Biografía:
Es uno de los grupos pilares del movimiento rock progresivo, aunque su música no sea rock progresivo al ciento por ciento. Esta banda, formada a principios de los sesenta, adoptó el nombre 'Procol Harum' en 1967. (este nombre, copiado de un gato que tenia Keith, proviene del latín y significa "Más Allá de las cosas", más o menos...)
El líder de la banda era Gary Brooker (vocalista y en los teclados) que componía los temas, mientras el letrista
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Otras canciones:
- A Whiter Shade Of Pale
- A Rum Tale
- A Salty Dog
- A Souvenir Of London
- About To Die
- An Old English Dream
- As Strong As Samson
- Beyond The Pale
- Boredom
- Branyard Story
- Bringing Home
- Cerdes
- Christmas Camel
- Conquistador
- Crucifiction Lane
- Dead Mans Dream
- Devil Came From Kansas
- Fires Which Burnt Brightly
- For Liquorice John
- Good Captain Clack
- Grand Hotel
- Homburg
- Kaleidoscope
- Long Gone Geek
- Magdalene My Regal Zonophone
- Neighbour
- Nothing But The Truth
- Nothing That I Didnt Know
- Piggy Pig Pig
- Pilgrims Progress
- Quite Rightly So
- Salad Days
- Shadow Boxed
- She Wandered Through
- Skip Softly My Moonbeams
- Soldier
- Something Following Me
- Still There Be More
- Sunday Morning
- The Idol
- The Only One
- The Truth Wont Fade Away
- Too Much Between Us
- Tv Ceasar
- Wee Small Hours
- Whaling Stories
- Wish Me Well
- Your Own Choice
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
A Whiter Shade of Pale chords
Procol Harum * 1967 (Procol Harum)
C Am F Dm G Em G7 C F G F G7
C Am
We skipped the light fandango
F Dm
turned cartwheels 'cross the floor
G Em G7
I was feeling kinda seasick
C Am Em
but the crowd called out for more
F Dm
The room was humming harder
G Em G7
as the ceiling flew away
C Am Em
When we called out for another drink
F Dm
the waiter brought a tray
G7 C Cmaj7 Am C
And so it was that later
F Dm
as the miller told his tale
G Em
that her face, at first just ghostly,
G7 C F C G7 C
turned a whiter shade of pale
C Am F Dm G Em G7 C F G F G7
C Am
She said, 'There is no reason
F Dm
and the truth is plain to see.'
G Em G7
But I wandered through my playing cards
C Am Em
and would not let her be
F Dm
one of sixteen vestal virgins
G Em G7
who were leaving for the coast
C Am Em
and although my eyes were open
F Dm
they might have just as well've been closed
G7 C Cmaj7 Am C
And so it was that later
F Dm
as the miller told his tale
G Em
that her face, at first just ghostly,
G7 C F C G7 C
turned a whiter shade of pale
C Am F Dm G Em G7 C F G F G7
* Alternate:
Capo III
C = A
Am = F#m
F = D
Dm = Bm
Em = C#m
G = E
G7 = E7
Cmaj7 = Amaj7
Set8
http://sites.google.com/site/guitarmusicchordsandlyrics/
Procol Harum * 1967 (Procol Harum)
C Am F Dm G Em G7 C F G F G7
C Am
We skipped the light fandango
F Dm
turned cartwheels 'cross the floor
G Em G7
I was feeling kinda seasick
C Am Em
but the crowd called out for more
F Dm
The room was humming harder
G Em G7
as the ceiling flew away
C Am Em
When we called out for another drink
F Dm
the waiter brought a tray
G7 C Cmaj7 Am C
And so it was that later
F Dm
as the miller told his tale
G Em
that her face, at first just ghostly,
G7 C F C G7 C
turned a whiter shade of pale
C Am F Dm G Em G7 C F G F G7
C Am
She said, 'There is no reason
F Dm
and the truth is plain to see.'
G Em G7
But I wandered through my playing cards
C Am Em
and would not let her be
F Dm
one of sixteen vestal virgins
G Em G7
who were leaving for the coast
C Am Em
and although my eyes were open
F Dm
they might have just as well've been closed
G7 C Cmaj7 Am C
And so it was that later
F Dm
as the miller told his tale
G Em
that her face, at first just ghostly,
G7 C F C G7 C
turned a whiter shade of pale
C Am F Dm G Em G7 C F G F G7
* Alternate:
Capo III
C = A
Am = F#m
F = D
Dm = Bm
Em = C#m
G = E
G7 = E7
Cmaj7 = Amaj7
Set8
http://sites.google.com/site/guitarmusicchordsandlyrics/
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