Biografía:
The Shins es el grupo de música del compositor, cantante y guitarrista James Mercer, formada por Jesse Sandoval (batería), Marty Crandall (teclados/guitarra/bajo) y Dave Hernández (bajo/guitarra) bajo el sello discográfico Sub Pop (famoso por ser el primero en contratar a Nirvana o Soundgarden). Su música se podría describir como Indie pop..
The Shins nace en Alburquerque, Nuevo México, de la mano de James Mercer, Jesse Sandoval y Marty Crandall
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Otras canciones:
- 40 Mark Strasse
- A Comet Appears
- Austrailia
- Bait And Switch
- For A Fool
- Girl On The Wing
- It's Only Life
- Kissing The Lipless
- New Slang
- Phantom Limb
- Pink Bullets
- Port Of Morrow
- September
- Simple Song
- Sleeping Lessons
- So Now What
- Australia
- Saint Simon
- A Call To Apathity
- Breathe
- Caring Is Creepy
- Celebate Life
- Celibate Life
- Cherry Hearts
- Dead Alive
- Eating Styes From Elephant Eyes
- Eating Styes From Elephants Eyes
- Fall Of 82
- Fantasy Island
- Fighting In A Sack
- Flake Music
- Girl Inform Me
- Gone For Good
- Half A Million
- Heartworms
- Its Only Life
- Know Your Onion
- Mildenhall
- Mines Not A High Horse
- My Seventh Rib
- Name For You
- No Way Down
- Nothing At All
- One By One All Day
- Painting A Hole
- Pam Berry
- Pariah King
- Past And Pending
- Plenty Is Never Enough
- Pressed In A Book
- Red Rabbits
- Rubber Ballz
- Sea Legs
- So Says I
- Sphagnum Esplanade
- Spilt Needles
- Split Needles
- The Fear
- The Past And Pending
- The Past And The Pending
- The Rifles Spiral
- The Waltz Is Over
- Theyll Soon Discover
- Those Bold City Girls
- Those To Come
- Turn A Square
- Turn On Me
- We Will Become Silhouettes
- Weird Divide
- When I Goose Step
- Won One Too Many Fights
- Young Pilgrims
- Your Algebra
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
E -> D x5 A
A E C
Doted on like seeds planted in rows
G D A
The untied shoelaces of you life
C#m E
Nurtured all year then pressed in a book
D C#m A
Or displayed in bad taste at the table
E G
Problems arise and you fan the fire
D A
While there's a wild pack of dogs loose in your house tonight.
E C
Cut from bad cloth or soiled like socks
D C
Add it up and basically people never change.
G
They just talk and make plans in the dark
C G
Or make haste with ideas that can't help
C
But creep good people out
G C
As you talk to me too much you're assuming
G D E C#m
We don't always want what's right.
A E C
Did I strike the right set of chords? you're annoyed.
G D A
The goal is to ignite you then move on.
C#m E
You feel ill at ease. you got no squeeze.
D C#m A
And the wise cracks won't make you more stable.
E G
You've learned you lines to scale and to time.
D A
Why must I remind you now i'm only less able.
E C
Cut from bad cloth or soiled like socks
D C
We're ordinary people we can't help but to change
G
As we walk and make plans in the dark
C G
Or make haste with the boy who can't help
C
But creep good people out.
G C
As you talk to me too much you're assuming
D E C#m
We don't always want what's right.
A E G
Two fallen saplings in an open field.
D A
Snow padding gently on an empty bench.
E G
An old woman's jewelry lying unadorned.
D A
Cold nesting robins allied for the first time.
E G
I know when you hear these sappy lines
D C
You'll roll your eyes and say "nice try".
A E C
Doted on like seeds planted in rows
G D A
The untied shoelaces of you life
C#m E
Nurtured all year then pressed in a book
D C#m A
Or displayed in bad taste at the table
E G
Problems arise and you fan the fire
D A
While there's a wild pack of dogs loose in your house tonight.
E C
Cut from bad cloth or soiled like socks
D C
Add it up and basically people never change.
G
They just talk and make plans in the dark
C G
Or make haste with ideas that can't help
C
But creep good people out
G C
As you talk to me too much you're assuming
G D E C#m
We don't always want what's right.
A E C
Did I strike the right set of chords? you're annoyed.
G D A
The goal is to ignite you then move on.
C#m E
You feel ill at ease. you got no squeeze.
D C#m A
And the wise cracks won't make you more stable.
E G
You've learned you lines to scale and to time.
D A
Why must I remind you now i'm only less able.
E C
Cut from bad cloth or soiled like socks
D C
We're ordinary people we can't help but to change
G
As we walk and make plans in the dark
C G
Or make haste with the boy who can't help
C
But creep good people out.
G C
As you talk to me too much you're assuming
D E C#m
We don't always want what's right.
A E G
Two fallen saplings in an open field.
D A
Snow padding gently on an empty bench.
E G
An old woman's jewelry lying unadorned.
D A
Cold nesting robins allied for the first time.
E G
I know when you hear these sappy lines
D C
You'll roll your eyes and say "nice try".
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