Biografía:
Pat, Garrett, y Ryan se encontraban en todas las bandas de toda la escuela secundaria, como The Kerosene Kids and The Season Company..
The Maine se formó en 2007 por Pat, Ryan, Alex, Garrett, y John mientras que la mayoría de los miembros del grupo fueron todavía a la escuela secundaria. Firmaron a Fearless Records ese mismo año, que publicó su primer EP, The Way We Talk.Se registro hit # 45 en los EE.UU. Billboard Top Independent Albums gráfico y # 10 en la tabla Heatseekers en 2008.
Read more on Last.fm
Otras canciones:
- (un)lost
- American Candy
- Another Night On Mars
- Bad Behavior
- Birthday In Los Angeles
- Black Butterflies And Deja Vu
- Book Of Me And You
- Color
- Daisy
- Don't Give Up On Us
- Don't Stop Now
- Don’t Come Down
- English Girls
- Forever Halloween
- Free
- Fuel To The Fire
- Get Ready
- Growing Up
- Hello World
- How Do You Feel
- I Must Be Dreaming
- I Wanna Love You
- Inside Of You
- Into Your Arms
- Kiss And Sell
- Listen To Your Heart
- Right Girl
- Same Suit Different Tie
- Saving Grace
- Thinking Of You
- Waiting For My Sun To Shine
- We All Roll Along
- We'll All Be...
- Whoever She Is
- Everything I Ask For
- Misery
- Raining In Paris
- 24 Floors
- Am I Pretty
- Blood Red
- Diet Soda Society
- Do You Remember The Other Half Of 23
- Dont Come Down
- Dont Give Up On Us
- Dont Stop Now
- Every Road
- Fcked Up Kids
- Fked Up Kids
- Girls Do What They Want
- Give It To Me
- Good Love
- Goodbye
- Happy
- Ho Ho Hopefully
- I Only Wanna Talk To You
- I Want You
- Identify
- If I Only Had The Heart
- Im Leaving
- Im Sorry
- Jenny
- Kennedy Curse
- Like We Did Windows Down
- Love And Drugs
- Miles Away
- Mr Winter
- My Best Habit
- My Hair
- Numb Without You
- Perfectly Out Of Key
- Raise Your Glass
- Roses
- Run
- Sad Songs
- Santa Stole My Girlfriend
- Shake It
- Some Days
- Take Me Dancing
- Take What You Can Carry
- Taxi
- The Sound Of Reverie
- The Towns Been Talking
- The Way We Talk
- These Four Words
- Time To Go
- Undressing The Words
- Unlost
- Untangle Me
- Vanilla
- Visions
- We Change We Wait Acoustic
- Well All Be
- When Im At Home
- While Listening To Rock Roll
- Who Ever She May Be
- You Left Me
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Sounds good with barre chords, but can play however you fancy!
[Intro]
D G D G
[Verse 1]
D
I never wanna be a distraction,
G
You say as,
D G
You're unashamed and naked.
D G
I feel okay all over,
D G
Void of all composure.
D G
And I know this may sound narcissistic,
D G
I like the lips you kiss with.
D G
But I wanna wear your lipstick,
D G
'Cause it means I got to kiss them.
[Bridge]
A Bm
You say you like the sound,
A
Of cigarettes
G
After sex and I say,
N.C.
"Yeah, yeah, yeah."
[Chorus]
D G
One, two hits,
D
Her lips and bad behavior,
G
I'm in danger.
N.C.
Yeah, yeah, yeah
D G
Three four AM,
D
The feeling's getting stranger,
G
I'm in danger
D
Bad behavior
[Verse 2]
D D N.C D
And I don't have time for your feelings
G
You tell me,
D
You're insecure,
G
But don't be,
D
Stay soft,
G
But don't be gentle,
D G
It's altogether mental.
D G
Let's go to a place where we can forget,
D G
We haven't left the room yet.
D G
You eloquently stated,
D G
Leaving's overrated.
[Bridge]
A
You say,
Bm
You say you like the sound,
A
Of cigarettes
G
After sex and I say,
N.C.
"Yeah, yeah, yeah."
[Chorus]
D G
One, two hits,
D
Her lips and bad behavior,
G
I'm in danger.
N.C.
Yeah, yeah, yeah
D G
Three four AM,
D
The feeling's getting stranger,
G
I'm in danger
D
Bad behavior
[Interlude]
A Bm G
[Verse 3]
A
I inhale you in small doses
Bm
And adore you like the roses,
G
You're bad for me, yeah,
G
But you're bad for me, yeah.
A
You medicate me with your poses
Bm
I'm a lush I know you notice
G
You're bad for me, yeah,
G
But you're bad for me, yeah
D G
You're bad for me, yeah
[Bridge]
D G D G D G
And I say yeah, yeah, yeah
[Chorus]
D G
One, two hits,
D
Her lips and bad behavior,
G
I'm in danger.
N.C.
Yeah, yeah, yeah
D G
Oh here we go again
D
Hellbent on losing sleeper
G
And I'm in danger
D G
Yeah I'm in danger
[Outro]
D G D G D
I think I know you're bad for me
G
I know you're bad for me.
[Fade out]
D G D D
[Intro]
D G D G
[Verse 1]
D
I never wanna be a distraction,
G
You say as,
D G
You're unashamed and naked.
D G
I feel okay all over,
D G
Void of all composure.
D G
And I know this may sound narcissistic,
D G
I like the lips you kiss with.
D G
But I wanna wear your lipstick,
D G
'Cause it means I got to kiss them.
[Bridge]
A Bm
You say you like the sound,
A
Of cigarettes
G
After sex and I say,
N.C.
"Yeah, yeah, yeah."
[Chorus]
D G
One, two hits,
D
Her lips and bad behavior,
G
I'm in danger.
N.C.
Yeah, yeah, yeah
D G
Three four AM,
D
The feeling's getting stranger,
G
I'm in danger
D
Bad behavior
[Verse 2]
D D N.C D
And I don't have time for your feelings
G
You tell me,
D
You're insecure,
G
But don't be,
D
Stay soft,
G
But don't be gentle,
D G
It's altogether mental.
D G
Let's go to a place where we can forget,
D G
We haven't left the room yet.
D G
You eloquently stated,
D G
Leaving's overrated.
[Bridge]
A
You say,
Bm
You say you like the sound,
A
Of cigarettes
G
After sex and I say,
N.C.
"Yeah, yeah, yeah."
[Chorus]
D G
One, two hits,
D
Her lips and bad behavior,
G
I'm in danger.
N.C.
Yeah, yeah, yeah
D G
Three four AM,
D
The feeling's getting stranger,
G
I'm in danger
D
Bad behavior
[Interlude]
A Bm G
[Verse 3]
A
I inhale you in small doses
Bm
And adore you like the roses,
G
You're bad for me, yeah,
G
But you're bad for me, yeah.
A
You medicate me with your poses
Bm
I'm a lush I know you notice
G
You're bad for me, yeah,
G
But you're bad for me, yeah
D G
You're bad for me, yeah
[Bridge]
D G D G D G
And I say yeah, yeah, yeah
[Chorus]
D G
One, two hits,
D
Her lips and bad behavior,
G
I'm in danger.
N.C.
Yeah, yeah, yeah
D G
Oh here we go again
D
Hellbent on losing sleeper
G
And I'm in danger
D G
Yeah I'm in danger
[Outro]
D G D G D
I think I know you're bad for me
G
I know you're bad for me.
[Fade out]
D G D D
The María (...)
The Marvelettes
The Matches
The Material
The Mavericks
The Milk Carton (...)
The Mills Brothe (...)
The Miserables
The Mixtures
The Modems