Desde su trabajo en los años 80 con el favorito de MTV Til Tuesday hasta sus aclamados discos en solitario ”Whatever” y “I’m With Stupid” en los 90, Aimee Mann siempre ha estado a la vanguardia de los compositores contemporáneos. El final del milenio le trajo su mayor éxito, con los lanzamientos simultáneos de “Bachelor nº 2” y la banda sonora de la película Magnolia, que fue nominada a un Oscar, un Globo de Oro y tres Grammys.
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
EmAmC The moth don't care when he sees the flame He might get burned but he's in the game DAm And once he's in he can't go back, and Em7A7 Beat his wings 'til he burns them black CGAmCEmAm No the moth don't care when he sees the flame CEmAmCEmAm No the moth don't care when he sees the flame
EmAmC The moth don't care if the flame is real Cuz flame and moth got a sweetheart deal DAm And nothing fuels a good flirtation Em7A7 Like need and anger and desperation CGAmCEmAm No the moth don't care if the flame is real CEmAmCEmAm No the moth don't care if the flame is real
CGDEmEm7 So come on let's go ready or not Cuz there's a flame I know hotter than hot CGDAm And with a fuse that's so thoroughly shot EmDGAmEm Away
[solo] CGDEmEm7 2x
EmAmC The moth don't care if the flame burns low Cuz moth believes in an afterglow DAm And flames are never doused completely EmA7 All you really need is a love of heat CGAmCEmAm No, the moth don't care if the flame burns low CEmAmCEmAm No, the moth don't care if the flame burns low
CGDEmEm7 So come on let's go ready or not Cuz there's a flame I know hotter than hot CGDAm And with a fuse that's so thoroughly shot EmDGAmEm Away