Biografía:
Tras un enfrentamiento con el sello Revilot, George Clinton perdió los derechos del nombre Parliaments y en 1968 formó un grupo nuevo llamado Funkadelic con su antigua banda. Con ella estableció una innovadora mezcla de lo viejo y lo nuevo, fusionando los ritmos sincopados de James Brown, el rock ácido del guitarrista estadounidense Jimi Hendrix y la mezcla de sonidos del grupo Sly and the Family Stone. Funkadelic combinaba sofisticados ritmos funk con arreglos electrónicos y de rock psicodélico
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¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Intro:
slide in A7 on upper strings (D7 shape without root) and hit 8th fret on little E
A7
I just want to say
That I love your sexy ways
B7
I love you girl
E7
Oh, I love you girl, heh
A7
I just want to say
That I need you in so many ways
B7
Baby, you're a turn on
E7
Oh, you turn me on
F#m E
I love all of you
D C#m
And you sure enough got a lot
F#m E D
I want to help you use
What you got
A7 D A7
I, oh, I, I, oh, I, baby
...
after this the same progressions return, just use your ears.
I learned this by ear, so there might be mistakes, especially on the 7 chords.. sounds ok to me.
For the A7 D A7 part. hit the D like a short hammer on.
For soloing use A pentatonic scales (both major and minor work), over the F#m progression use F# minor.
Try to avoid open chords and play with a lot of dead notes to get the funky style out of it.
slide in A7 on upper strings (D7 shape without root) and hit 8th fret on little E
A7
I just want to say
That I love your sexy ways
B7
I love you girl
E7
Oh, I love you girl, heh
A7
I just want to say
That I need you in so many ways
B7
Baby, you're a turn on
E7
Oh, you turn me on
F#m E
I love all of you
D C#m
And you sure enough got a lot
F#m E D
I want to help you use
What you got
A7 D A7
I, oh, I, I, oh, I, baby
...
after this the same progressions return, just use your ears.
I learned this by ear, so there might be mistakes, especially on the 7 chords.. sounds ok to me.
For the A7 D A7 part. hit the D like a short hammer on.
For soloing use A pentatonic scales (both major and minor work), over the F#m progression use F# minor.
Try to avoid open chords and play with a lot of dead notes to get the funky style out of it.
Future Islands
Future Of The Le (...)
Futures
Fyfe
Fynn Kliemann
Gabe Bondoc
Gabe Cielici
Gabe Dell
Gabinete Caligar (...)
Gabriel Diniz