Biografía:
Imogen Heap (9 Diciembre, 1977) es una compositora y cantante inglesa nacida en Romford, Londres.
Formada como pianista ( estudió piano clásico ) y compositora y dotada de una voz que destaca por su creatividad, Imogen Heap es diferente a los demás, pues a pesar de facturar un pop aparentemente accesible a cualquiera, su estilo es inconfundible. Ella es el máximo exponente del llamado sonido “breathy” (voz aspirada o entrecortada), una forma de expresión más que un lenguaje musical.
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Otras canciones:
- Headlock
- Hide And Seek
- Hide N Seek
- Aha
- Bad Body Double
- Cant Take It In
- Come Here Boy
- Entanglement
- First Train Home
- Glittering Cloud
- Goodnight And Go
- Half Life
- Let Go
- Little Bird
- Me The Machine
- Mmm Whatcha Say
- Run
- Say Goodnight And Go
- Speeding Cars
- Spooky
- The Beast
- The Walk
- Tidal
- You Know Where To Find Me
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Tabbed by: Macky D
Email: [email protected]
Good song from OC finale. Ironically, a guy named Ben McKenzie (OC's Ryan Atwood actor's
name) played it on Australian Idol apparently, I didn't hear it but it reminded me of it.
This is how I play it. Sounds awesome on an acoustic steel string.
Chords
E E* C# Asus A B
E---0---0---0---0------0----0------|
A---0---0---0---0------2----0------|
D---9---8---6---2------2----4------|
G---9---9---6---2------2----4------|
B---7---6---4---0------0----2------|
E----------------------------------|
E E*
where are we?
C# Asus E E*
what the hell is going on?
C# Asus E E* C#
the dust has on-ly just begun to fall
Asus E
crop circles in the carpet
E* C# Asus
sinking feeling
E E* C#
spin me round a-gain
Asus E
and rub my eyes,
E* C# Asus
this can't be happen-ing
E E* C# Asus
when busy streets a mess with people
E E* C#
would stop to hold their heads - heavy
E E* C#
hide and seek
Asus A C# B
trains and sewing machines
E E* C#
all those years
Asus A C# B
they were here first
E E* C# Asus
oily marks ap-pear on walls
E E* C# Asus E
E*
where pleasure moments hung be-fore the takeo-ver,
C# Asus E E* C#
the sweeping in-sensitivity of this still life
E E* C#
hide and seek
Asus A C# B
trains and sewing machines (oh, you won't catch me around here)
E E* C#
bloo-ood and tears (hearts)
Asus A C# B
they were here first
Asus E
Mmmm whacha say,
C# B
Mmmm that you only meant well?
well of course you did
Asus E
Mmmm whacha say,
C# B
Mmmm that its all for the best?
of course it is
Asus E
Mmmm whacha say?
C# B
Mmmm that it's just what we need
you decided this
Asus E
Mmmm whacha say?
C# B
Mmmm what did she say?
E E*
ransom notes keep falling out your mouth
C# Asus
mid-sweet talk, news-paper word cut outs
E E*
speak no feeling no i don't believe you
C#
you don't care a bit,
Asus
you don't care a bit
(hide and seek)
ransom notes keep falling out your mouth
mid-sweet talk, newspaper word cut outs
(hide and seek)
speak no feeling no i don't believe you
you don't care a bit,
you don't care a (you don't care a) bit
(hide and seek)
oh no, you don't care a bit
oh no, you don't care a bit
(hide and seek)
oh no, you don't care a bit
you don't care a bit
you don't care a bit
Email: [email protected]
Good song from OC finale. Ironically, a guy named Ben McKenzie (OC's Ryan Atwood actor's
name) played it on Australian Idol apparently, I didn't hear it but it reminded me of it.
This is how I play it. Sounds awesome on an acoustic steel string.
Chords
E E* C# Asus A B
E---0---0---0---0------0----0------|
A---0---0---0---0------2----0------|
D---9---8---6---2------2----4------|
G---9---9---6---2------2----4------|
B---7---6---4---0------0----2------|
E----------------------------------|
E E*
where are we?
C# Asus E E*
what the hell is going on?
C# Asus E E* C#
the dust has on-ly just begun to fall
Asus E
crop circles in the carpet
E* C# Asus
sinking feeling
E E* C#
spin me round a-gain
Asus E
and rub my eyes,
E* C# Asus
this can't be happen-ing
E E* C# Asus
when busy streets a mess with people
E E* C#
would stop to hold their heads - heavy
E E* C#
hide and seek
Asus A C# B
trains and sewing machines
E E* C#
all those years
Asus A C# B
they were here first
E E* C# Asus
oily marks ap-pear on walls
E E* C# Asus E
E*
where pleasure moments hung be-fore the takeo-ver,
C# Asus E E* C#
the sweeping in-sensitivity of this still life
E E* C#
hide and seek
Asus A C# B
trains and sewing machines (oh, you won't catch me around here)
E E* C#
bloo-ood and tears (hearts)
Asus A C# B
they were here first
Asus E
Mmmm whacha say,
C# B
Mmmm that you only meant well?
well of course you did
Asus E
Mmmm whacha say,
C# B
Mmmm that its all for the best?
of course it is
Asus E
Mmmm whacha say?
C# B
Mmmm that it's just what we need
you decided this
Asus E
Mmmm whacha say?
C# B
Mmmm what did she say?
E E*
ransom notes keep falling out your mouth
C# Asus
mid-sweet talk, news-paper word cut outs
E E*
speak no feeling no i don't believe you
C#
you don't care a bit,
Asus
you don't care a bit
(hide and seek)
ransom notes keep falling out your mouth
mid-sweet talk, newspaper word cut outs
(hide and seek)
speak no feeling no i don't believe you
you don't care a bit,
you don't care a (you don't care a) bit
(hide and seek)
oh no, you don't care a bit
oh no, you don't care a bit
(hide and seek)
oh no, you don't care a bit
you don't care a bit
you don't care a bit
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