Nothing against the first tab, the chords sound great but I’m fairly confident
Dallas wouldn’t down-tune like that when he could just put a capo on the 2nd fret,
something he’s done very often since “Sometimes”.
Capo on 2nd fret, all chords relative to the capo
C/G C2 G Am F F2
|--0—----0-----0—----0-----0-----0--|
|--1-—---1-----3---—-1-----1-----1--|
|--0—----0-----0---—-2-----2-----0--|
|--2—----0-----0---—-2-----3-----3--|
|--3—----2-----2---—-0-----3-----3--|
|--3---—-3-----3---—-x-----1-----1--|
You don’t necessarily have to play the C2 and F2 unless you want to match exactly
what’s played on the record.
Electric guitar feedback on a C chord or note, whichever you prefer.
Intro
C/G, C2, Am, F, F2
Verse
C/G C2
Everyone, wants everything
Am F F2
No matter the cost, we're longing to live in a dream
C/G C2
But we can't let go to all that we think we know
Am F F2
This great escape, until we give up the ghost
Chorus
F
But why are we so worried more about the hurry
Am G F
And less about the harm
F
Always trying to conquer that which does not offer
Am G F
Anything more than a broken heart
C/G (back to verse chords)
Oh what a cause for alarm
Verse
Chorus
Bridge
F G
Oh what a cause for alarm
Am F
Oh what a cause for alarm
F G
A cause for alarm
Am F
A cause for alarm
C/G (End with one repetition of the verse chords)
I'm going back to the start
End on C/G