Bonnie Lynn Raitt, (8 de noviembre de 1949, Burbank (California), Estados Unidos) es una cantante y guitarrista de Blues y R&B, hija de la estrella de musicales de Broadway John Raitt.
Raitt comenzó a tocar la guitarra a una edad muy temprana, algo que no hacían muchas de sus amigas del colegio. Más tarde se hizo famosa por su estilo de tocar la guitarra con slide.
En 1967, Raitt continuó su carrera entrando en el Radcliffe College para estudiar una licenciatura en estudios africanos.
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# #
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Sugar Mama (Daddy) Delbert McClinton / Home Plate 1975
As recorded by Bonnie Raitt on the album Home Plate 1975
5 Sittin' here worryin' / 1 While yer lookin' to find yourself / Somebody else 5 / Me lovin' you and wantin' you baby 1 / And you not knowin' what you want yourself 4 / Why do you treat me so mean / / Hurt so bad 1 / All you wanna do is just sit around and jive / / You don't even know this woman^?s alive 5 Sittin' here worryin' / 1 Knowin' yer lookin' to find yourself
5 / 1 / Ain't gonna be no sugar mama no more 5 / 1 / You can't have love when yer keepin' score 4 / All you pretty boys used to catch my eye 1 / I just want a man I can satisfy 5 / 1 / Ain't gonna be no sugar mama no more
Sittin' here... ....yourself All you pretty boys... ...no more Ain't...
[Number system for any key: in C, 1=C, 2=D-, 3=E-, etc.] [Bass notes are key scale numbers: in C, 1=C, 2=D, 3=E, etc.] [Number in parens = vocal notes from key scale: in C, 1=C, 2=D, 3=E, etc.]
| = bar line; / = play same as previous chord No bar line = chord gets entire measure's time Within bar lines chords divide measure accordingly /^/ = split the beat (ex.: /^G7 )