Stockton CA, Estados Unidos (1989 – 1999, 2010 –) Pavement se formó en 1989 como un proyecto de los guitarristas y vocalistas Stephen Malkmus y Scott Kannberg. Sus primeros EP’s tuvieron un estilo lo-fi (Slay Tracks (1933-1969), Demolition Plot J-7, and Perfect Sound Forever) y fueron grabados en «Louder Than You Think», el estudio del que sería el nuevo miembro, el excéntrico Gary Young (batería). La influencia más evidente en esta primera
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## #
hello
here is a new tab that gary von collin was kind enough to send me. also included is a pavement tuning spiel.
i am looking for sonic youth tabs and minutemen tabs for my tab archives.
@Song: Gold Soundz Written by Pavement Recorded by Pavement on album "Crooked Rain, Crooked Rain" (Matador) File format: tab Transcription by Gary Von Colln
(lyrics taken from http://www.pitt.edu/~rabst59/pave/lyrics/gold)
Here's the basic chord progression. The A-B-D progression is also used in the instrumental interlude. If you don't want to bother with the Dsus2 and Bsus2 just play D and B instead, it will still sound good.
A Go back to those gold soundz BD And keep my affect to yourself A Because it's nothing that I don't like BD Is it a crisis or a boring change A When it's central, so essential BD It has a nice ring when you laugh A At the low-life opinions BD And they're coming to the chorus now
F#mDsus2 I keep my address to yourself Bsus2 Cause we need secrets Dsus2 We need secret, cret, cret, cret, crets A Back right now
Because I never want to make you feel That you're social, never ignorant soul Believe in what you want to do And do you think that is a major flaw When they rise up in the falling rain And if you stay around with your knuckles ground down The trials over, the weapon's found
Keep my address to myself Cause it's secret Cause it's secret, cret, cret,cret,cret,cret,cret,cret,cret,cret,cret,cret, Back right now
So drunk in the august sun And you're the kind of girl I like Because you're empty, and I'm empty And you can never quarantine the past Did you remember in December That I won't eat you when I'm gone And if I go there ,I won't stay there Because I'm sitting here too long I've been sitting here too long And I've been wasting Allocating outward For the last word Last words come up All you've got to wait
Now for some "Pavement chords". First retune your guitar to C-G-D-G-B-B (fat E string down 4 frets in pitch, A string down 2 frets in pitch, thin E sting down 5 frets in pitch). Once you've retuned these are the chord shapes:
The (I) or (II) just indicates position, e.g. A(I) is an A major, played in the first position (along the guitar neck), while A(II) is also A major but played in the second position.
Note that the first string is not played in any of the above chords. Since the first and second strings are tuned the same, if you want, you can fret the first string the same as the second and play it.
>From listening to the recording, I think the two guitars play as follows:
The interlude is pretty free form so this simple pattern isn't the whole story, but you can play around with these chords and find a lot of the sounds on the record.
michael p mccullough ++++ Klamath Falls OR # 1.541.884.3278 [email protected][email protected] all moanday, tearsday, wailsday, thumpsday, frightday, shatterday (joyce/FW) http://www.magick.net/~michael/ http://www.magick.net/~michael/music.html