Biografía:
El productor Matt Serletic, recién habiendo terminado de ayudar en convertir a "Shine" de Collective Soul en una pieza imprescindible para MTV, conoció un tipo llamado Rob Thomas, un escritor habilidoso de Orlando que estaba buscando un lugar. Serletic y Thomas probaron músicos en busca de un par de personas que podían apoyar la obvia habilidad de Thomas de escribir buena música de pop. Thomas, nacido en Alemania como hijo de militares, ya había tocado con el baterista Paul Doucette y el bajista Brain Yale en varias bandas locales.
Read more on Last.fm
Otras canciones:
- How Far We’ve Come
- She’s So Mean
- Unwell
- 3Am
- All I Need
- All Your Reasons
- Angry
- Back 2 Good
- Bed Of Lies
- Bent
- Black And White People
- Bright Lights
- Burn
- Busted
- Cold
- Could I Be You
- Crutch
- Damn
- Disease
- Dizzy
- Downfall
- English Town
- Girl Like That
- Hand Me Down
- Hang
- Help Me Through This
- How Far Weve Come
- How Long
- I Believe In Everything
- I Can't Let You Go
- I Will
- I'll Believe You When
- If Youre Gone
- Kody
- Leave
- Like Sugar
- Long Day
- Mad Season
- Our Song
- Overjoyed
- Parade
- Push
- Put Your Hands Up
- Radio
- Real World
- Rest Stop
- Shame
- Shes So Mean
- Sleeping At The Wheel
- So Sad So Lonely
- Soul
- Straight For This Life
- The Difference
- The Way
- These Hard Times
- Time After Time
- You And I And I
- You Won't Be Mine
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Bright Lights by
matchbox twenty
Album: more than you think you are
Tabbed by JBravo20
This is my first tab on a song, so don't complain if it's wrong.
Just send an e-mail to [email protected] so I can correct this.
In my humble opinion, I find it better if you just start out with the
bass notes on the first verse and pre-chorus, then softly play the first chorus,
afterward play the second verse on with a louder tone, kinda like the CD.
[Verse 1]
E B (there's A C# note right before the F#m)
SHE GOT OUT OF TOWN
F#m A
ON A RAILWAY NEW YORK BOUND
E B
TOOK ALL EXCEPT MY NAME
B-C-C# B A
ANOTHER ALIEN ON BROADWAY
[Pre-Chorus]
E
THERE'S SOME THINGS IN THIS WORLD
B
YOU JUST CAN'T CHANGE
F#
SOME THINGS YOU CAN'T SEE
A
UNTIL IT GETS TOO LATE
[Chorus]
E
BABY, BABY, BABY
F#m
WHEN ALL YOUR LOVE IS GONE
WHO WILL SAVE ME
A E
FROM ALL I'M UP AGAINST OUT IN THIS WORLD
MAYBE, MAYBE, MAYBE
F#m
YOU'LL FIND SOMETHING
THAT'S ENOUGH TO PLEASE YOU
A
BUT IF THE BRIGHT LIGHTS DON'T RECEIVE YOU
B
YOU CAN TURN YOURSELF AROUND
E
AND COME ON HOME
I GOT A HOLE IN ME NOW
I GOT A SCAR I CAN TALK ABOUT
SHE KEEPS A PICTURE OF ME
IN HER APARTMENT IN THE CITY
SOME THINGS IN THIS WORLD
THEY DON'T MAKE SENSE
SOME THINGS YOU DON'T NEED
UNTIL THEY LEAVE YOU
AND THEY'RE THINGS THAT YOU MISS
[Chorus]
E
BABY, BABY, BABY
F#m
WHEN ALL YOUR LOVE IS GONE
WHO WILL SAVE ME
A E
FROM ALL I'M UP AGAINST OUT IN THIS WORLD
MAYBE, MAYBE, MAYBE
F#m
YOU'LL FIND SOMETHING
THAT'S ENOUGH TO PLEASE YOU
A
BUT IF THE BRIGHT LIGHTS DON'T RECEIVE YOU
B
YOU CAN TURN YOURSELF AROUND
E
AND COME ON HOME
[Bridge]
C#m B A A-B
LET THAT CITY TAKE YOU IN
C#m B A A-B
LET THAT CITY SPIT YOU OUT
C#m B A
LET THAT CITY TAKE YOU DOWN
(no chord)
FOR GOD'S SAKE TURN AROUND
[Instrumental]
E-F#m-A-E
[Chorus]
E
BABY, BABY, BABY
F#m
WHEN ALL YOUR LOVE IS GONE
WHO WILL SAVE ME
A E
FROM ALL I'M UP AGAINST OUT IN THIS WORLD
MAYBE, MAYBE, MAYBE
F#m
YOU'LL FIND SOMETHING
THAT'S ENOUGH TO PLEASE YOU
A
BUT IF THE BRIGHT LIGHTS DON'T RECEIVE YOU, YEAH
B B
TURN YOURSELF AROUND
E A
AND COME ON HOME
[Outro]
E-A and Ad-Lib to fade
matchbox twenty
Album: more than you think you are
Tabbed by JBravo20
This is my first tab on a song, so don't complain if it's wrong.
Just send an e-mail to [email protected] so I can correct this.
In my humble opinion, I find it better if you just start out with the
bass notes on the first verse and pre-chorus, then softly play the first chorus,
afterward play the second verse on with a louder tone, kinda like the CD.
[Verse 1]
E B (there's A C# note right before the F#m)
SHE GOT OUT OF TOWN
F#m A
ON A RAILWAY NEW YORK BOUND
E B
TOOK ALL EXCEPT MY NAME
B-C-C# B A
ANOTHER ALIEN ON BROADWAY
[Pre-Chorus]
E
THERE'S SOME THINGS IN THIS WORLD
B
YOU JUST CAN'T CHANGE
F#
SOME THINGS YOU CAN'T SEE
A
UNTIL IT GETS TOO LATE
[Chorus]
E
BABY, BABY, BABY
F#m
WHEN ALL YOUR LOVE IS GONE
WHO WILL SAVE ME
A E
FROM ALL I'M UP AGAINST OUT IN THIS WORLD
MAYBE, MAYBE, MAYBE
F#m
YOU'LL FIND SOMETHING
THAT'S ENOUGH TO PLEASE YOU
A
BUT IF THE BRIGHT LIGHTS DON'T RECEIVE YOU
B
YOU CAN TURN YOURSELF AROUND
E
AND COME ON HOME
I GOT A HOLE IN ME NOW
I GOT A SCAR I CAN TALK ABOUT
SHE KEEPS A PICTURE OF ME
IN HER APARTMENT IN THE CITY
SOME THINGS IN THIS WORLD
THEY DON'T MAKE SENSE
SOME THINGS YOU DON'T NEED
UNTIL THEY LEAVE YOU
AND THEY'RE THINGS THAT YOU MISS
[Chorus]
E
BABY, BABY, BABY
F#m
WHEN ALL YOUR LOVE IS GONE
WHO WILL SAVE ME
A E
FROM ALL I'M UP AGAINST OUT IN THIS WORLD
MAYBE, MAYBE, MAYBE
F#m
YOU'LL FIND SOMETHING
THAT'S ENOUGH TO PLEASE YOU
A
BUT IF THE BRIGHT LIGHTS DON'T RECEIVE YOU
B
YOU CAN TURN YOURSELF AROUND
E
AND COME ON HOME
[Bridge]
C#m B A A-B
LET THAT CITY TAKE YOU IN
C#m B A A-B
LET THAT CITY SPIT YOU OUT
C#m B A
LET THAT CITY TAKE YOU DOWN
(no chord)
FOR GOD'S SAKE TURN AROUND
[Instrumental]
E-F#m-A-E
[Chorus]
E
BABY, BABY, BABY
F#m
WHEN ALL YOUR LOVE IS GONE
WHO WILL SAVE ME
A E
FROM ALL I'M UP AGAINST OUT IN THIS WORLD
MAYBE, MAYBE, MAYBE
F#m
YOU'LL FIND SOMETHING
THAT'S ENOUGH TO PLEASE YOU
A
BUT IF THE BRIGHT LIGHTS DON'T RECEIVE YOU, YEAH
B B
TURN YOURSELF AROUND
E A
AND COME ON HOME
[Outro]
E-A and Ad-Lib to fade
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