Biografía:
The Antlers son una banda de rock independiente creados en la ciudad de Brooklyn, New York dirigidos por Peter Silberman desde el 2006.
Inicialmente era un proyecto en solitario de Peter Silberman, despues de mudarse a Brooklyn, New York, donde estaba aislado el solo sus familiares y amigos. Silverman escribió su primer álbum In the Attic of the Universe por el mismo y baso su propio nombre, después reclutó a Michael Lerner y Darby Cicci, volviéndose un grupo cooperativo.
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Otras canciones:
- Bear
- Epilogue
- Every Night My Teeth Are Falling Out
- I Don't Want Love
- No Widows
- Putting The Dog To Sleep
- Two
- Atrophy
- Dear
- Director
- Doppelganger
- Hotel
- Hounds
- I Dont Want Love
- Im Hibernating
- In The Attic
- Kettering
- Nashua
- No Widow
- Nothing Matters When Were Dancing
- Nothing Matters While Were Dancing
- Palace
- Parade
- Revisited
- Rolled Together
- Shiva
- Stairs To The Attic
- Stonethrower
- Surrender
- Sylvia
- Sylvia An Introduction
- The Universe Is Going To Catch You
- Thirteen
- Uprooted
- Wake
- Zelda
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Tuning: Standard
Bm A D5 F# G A G F# A
e|--2--------0---------0----2----3------0------3----2-----0--|
B|--3--------3---------3----2----0------3------0----2-----3--|
G|--4--------3---------2----3----0------3------0----3-----3--|
D|--4--------3---------0----4----0------3------0----4-----3--|
A|--2--------0---------0----4----2------0------2----4-----0--|
E|--2-----------------------2----3-------------3----2-----0--|
[Verse]
Bm A
With the door closed, shades drawn, the world shrinks.
D5 F# G A
Let's open up those blinds. But someone has to sweep the floor,
G F# A
pick up her dirty clothes. That job's not mine.
Bm A
Now that everyone's an enemy, my heart sinks.
D5 F# G
Let's put away those claws.
A G F#
I don't blame them for their curtains-calls because I pulled the rope.
A
I wanna call them back out for applause.
Bm A
Spring and Thompson on the first of May is horrible.
D5F#G A
We hid in catacombs. So now I'm sleeping next to mousetraps,
G F# A
in a bed of all our clothes, while I hope that she won't come home.
Bm A D5F#G
It was easier to lock the doors and kill the phones than to show my skin,
A G F#
because the hardest thing is never to repent for someone else,
A Bm D Bm D Bm D A
it's letting people in.
[Instrumental]
Bm D Bm D Bm D A
[Verse]
Bm A
Well you can come inside, unlock the door, take off your shoes.
D5 F# G
But this might take all night,
A G F#
to explain to you I would have walked out those sliding doors,
A
but the timing never seemed right.
Bm A
When your helicopter came and tried to lift me out,
D5 F# G
I put its rope around my neck.
A G F#
And after that you didn't bother with the airlift or the rescue
A
- you knew just what to expect.
Bm
That with the door closed,
A
shades drawn, we're dead enough.
D5 F# G
They don't open from outside.
A G F#
And someone has to speak with their teeth behind their tongue,
A
to never let that right be denied.
Bm A
We can't rely on photographs and visitation time,
D5 F# G
but I just don't know where to begin.
A
I wanna bust down the door,
G F#
if you're willing to forgive.
A Bm D Bm D Bm D A
I've go the keys, I'm letting people in.
[Instrumental]
Bm D Bm D Bm D A
[Verse]
G D
Don't be scared to speak,
A
don't speak with someone's tooth,
G D
don't bargain when you're weak,
A
don't take that sharp abuse.
G D A
Some patients can't be saved, but that burden's not on you.
[Outro] (x9)
G D A
Don't ever let anyone tell you you deserve that.
Bm A D5 F# G A G F# A
e|--2--------0---------0----2----3------0------3----2-----0--|
B|--3--------3---------3----2----0------3------0----2-----3--|
G|--4--------3---------2----3----0------3------0----3-----3--|
D|--4--------3---------0----4----0------3------0----4-----3--|
A|--2--------0---------0----4----2------0------2----4-----0--|
E|--2-----------------------2----3-------------3----2-----0--|
[Verse]
Bm A
With the door closed, shades drawn, the world shrinks.
D5 F# G A
Let's open up those blinds. But someone has to sweep the floor,
G F# A
pick up her dirty clothes. That job's not mine.
Bm A
Now that everyone's an enemy, my heart sinks.
D5 F# G
Let's put away those claws.
A G F#
I don't blame them for their curtains-calls because I pulled the rope.
A
I wanna call them back out for applause.
Bm A
Spring and Thompson on the first of May is horrible.
D5F#G A
We hid in catacombs. So now I'm sleeping next to mousetraps,
G F# A
in a bed of all our clothes, while I hope that she won't come home.
Bm A D5F#G
It was easier to lock the doors and kill the phones than to show my skin,
A G F#
because the hardest thing is never to repent for someone else,
A Bm D Bm D Bm D A
it's letting people in.
[Instrumental]
Bm D Bm D Bm D A
[Verse]
Bm A
Well you can come inside, unlock the door, take off your shoes.
D5 F# G
But this might take all night,
A G F#
to explain to you I would have walked out those sliding doors,
A
but the timing never seemed right.
Bm A
When your helicopter came and tried to lift me out,
D5 F# G
I put its rope around my neck.
A G F#
And after that you didn't bother with the airlift or the rescue
A
- you knew just what to expect.
Bm
That with the door closed,
A
shades drawn, we're dead enough.
D5 F# G
They don't open from outside.
A G F#
And someone has to speak with their teeth behind their tongue,
A
to never let that right be denied.
Bm A
We can't rely on photographs and visitation time,
D5 F# G
but I just don't know where to begin.
A
I wanna bust down the door,
G F#
if you're willing to forgive.
A Bm D Bm D Bm D A
I've go the keys, I'm letting people in.
[Instrumental]
Bm D Bm D Bm D A
[Verse]
G D
Don't be scared to speak,
A
don't speak with someone's tooth,
G D
don't bargain when you're weak,
A
don't take that sharp abuse.
G D A
Some patients can't be saved, but that burden's not on you.
[Outro] (x9)
G D A
Don't ever let anyone tell you you deserve that.
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