Biografía:
Robert Mould (Malone, NY, 16 de octubre de 1960), es conocido principalmente por su trabajo como guitarrista, vocalista y compositor de las bandas Hüsker Dü en los 80 y Sugar en los 90.
Ha vivido en muchos lugares: Malone en NY, Pine City en Minnesota y en la zona de St. Paul del estado de Minneapolis, donde asistió al Macalester College y formó Hüsker Dü a finales de los 70, junto con el batería y cantante Grant Hart y el bajista Greg Norton.
Read more on Last.fm
Otras canciones:
- I Dont Know You Anymore
- The Descent
- Voices In My Head
- Believe What Youre Saying
- Briefest Moment
- Cant Fight It
- Im Sorry Baby
- Mm 17
- Next Time That You Leave
- Paralyzed
- Sacrifice Let There Be Peace
- See A Little Light
- The Silence Between Us
- The Slim
- The War
- Thumbtack
- Tomorrow Morning
- Very Temporary
- Wishing Well
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Todd Dunbebin
Subject: TAB:Believe What You're Saying
Date: Thu, 10 Aug 1995 08:19:10 GMT
Believe What You're Saying
I'd like to thank Ryan Cox [email protected] ,for the tab he
posted but I was
noticing a couple of things that weren't quite right. Possibly because
he got it from Bob's
120 Minutes segment. I took it from where Ryan started and added, by
listening to the
campfire mix on "Besides".
Bob is adding an F# third string fourth fret to the Dmaj chord in the
intro between verses
and the first Dmaj of each line of the chorus.
DaddF# G Cmaj7 Em
EADGBE EADGBE EADGBE EADGBE
xx0432 320033 x32033 022033
Believe What You're Saying
Bob Mould from Sugar's album Besides
Intro G Dadd F# Cmaj7 DaddF#
G Dadd F# Cmaj7 DaddF#
(D)This is where the(G) line is
That I've(Cmaj7) drawn across the sand(D)
And this is where my (G)heart aches
(Cmaj7)Unaware and in my (D)hand
(Em)This is where it's(Cmaj7){#1} gone
(Em)This is where the(Cmaj7) heartache's(G) going on(D){#2}
(Cmaj7)I can go it A(D)lone
*CHORUS*
I can't (G)belie(DaddF#)ve (Cmaj7)what your'E say(D)ing
I've got to(G) leave(DaddF#) for your'e(Cmaj7) sailing on (D)and on
I can't(G) repeat(DaddF#) what it's (Cmaj7)all about it's wrong(D)
I can't (Cmaj7)believe(D hold) what your'e saying
(INTRO)
This is how the time goes
In an ordinary town
And this is how it all ends up
When you run the whole thing down
This is how its gone
This is how it's already gone and I know
You keep going along
CHORUS
SOLO
CHORUS
{#1}Bob does a little walk from the Cmaj7 to the next Em that consists of
the singly picked
notes CBAG finally to the Em all the while holding down the rest of the
Cmaj7 chord
{#2}Bob does a little riffing on the high E string with a Dsus2 Dmaj
Dsus4 Back and forth
listen for it.
--
"Tryin' not to suck at something..."
http://oucsace.cs.ohiou.edu/personal/jhanusz.html
======> Todd Dunbebin <========
[email protected]
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Todd Dunbebin
Subject: TAB:Believe What You're Saying
Date: Thu, 10 Aug 1995 08:19:10 GMT
Believe What You're Saying
I'd like to thank Ryan Cox [email protected] ,for the tab he
posted but I was
noticing a couple of things that weren't quite right. Possibly because
he got it from Bob's
120 Minutes segment. I took it from where Ryan started and added, by
listening to the
campfire mix on "Besides".
Bob is adding an F# third string fourth fret to the Dmaj chord in the
intro between verses
and the first Dmaj of each line of the chorus.
DaddF# G Cmaj7 Em
EADGBE EADGBE EADGBE EADGBE
xx0432 320033 x32033 022033
Believe What You're Saying
Bob Mould from Sugar's album Besides
Intro G Dadd F# Cmaj7 DaddF#
G Dadd F# Cmaj7 DaddF#
(D)This is where the(G) line is
That I've(Cmaj7) drawn across the sand(D)
And this is where my (G)heart aches
(Cmaj7)Unaware and in my (D)hand
(Em)This is where it's(Cmaj7){#1} gone
(Em)This is where the(Cmaj7) heartache's(G) going on(D){#2}
(Cmaj7)I can go it A(D)lone
*CHORUS*
I can't (G)belie(DaddF#)ve (Cmaj7)what your'E say(D)ing
I've got to(G) leave(DaddF#) for your'e(Cmaj7) sailing on (D)and on
I can't(G) repeat(DaddF#) what it's (Cmaj7)all about it's wrong(D)
I can't (Cmaj7)believe(D hold) what your'e saying
(INTRO)
This is how the time goes
In an ordinary town
And this is how it all ends up
When you run the whole thing down
This is how its gone
This is how it's already gone and I know
You keep going along
CHORUS
SOLO
CHORUS
{#1}Bob does a little walk from the Cmaj7 to the next Em that consists of
the singly picked
notes CBAG finally to the Em all the while holding down the rest of the
Cmaj7 chord
{#2}Bob does a little riffing on the high E string with a Dsus2 Dmaj
Dsus4 Back and forth
listen for it.
--
"Tryin' not to suck at something..."
http://oucsace.cs.ohiou.edu/personal/jhanusz.html
======> Todd Dunbebin <========
[email protected]
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