of Snow
- Gathering Mercury
- Goodbye My Red Rose
- Help Me
- Here In My Hometown
- Hold The Line
- I Came Into Your Store
- I Can See It In Your Eyes
- I Dont Miss You Now
- I Just Dont Think Ill Ever Get Over You
- I Want You Back
- If I Had Been A Better Man
- Ill Leave The Light On
- Im Doing Fine
- Lifeline
- Looking For Jack
- Lose To Win
- Lost Generation
- Love Is Innocent
- Next Year People
- Next Year People Live
- No One Knows
- Norwegian Wood
- Not So Lonely
- Oh California
- Ooh Ooh Ooh Ooh Baby
- Pleased To Almost Meet You
- Pure Love
- Road To Mandalay
- Scattered In The Sand
- Send Somebody
- She Put The Blame On You
- Shes My Best Friend
- Simple Song
- Sometimes I Wish
- The Flying Song
- Theres Water Over You
- These Are Our Finest Days
- This Time I Got You
- To Have And To Hold
- Trying To Get To You
- Up In Smoke
- Waiting In The Rain
- Wash It All Away
- Water Song
- What Would Bob Do
- Who Can It Be Now
- Womans Face
- You Saved Me From Myself
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Notes:
1)FOR STRUMMING PATTERN: I'd suggest choppy for the 1st B minor of each verse line and
smooth for the E with the second B minor and F sharp being fairly brief and changing. For
the verse keep it smooth but for the progression of D, Dsus2 and Dsus4 at the end this
should be a quicker flourish. For the bridge keep the strumming rhythmic but emphasise the
first beat and let the D to D7 be a more freely/quickly strummed progression.
2) WHERE I'VE PUT E*: basically play a D chord but two frets up, this is still an E
but it just sounds more like the piece
3) Where I've put an F# I believe this to be an F chord but up 1 fret.
4) Feel free to mess around with E7 a bit in the verse as a flourish at the end of the
E, this isn't in the piece, but it's a nice embellishment. As is using a second Dsus2 to
get back to the verse from the chorus.
5) Enjoy the piece! This should be fairly accurate as it's based on live video footage
and a seasoned ear, but by all means dabble yourself and send me any suggestions or
messages on twitter (@SmallGardenBird)p.s get a kazoo for the 'doo' bits!
Intro
Bm E Bm F#
Bm E Bm F#
Verse 1:
Bm E Bm F#
I ve got no one to call my own
Bm E Bm F#
Nobody calls me on the phone, I ve been disconnected
Bm E Bm F#
I ve been evicted from my home
Bm E Bm F#
Name and address care of unknown, it s been redirected
Chorus:
G5 D A
Now the open sky s my limit,
Fm D D7
And the sun s my point of view
G5 A D Dsus4
Dsus2 D
This time I had to lose to win
Verse 2:
Bm E Bm F#
I walk down Peachtree Avenue
Bm E Bm F#
Nothing s the same since I lost you, it s to be expected
Bm E Bm F#
I never thought that I d stoop quite so low
Bm E Bm F#
You had no choice but to up and go you felt so rejected
Chorus:
G5 D A
I crashed with the wheels still spinning,
Fm D D7
I had no overview
G5 A D
I just crawled out and walked away
G5 D A
Now I can t stop my mouth from grinning,
Fm D D7
and time is running thin
G5 A D Dsus4
Dsus2 D
This time I had to lose to win
Bridge
G A D E*
(doo-ing)
G A D D7
(doo-ing)
G A D E*
(doo-ing)
G A D Dsus4
Dsus2 D
This time I had to lose to win
Instrumental:
Bm E Bm F#
Bm E Bm F#
Chorus:
G5 D A
I know I should be feeling,
Fm D D7
a lot worse than I do
G5 A D
As past due payment for my sins
G5 D A
But I m done with pain from kneeling,
Fm D D7
And the sky s still coloured blue
G5 A D Dsus4
Dsus2 D
This time I had to lose to win
Outro (same as bridge):
G A D E*
(doo-ing)
G A D D7
(doo-ing)
G A D E*
(doo-ing)
G A D Dsus4
Dsus2 D
This time I had to lose to win
1)FOR STRUMMING PATTERN: I'd suggest choppy for the 1st B minor of each verse line and
smooth for the E with the second B minor and F sharp being fairly brief and changing. For
the verse keep it smooth but for the progression of D, Dsus2 and Dsus4 at the end this
should be a quicker flourish. For the bridge keep the strumming rhythmic but emphasise the
first beat and let the D to D7 be a more freely/quickly strummed progression.
2) WHERE I'VE PUT E*: basically play a D chord but two frets up, this is still an E
but it just sounds more like the piece
3) Where I've put an F# I believe this to be an F chord but up 1 fret.
4) Feel free to mess around with E7 a bit in the verse as a flourish at the end of the
E, this isn't in the piece, but it's a nice embellishment. As is using a second Dsus2 to
get back to the verse from the chorus.
5) Enjoy the piece! This should be fairly accurate as it's based on live video footage
and a seasoned ear, but by all means dabble yourself and send me any suggestions or
messages on twitter (@SmallGardenBird)p.s get a kazoo for the 'doo' bits!
Intro
Bm E Bm F#
Bm E Bm F#
Verse 1:
Bm E Bm F#
I ve got no one to call my own
Bm E Bm F#
Nobody calls me on the phone, I ve been disconnected
Bm E Bm F#
I ve been evicted from my home
Bm E Bm F#
Name and address care of unknown, it s been redirected
Chorus:
G5 D A
Now the open sky s my limit,
Fm D D7
And the sun s my point of view
G5 A D Dsus4
Dsus2 D
This time I had to lose to win
Verse 2:
Bm E Bm F#
I walk down Peachtree Avenue
Bm E Bm F#
Nothing s the same since I lost you, it s to be expected
Bm E Bm F#
I never thought that I d stoop quite so low
Bm E Bm F#
You had no choice but to up and go you felt so rejected
Chorus:
G5 D A
I crashed with the wheels still spinning,
Fm D D7
I had no overview
G5 A D
I just crawled out and walked away
G5 D A
Now I can t stop my mouth from grinning,
Fm D D7
and time is running thin
G5 A D Dsus4
Dsus2 D
This time I had to lose to win
Bridge
G A D E*
(doo-ing)
G A D D7
(doo-ing)
G A D E*
(doo-ing)
G A D Dsus4
Dsus2 D
This time I had to lose to win
Instrumental:
Bm E Bm F#
Bm E Bm F#
Chorus:
G5 D A
I know I should be feeling,
Fm D D7
a lot worse than I do
G5 A D
As past due payment for my sins
G5 D A
But I m done with pain from kneeling,
Fm D D7
And the sky s still coloured blue
G5 A D Dsus4
Dsus2 D
This time I had to lose to win
Outro (same as bridge):
G A D E*
(doo-ing)
G A D D7
(doo-ing)
G A D E*
(doo-ing)
G A D Dsus4
Dsus2 D
This time I had to lose to win
Colony House
Color It Red
Color Me Badd
Colt Silvers
Colter Wall