Bonnie Lynn Raitt, (8 de noviembre de 1949, Burbank (California), Estados Unidos) es una cantante y guitarrista de Blues y R&B, hija de la estrella de musicales de Broadway John Raitt.
Raitt comenzó a tocar la guitarra a una edad muy temprana, algo que no hacían muchas de sus amigas del colegio. Más tarde se hizo famosa por su estilo de tocar la guitarra con slide.
En 1967, Raitt continuó su carrera entrando en el Radcliffe College para estudiar una licenciatura en estudios africanos.
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# #
[The following text is in the "iso-8859-1" character set] [Your display is set for the "US-ASCII" character set] [Some characters may be displayed incorrectly]
If You Gotta Make A Fool Of Somebody Rudy Clark / Give It Up 1972 as recorded by Bonnie Raitt 3/4 time signature
(5) 3- |/ |6- |/ | If you got to make a fool of somebody 3- |/ |6- |6-/5 | If you got to make a fool of someone 4 |2- |5s |/ | Do you really gotta hurt me 1 |4 |1 |1 /2 /#2 | I^?m the one that^?ll worry
Repeat
(2 3) 2- |5 | Daytime Nitetime (1 1 7 6 5) 1 |6- | Anytime at all 2- |5 | I^?ll be there waiting 1 |6- | Anytime you call 2- |5 | Just to be near you (6 6^5) 3- You know ( 1 1 7 6 6^5) |/ |2- | That anywhere I^?ll go (6 7 1 7 7 6^5) 2- |/ |5 || 3- How could you hurt me so
Verse break
alternate first line bass: | 3-/5 |3-/#4 |6-/3 |6-/6 |
| = bar line; / = play same as previous chord Within bar lines chords divide measure accordingly /^/ = split the beat (ex.: /^G7 ) s=sus4
[Number system for any key: in C, 1=C, 2=D-, 3=E-, etc.] [Bass notes are key scale numbers: in C, 1=C, 2=D, 3=E, etc.] [Number in parens = vocal notes from key scale: in C, 1=C, 2=D, 3=E, etc.]