Desde su trabajo en los años 80 con el favorito de MTV Til Tuesday hasta sus aclamados discos en solitario ”Whatever” y “I’m With Stupid” en los 90, Aimee Mann siempre ha estado a la vanguardia de los compositores contemporáneos. El final del milenio le trajo su mayor éxito, con los lanzamientos simultáneos de “Bachelor nº 2” y la banda sonora de la película Magnolia, que fue nominada a un Oscar, un Globo de Oro y tres Grammys.
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
EmEm7Em6C7 One is the loneliest number that you'll ever do Two can be as bad as one it's the loneliest number since the number one
EmEm7Em6C7
EmEm7Em6C7 No is the saddest experience you'll ever know Yes, it's the saddest experience you'll ever know Because one is the loneliest number that'll you'll ever do One is the loneliest number that you'll ever know
EmEm9
GGmaj7/F#G7Gsus4G It's just no good anymore since you went away CCm Now I spend my time just making rhymes EmEm7Em6C7 Of yesterday
EmEm7Em6C7 Because one is the loneliest number that you'll ever do One is the loneliest number that you'll ever know One is the loneliest number, one is the loneliest number One is the loneliest number that you'll ever do One is the loneliest number, much much worse than two One is a number divided by two
(Life isn't easy when two are divided and one has decided to bring down the curtain and on things for certain there's nothing to keep them together)
[the last phrase of lyrics is from the Harry Nilsson song "Together" from the same LP on which "One" appeared as a remix; _Aerial Pandemonium Ballet_, a mix of 2 earilier LP's, _Aerial Ballet_ and _Pandemonium Shadow Show_. On this version he did a similar segue, incorporating phrases from "One" in "Together", the opposite of what Aimee Mann did here.]