Biografía:
The Starting Line es una banda pop punk de Philadelphia, Pennsylvania, EEUU, que se formó en 1999.
En la actualidad tienen contrato con Virgin Records.
En 1999, el guitarrista Matt Watts le envió un correo electrónico al vocalista y bajista Kenny Vasoli. Quería saber si Vasoli, que por entonces tenía 14 años y tocaba en una banda llamada Smash Adams, estaría interesado en tocar en Jamming And Shit.
Unas pocas semanas más tarde, Vasoli acudió a un ensayo de su futuro grupo
Read more on Last.fm
Otras canciones:
- 21
- 3S A Charm
- A Goodnights Sleep
- Almost There Going Nowhere
- Are You Alone
- Artistic License
- Autography
- B
- Bedroom Talk
- Best Of Me
- Birds
- Break Up Day
- Cheek To Cheek
- Classic Jazz
- Cut Print It
- Decisions Decisions
- Direction
- Drama Summer
- Dramma Summer
- Drawbacks
- Given The Chance
- Hello Houston
- Hold On
- Hurry
- I Could Be Wrong
- Im Real
- Inspired By The
- Island
- Lasting Impressions
- Leaving
- Left Coast Envy
- Luck
- Make Yourself At Home
- Making Love To The Camera
- Million Hearts
- Need To Love
- Nights And Weekends
- Nothings Gonna Stop Us Now
- Photography
- Pictures
- Playing Favorites
- Ready
- Saddest Girl Story
- Selective
- Somebodys Gonna Miss Us
- Something Left To Give
- Stay Where I Can See You
- Surprise Surprise
- The Best Of Me
- The Best Of Me Accoustic
- The Drama Summer
- The Night Life
- The Rain Cloud And I
- This Ride
- Time To Run
- Up And Go
- Way With Words
- West Girl Scout Road
- What You Want
- World
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
The Starting Line
Nights And Weekends
Based On A True Story Japan Edition
Submitted by: [email protected]
Intro: D
Gutiar riff: Verses:
e|-12-----12------12----|
B|----10-----10-----10--|
G|-------9------9-------|
D|----------------------|
A|----------------------|
E|----------------------|
Verse 1:
A E D
At 4 A.M. she came out of that blue
A E D/F#
I haven't seen such red since I've seen you
D
I'm upset, but I'm fine
A E/G#
I'm just surprised you're so unemotional
D
She said, in reply,
A E/G#
"and I did some drinking and it's got me thinking of you"
A E D
I've changed some words I'd like to give to you
A E D/F#
They flew behind the plane for all to view
D
And it read in bold type -
A E/G#
"I won't be surprised if you're unemotional"
D
You're burnt read, I'm pale white
A E/G#
Inspired, depressed, and still unimpressed
Refrain:
D E C#m D
Well I could read your lips, but they don't make sense
E C#m D
They both scream kiss when your eyes don't yet
E D
They don't yet, they don't yet
Chorus:
F#m D A
I've been thinking a lot about you (and I said, "the phone hasn't rang 'til today")
E
Is it true, do you hate me? (and the nights and the weekends fray)
F#m D A
'Cause she said, "I've been thinking a lot about you (but I know that you're time isn't cheap)
E
Is it true, do you hate me?" (on the nights and the weekends)
(Repeat Refrain twice and chorus)
Verse 2:
A E D
At 5 A.M. I came out of that blue
A E D/F#
And I raised my voice as high as I could to you
D
You said, "please Ken, let's not fight"
A E/G#
I'm just surprised I've stayed on the phone this long
D A E/G#
And I said, in reply, "it's easy to lie when you're so unemotional"
When so unemotional, oh
(Repeat Chorus till fade)
End on A
Nights And Weekends
Based On A True Story Japan Edition
Submitted by: [email protected]
Intro: D
Gutiar riff: Verses:
e|-12-----12------12----|
B|----10-----10-----10--|
G|-------9------9-------|
D|----------------------|
A|----------------------|
E|----------------------|
Verse 1:
A E D
At 4 A.M. she came out of that blue
A E D/F#
I haven't seen such red since I've seen you
D
I'm upset, but I'm fine
A E/G#
I'm just surprised you're so unemotional
D
She said, in reply,
A E/G#
"and I did some drinking and it's got me thinking of you"
A E D
I've changed some words I'd like to give to you
A E D/F#
They flew behind the plane for all to view
D
And it read in bold type -
A E/G#
"I won't be surprised if you're unemotional"
D
You're burnt read, I'm pale white
A E/G#
Inspired, depressed, and still unimpressed
Refrain:
D E C#m D
Well I could read your lips, but they don't make sense
E C#m D
They both scream kiss when your eyes don't yet
E D
They don't yet, they don't yet
Chorus:
F#m D A
I've been thinking a lot about you (and I said, "the phone hasn't rang 'til today")
E
Is it true, do you hate me? (and the nights and the weekends fray)
F#m D A
'Cause she said, "I've been thinking a lot about you (but I know that you're time isn't cheap)
E
Is it true, do you hate me?" (on the nights and the weekends)
(Repeat Refrain twice and chorus)
Verse 2:
A E D
At 5 A.M. I came out of that blue
A E D/F#
And I raised my voice as high as I could to you
D
You said, "please Ken, let's not fight"
A E/G#
I'm just surprised I've stayed on the phone this long
D A E/G#
And I said, in reply, "it's easy to lie when you're so unemotional"
When so unemotional, oh
(Repeat Chorus till fade)
End on A
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