Desde su trabajo en los años 80 con el favorito de MTV Til Tuesday hasta sus aclamados discos en solitario ”Whatever” y “I’m With Stupid” en los 90, Aimee Mann siempre ha estado a la vanguardia de los compositores contemporáneos. El final del milenio le trajo su mayor éxito, con los lanzamientos simultáneos de “Bachelor nº 2” y la banda sonora de la película Magnolia, que fue nominada a un Oscar, un Globo de Oro y tres Grammys.
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Intro: DAEmEm/F#G DAEmEm/F#G Fifty years after the fair the picture I have is so clear Underneath the clouds in the air rose the tyrlon and the perisphere EmAGD And that for me was the finest of scenes EmAGDAG That perfect world across the river in queens DAEmEm/F#G Fifty years after the fair I drink from a different cup But it does no good to compare 'cause nothing ever measures up EmAGD I guess just for a second we thought EmAGDAG That all good things would rise to the top chorus: BmGD But how beautiful it was - 'tomorrow' BmGDA We'll never have a day of sorrow EmEm/F#GA We got through the '30's, but our belts were tight We conceived of a future with no hope in sight EmEm/F#C We've got decades ahead of us to get it right EmBbCDG I swear - fifty years after the fair
[solo] DAEmEm/F#G 2x EmAGD EmAGDAG
DAEmEm/F#G Fifty years after the fair I live in tomorrow town Even on a wing and a prayer The future never came around EmAGD It hurts to even think of those days EmAGDAG The damage we do by the hopes that we raise