Adam Stephens (voz armónica y guitarra ) & Tyson Vogel (batería y voz) son Two Galants . Su nombre se lo deben a un relato de odio y asco sobre la condición humana incluido en “Los Dublineses “ de James Joyce.
Y de Irlanda llega una de las influencias para definir el discurso de los de San Francisco. Si The Pogues se enfrentaban de forma irreverente al cancionero Irlandés, ellos hacen lo mismo con la antología completa de música folk compilada por Harry Smith.
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Two gallants: Las Cruces Jail Album: What The Toll Tells (2006) Tabbed by Pierre-Yves Thevenet
Hi, these are just the basic chords all along this great song. Most of the time it's arpeggios, but first I haven't figured them all out, and second and i can't be arsed to write down ones i have... So if anyone feels like it..
Arpeggios, suggestions, corrections, death threats, insults and stuff, please, [email protected]
Here we go:
E Well I spent last night in Las Cruces Jail. BA Raining hail, born to fail. E Nobody come for to go my bail. BE Sun, don't you rise no more.
E Well I shot one man on the county line. BA Took his dime and I blew his mind. E Now I'm just sittin' here doin' time. BE Sun, don't you rise no more.
C#mG#m Well a restless wind is whistling through my windows through my head, BA through all the scrapes that I've survived. C#mG#m And in my hour of darkness I keep counsel with the dead, BA just enough to remind me I'm alive.
E Well I write to the governor for to hear my plea BA but he don't even answer me. E Judge said he's gonna set my spirit free. BA Sun, don't you rise no more.
E Gavel fell, he chose the day, BA cattle tie, thirteenth of May. E But I don't plan to go that way. BE Sun, don't you rise no more.
ABE Goodnight my Anda-Lucia. ABE Don't buy all the lies that they feed ya. ABC#mA And though you're heading slowly to some place I can't respect, EBE I'll keep you in my collection of regrets.
C#mG#m And that's twenty-one fell by my gun, oh, they all fell the same. BA Just need one more to match my age. C#mG#m Then I'll count my killin' done. but I won't deny my name: BA Quickest wrist of the chaparral and sage.
E Now desperate times call for desperate men, BA I'm just a kid but I'll pretend E my time will come but until then, BE Sun, don't you rise no more.
EE Well I see that gallows altar, that circle 'round the Sun. BEA B They're gonna hang me if I stay here, they're gonna shoot me if I run. E That jailer better watch his pride BA or off my wrists these shackles slide. E Hear my restless fourty-five. BE Sun, don't you rise no more.
ABEB Goodnight my Anda-Lucia. ABEB Don't buy all the lies that they feed ya. ABC#mA And though you're heading slowly to some place I can't respect, EBE I'll keep you in my collection of regrets.
[silence]
C#mG#m And down the highway, down the road, to infamy I'll ride. BA I'll take my pardon on the run, C#mG#m with a trail of death behind me and Deluvina at my side, BA two silhouettes against the Sun.
E Well I spent last night in Las Cruces Jail. BA Raining hail, born to Fail. E Nobody come for to go my bail. BE Sun, don't you rise no more
[wind blowing and arpeggios on:]
C#mG#m (A quick) BA (B quick)
C#mG#m (A quick) BA
That's it, sorry for any innacuracies there must be.