Biografía:
William Martín (Billy) Joel (nacido el 9 de mayo de 1949 en Hicksville, Long Island, Nueva York, Estados Unidos) es un cantante, compositor y pianista estadounidense.
Billy Joel ha grabado muchos éxitos populares desde 1973 (empezando con el sencillo "Piano Man") hasta su retiro para grabar música pop en 1993. El es uno de los pocos artistas de rock y pop que tienen éxitos en el "Top Ten" de los 70, 80, y 90. Ganador del Premio Grammy en seis ocasiones
Read more on Last.fm
Otras canciones:
- Allentown
- And So It Goes
- Big Shot
- Captain Jack
- Christie Lee
- Don't Ask Me Why
- Down Easter Alexa
- Goodnight My Angel (+goodnight Moon By Eric Whitacre)
- Goodnight Saigon
- Honesty
- It's Still Rock And Roll To Me
- Just The Way You Are
- Laura
- Longest Time
- Lullabye (goodnight, My Angel)
- Movin' Out
- Movin' Out (anthony's Song)
- My Life
- New York State Of Mind
- Only The Good Die Young
- Piano Man
- River Of Dreams
- Scenes From An Italian Restaurant
- She's Always A Woman
- She's Got A Way
- She's Got A Way (live Version)
- The Longest Time
- The Stranger
- Two Thousand Years
- Uptown Girl
- Vienna
- We Didn't Start The Fire
- You May Be Right
- It’s Still Rock And Roll To Me
- She’s Always A Woman To Me
- Vienna Waits For You
- 52Nd Street
- A Matter Of Trust
- Aint No Crime
- All About Soul
- All For Leyna
- Always A Woman
- An Innocent Man
- Angry Young Man
- Baby Grand
- Ballad Of Billy The Kid
- Big Man On Mulberry Street
- Blonde Over Blue
- Cetait Toi You Were The One
- Christmas In Fallujah
- Close To The Borderline
- Dont Ask Me Why
- Down Easters Alexa
- Entertainer
- Everybody Has A Dream
- Everybody Loves You Now
- Falling Of The Rain
- Famous Last Words
- Get It Right The First Time
- Getting Closer
- Goodnight My Angel
- Got To Begin Again
- Great Suburban Showdown
- Half A Mile Away
- Hey Girl
- I Dont Want To Be Alone
- I Go To Extremes
- If I Only Had The Words To Tell You
- Its Still Rock And Roll To Me
- Ive Loved These Days
- James
- Keeping The Faith
- Last Of The Big Time Spenders
- Leave A Tender Moment Alone
- Leningrad
- Light As The Breeze
- Los Angelenos
- Lullabye Goodnight My Angel
- Maybe Im Amazed
- Miami 2017
- Modern Woman
- Movin Out
- No Mans Land
- Oyster Bay
- Pressure
- Roberta
- Rosalindas Eyes
- Say Goodbye To Hollywood
- Shades Of Grey
- Shameless
- Shes Always A Woman
- Shes Got A Way
- Shes Right On Time
- Sleeping With The Television On
- Sometimes A Fantasy
- Somewhere Along The Line
- Souvenir
- State Of Grace
- Stop In Nevada
- Storm Front
- Streetlife Serenader
- Summer Highland Falls
- Surprises
- Tell Her About It
- Temptation
- The Night Is Still Young
- The River Of Dreams
- This Is The Time
- This Night
- Through The Long Night
- To Make You Feel My Love
- Tomorrow Is Today
- Travelin Prayer
- Turn Around
- Until The Night
- We Didnt Start The Fire
- Weekend Song
- Wheres The Orchestra
- Why Judy Why
- Why Should I Worry
- Worse Comes To Worst
- You Can Make Me Free
- You Look So Good To Me
- Youre My Home
- Youre Only Human
- Zanzibar
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
From: Peter Eybert [[email protected]]
Sent: Saturday, January 03, 1998 8:54 AM
Song: Goodnight Saigon
by Billy Joel
from "The Nylon Curtain",1982
transcribed by Peter Eybert
[Intro]
F Dm Bb G
Dm Dm7 C
We met as soul mates on Parris Island,
Dm Dm7 C
we left as inmates from an asylum.
Em Am Em Am
And we were sharp, as sharp as knives
Dm Dm/C G C G
and we were so gung-ho to lay down our lives.
Dm Dm7 C
We came in spastic like tameless horses,
Dm Dm7 C
we left in plastic as numbered corpses.
Em Am Em Am
And we learned fast to travel light,
Dm C Bb G Dm G
our arms were heavy but our bellies were tight.
Dm Dm7 C
We had no home front, we had no soft soap.
Dm Dm7 C
They sent us Playboy, they gave us Bob Hope.
Em Am Em Am
We dug in deep and shot on sight
Dm F G C G
and prayed to Jesus Christ with all of our might.
Dm Dm7 C
We had no cameras to shoot the landscape
Dm Dm7 C
we passed the hash pipe and played our Doors tapes.
Em Am Em Am
And it was dark, so dark at night
Dm Dm/C
and we held on to each other, like brother to brother,
Bb F6/A G
we promised our mothers we'd write.
F Bb C C7
And we would all go down together,
F Bb C C7
we said we'd all go down together,
F Bb G F Dm C
yes, we would all go down together.
Dm Dm7 C
Remember Charlie, remember Baker,
Dm Dm7 C
they left their childhood on every acre.
Em Am Em Am
And who was wrong? And who was right?
Dm C Bb G
It didn't matter in the thick of the fight.
Am Em C Dm E Dm Dm7 E
We held the day in the palm of our hand.
Am Em C Dm E Dm C+
They ruled the night and the night seemed to last
E C E Dm Dm7 C
as long as six weeks on Parris Island.
Dm Dm7 C
We held the coastline, they held the highlands,
Em Am Em Am
and they were sharp, as sharp as knives,
Dm Dm/C
they heard the hum of motors, they counted the rotors
Bb F6/A G
and waited for us to arrive.
F Bb C C7
And we would all go down together,
F Bb C C7
we said we'd all go down together,
F Bb G F Dm Bb
yes, we would all go down together.
G F Dm Bb ...
Sent: Saturday, January 03, 1998 8:54 AM
Song: Goodnight Saigon
by Billy Joel
from "The Nylon Curtain",1982
transcribed by Peter Eybert
[Intro]
F Dm Bb G
Dm Dm7 C
We met as soul mates on Parris Island,
Dm Dm7 C
we left as inmates from an asylum.
Em Am Em Am
And we were sharp, as sharp as knives
Dm Dm/C G C G
and we were so gung-ho to lay down our lives.
Dm Dm7 C
We came in spastic like tameless horses,
Dm Dm7 C
we left in plastic as numbered corpses.
Em Am Em Am
And we learned fast to travel light,
Dm C Bb G Dm G
our arms were heavy but our bellies were tight.
Dm Dm7 C
We had no home front, we had no soft soap.
Dm Dm7 C
They sent us Playboy, they gave us Bob Hope.
Em Am Em Am
We dug in deep and shot on sight
Dm F G C G
and prayed to Jesus Christ with all of our might.
Dm Dm7 C
We had no cameras to shoot the landscape
Dm Dm7 C
we passed the hash pipe and played our Doors tapes.
Em Am Em Am
And it was dark, so dark at night
Dm Dm/C
and we held on to each other, like brother to brother,
Bb F6/A G
we promised our mothers we'd write.
F Bb C C7
And we would all go down together,
F Bb C C7
we said we'd all go down together,
F Bb G F Dm C
yes, we would all go down together.
Dm Dm7 C
Remember Charlie, remember Baker,
Dm Dm7 C
they left their childhood on every acre.
Em Am Em Am
And who was wrong? And who was right?
Dm C Bb G
It didn't matter in the thick of the fight.
Am Em C Dm E Dm Dm7 E
We held the day in the palm of our hand.
Am Em C Dm E Dm C+
They ruled the night and the night seemed to last
E C E Dm Dm7 C
as long as six weeks on Parris Island.
Dm Dm7 C
We held the coastline, they held the highlands,
Em Am Em Am
and they were sharp, as sharp as knives,
Dm Dm/C
they heard the hum of motors, they counted the rotors
Bb F6/A G
and waited for us to arrive.
F Bb C C7
And we would all go down together,
F Bb C C7
we said we'd all go down together,
F Bb G F Dm Bb
yes, we would all go down together.
G F Dm Bb ...
Billy Rose
Billy Squier
Billy Talent
Billy The Vision (...)
Billy Vaughn
Birthday Celebra (...)
Bishop Allen
Bishop Briggs
Bita And The Bot (...)
Bitamina