The Beatles fue un grupo musical de la década de 1960 que revolucionó, no solamente el rock inglés sino la forma de hacer música en general. Sus composiciones se consideran entre las más notables de este género, en las cuales se encuentra gran riqueza melódica, letras de elevado contenido poético y simbólico y excelentes armonizaciones instrumentales y vocales, además de que posee el primer lugar en ventas de discos desde que se desarrolló la industria fonográfica (más de 1.
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Song: Strawberry Fields forever Artist: The Beatles Composers: Lennon and McCartney Album: Magical Mystery Tour Tabbed by: DJ 7th April 2015
The recording is not in concert pitch, so the only way to play along will require some retuning. Using a chromatic tuner, tune all strings up approx.+40 above standard tuning.
CAPO: 2nd fret (Song will then sound in the approx. recorded key of E)
Chord names and fret positions are relative to the capo: D = xx0232 G = 320033 C/B = x2xxxx Dmaj7/C# = x40222 G * = xx5433 C/A = x0xxxx D7/C = x30212 Dm7 = xx0211 Em7/D = xx0000 Am7 = x02010 Dm7/C = x30211 D7 = xx0212 Adim = x01212 F = xx3211 D/F# = xx4232 Em = xx2000 Bdim = x2313x C/E = xx2010 C = x32010 E = 022100 C/D = xx0010 E4 = 022200
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[Chorus] G * Dm7 Let me take you down, 'cause I'm going to ...Strawberry Fields, Dm7/CFBdimCEE4E Nothing is real, and nothing to get hung about, CC/BC/AG Strawberry Fields for - ever!
[Verse 1] DDmaj7/C#D7/CAm7Adim Living is easy with eyes closed, EmEm7/DC Misunder - standing all you see, D7G * D/F#EmEm7/D It's getting hard to be some - one, but it all works out, CDCG It doesn't matter much to me! e|--0---------3---| B|--1---------0---| G|--0---------0---| D|--2---------0---| A|--3---2--0--2---| E|------------3---|
[Chorus] G * Dm7 Let me take you down, 'cause I'm going to ...Strawberry Fields, Dm7/CFBdimCDEE4E Nothing is real, and nothing to get hung about, CG Strawberry Fields for - ever!
[Verse 3] DDmaj7/C#D7/CAm7Adim No one, I think, is in my--- tree, EmEm7/DCC/EC/DC I mean, it must be high or low, D7G * D/F#EmEm7/D That is, you can't, you know, tune - in, but it's al - right, CD7CG That is, I think it's not too bad!
[Chorus] G * Dm7 Let me take you down, 'cause I'm going to ...Strawberry Fields, Dm7/CFBdimCDEE4E Nothing is real, and nothing to get hung about, CG Strawberry Fields for - ever!
[Verse 4] DDmaj7/C#D7/CAm7Adim Always, no ...some - times, think it's me, EmEm7/DCC/EC/DC But, you know, I know when it's a dream, D7G * D/F#EmEm7/D I think, er... no, I mean, er... yes, but it's all wrong, CD7CG That is, I think I disa - gree!
[Chorus] G * Dm7 Let me take you down, 'cause I'm going to ...Strawberry Fields, Dm7/CFBdimCDEE4E Nothing is real, and nothing to get hung about, CGEmCG Strawberry Fields for - ever, Strawberry Fields for - ever, CD7C Strawberry Fields for - ever!
[Suggestion for a coda] G e|--0----------------------|---3---|| B|-----3------0--h1--0-----|---0---|| G|--------0-------------0--|---0---|| D|-------------------------|---0---|| A|-------------------------|---2---|| E|-------------------------|---3---||
The track is a combination of two separate recording sessions, the simpler arrangement was used for the intro, verse 1 and first chorus, then there's a tape edit and the rest of the recording is the cello and trumpet version. The two versions had been performed in different keys a semi-tone apart, and also at very slightly different tempos. The producer, George Martin, speeded up the first version, and slowed down the second one until the pitches and tempos matched. With todays digital recording this is easy, but in the 1960's George Martin had to edit this manually and it was as much luck as skill. That's why none of the final record is in concert pitch.
In the songs fade out some believed John says,'I buried Paul', furthering silly rumours Paul McCartney had died and been replaced with a look-alike. John actually says,'Cranberry sauce', as described by Mark Lewisohn in his authorised book. Mark had access to the original multitrack tapes and could listen to individual isolated tracks. Information sourced from the book- 'The Complete Beatles Recording Sessions: The Official Story of the Abbey Road years 1962-1970'