Biografía:
Declan Patrick MacManus nacido en Londres el 25 de agosto de 1954, conocido como Elvis Costello, es un músico, cantante y compositor británico.
Se inició en la escena pub-rock londinense a mitad de los 70 desde donde vio llegar como observador privilegiado la New Wave y el punk, movimientos con los que se asoció.
En 1975 McManus llevaba una aparente vida convencional, casado y con hijo, y empleándose en diferentes trabajos administrativos. No obstante
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Otras canciones:
- Alison
- Alsion
- Beautiful
- Cheap Rewards
- Everyday I Write The Book
- Mystery Dance
- Oliver's Army
- Pump It Up
- She
- This Is Hell
- Watching The Detectives
- Whats So Funny
- 45
- A Condemned Man
- Accidents Will Happen
- After The Fall
- Alibi Factory
- All Grown Up
- All The Rage
- All These Strangers
- All This Useless Beauty
- Almost Blue
- American Without Tears
- B Movie
- Baby Plays Around
- Back On My Feet
- Beyond Belief
- Big Boys
- Big Sisters Clothes
- Blame It On Cain
- Blue Chair
- Brilliant Mistake
- Brown To Blue
- Bullets For The New Born King
- Burnt Sugar Is So Bitter
- Busy Bodies
- Charm School
- Cheap Reward
- Church Underground
- Clowntime Is Over
- Clubland
- Coal
- Complicated Shadows
- Couldnt Call It Unexpected No4
- Crawling To The Usa
- Crimes Of Paris
- Deep Dark Truthful Mirror
- Deportee
- Different Finger
- Dont Let Me Be Misunderstood
- Dr Watson I Presume
- Eisenhower Blues
- Favourite Hour
- Fish N Chip Paper
- Five Small Words
- Forgive Her Anything
- From A Whisper To A Scream
- Georgie And Her Rival
- Girls Talk
- Glitter Gulch
- Gloomy Sunday
- God Give Me Strength
- Gods Comic
- Good Year For The Roses
- Goon Squad
- Green Shirt
- Hand In Hand
- Harpies Bizarre
- Heart Shaped Bruise
- Heres Red Shoes
- High Fidelity
- Home Is Anywhere
- Honey Are You Straight Or Are You Blind
- Hoover Factory
- How To Be Dumb
- Human Hands
- Human Touch
- I Cant Stand Up For Falling Down
- I Dont Want To Go Home
- I Dont Want To Go To Chelsea
- I Dreamed Of My Old Lover
- I Hope Youre Happy Now
- I Just Dont Know What To Do With Myself
- I Lost You
- I Still Have That Other Girl
- I Want To Vanish
- I Want You
- If I Could Put Them All Together
- Ill Wear It Proudly
- Im In The Mood Again
- Im Not Angry
- Im Your Toy
- Imagination
- In Another Room
- Inch By Inch
- Indoor Fireworks
- Jack Of All Parades
- Jimmie Standing In The Rain
- Joe Porterhouse
- Jump Up
- Kid About It
- Kinder Murder
- Less Than Zero
- Let Him Dangle
- Lip Service
- Lipstick Vogue
- Little Palaces
- Little Savage
- Little Triggers
- Living In Paradise
- Londons Brilliant Parade
- Love Went Mad
- Loveable
- Lovers Walk
- Luxembourg
- Man Out Of Time
- Miracle Man
- Monkey To Man
- My Babys Gone
- My Funny Valentine
- My Mood Swings
- My Youngest Son Came Home Today
- New Amsterdam
- New Amsterdam Youve Got To Hide Your Love Away
- New Lace Sleeves
- No Action
- No Dancing
- Olivers Army
- One Bell Ringing
- Our Little Angel
- Pads Paws And Claws
- Party Girl
- Pay It Back
- Peace In Our Time
- Pidgin English
- Poison Moon
- Poisoned Rose
- Pony St
- Poor Fractured Atlas
- Poor Napoleon
- Pouring Water On A Drowning Man
- Pretty Words
- Psycho
- Put Your Big Toe In The Milk Of Human Kindness
- Radio Radio
- Radio Sweetheart
- Riot Act
- Rocking Horse Road
- Running Out Of Angels
- Satellite
- Shabby Doll
- Shamed Into Love
- She Loves The Jerk
- Shipbuilding
- Sleep Of The Just
- Sleepless Nights
- Sneaky Feelings
- So Like Candy
- Song With Rose
- St Stephens Day Murders
- Starting To Come To Me
- Still
- Still Too Soon To Know
- Strict Time
- Success
- Suffering Face
- Suit Of Lights
- Sulfur To Sugarcane
- Sulky Girl
- Sweet Dreams
- Taking My Life In Your Hands
- Tear Off Your Own Head Its A Doll Revolution
- Thats Not The Part Of Him Youre Leaving
- The Angels Want To Wear My Red Shoes
- The Beat
- The Big Light
- The Element Within Her
- The Ghost Of Tom Joad Do Re Mi
- The Greatest Love
- The Imposter
- The Long Honeymoon
- The Loved Ones
- The Only Flame In Town
- The Other End
- The Other Side Of Summer
- The Scarlet Tide
- The Spell That You Cast
- The Sweetest Punch
- The World And His Wife
- This House Is Empty Now
- This Years Girl
- Toledo
- Tommys Coming Home
- Too Far Gone
- Tramp The Dirt Down
- Tripwire
- Two Little Hitlers
- Uncomplicated
- Under Lime
- Unwanted Number
- Veronica
- Voice In The Dark
- Waiting For The End Of The World
- Watch Your Step
- Wave A White Flag
- Whats So Funny Bout Peace Love And Understanding
- When I Was Cruel
- When It Signs
- When It Sings
- Who Do You Think You Are
- Withered And Died
- Worthless Thing
- You Belong To Me
- You Little Fool
- You Shouldnt Look At Me That Way
- You Tripped At Every Step
- Youll Never Be A Man
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: [email protected] (Mark J. Schnitzius)
Blue Chair
from Blood and Chocolate
tabbed by Mark Schnitzius ([email protected])
corrections below by [email protected] (Kevin Moore)
and Stu Shea
Here's my best stab at this song. Parts of it seem to be not quite
right (especially the part where Elvis is stating whose turn it is
to do what). Improvements are more than welcome. --Mark
---------------------------------------------------------------------
[Intro stays on D]
D G D
Now it's just you and me, my blue friend
D
And you say that it's you that she's thinking of
G F#7
And our affair must end
D
But if it's you that she's thinking of
G F#7
I think my broken heart might mend
G F#m Em D
Now it's my turn to talk and your turn to think
G A D G
Your turn to buy and my turn to drink
G F#m Em D
Your turn to cry and my turn to sink
G Em
Down in the Blue Chair
G A D
Down in the Blue Chair
Now I've made up my mind
I've made my mistake
And I know that she cries for you
When she's barely awake
Well she's going to bend your mind
Well I hope it don't break
[Repeat chorus]
Em
Down in the Blue Chair
F#m G
We can watch our troubles rise
F#m Em
Like smoke into the air
A D
And drift up to the ceiling
Em
Down in the Blue Chair
F#m G F#m
You can feel just like a boy or a man
Em A D
And next minute you can find yourself kneeling
F#m
Down in the Blue Chair
G#m A G#m
They're boasting of loving the daylights
F#m G#m Bm
right out of her in the small hours
Em
Down in the Blue Chair
F#m G F#m
You say that your love lasts forever
Em G A A/G A/F# A/E
when you know the night just hours uh ho ho ho ho ho
And still I want her right now
Not any minute, hour or day
And wherever she is tonight
I want her anyway
I suppose she never said to you,
You were just in the way
G F#m Em D
Now it's my turn to talk and your turn to think
G A D G
Your turn to buy and my turn to drink
G F#m Em D
Your turn to cry and my turn to sink
G Em
Down in the Blue Chair
G A D
Down in the Blue Chair
G Bm
Down in the Blue Chair
Bb A D [N.C.]
Down in the Blue Chair
G A D
Down in the Blue Chair
G A D
Down in the Blue Chair
G A B7
Down in the Blue Chair
Em F#m
Down in the blue
G Bm
Blue becomes you
G A D
Down in the Blue Chair
From: [email protected] (Kevin Moore)
This is definitely a challenging one:
Here's what I got :
> G F#m7 C/E D
>Now it's my turn to talk and your turn to think
>G A A# aug Bmi
>Your turn to buy and my turn to drink
>G F#m7 C/E D
>Your turn to cry and my turn to sink ...
C/E would just be a normal C chord with an open E in the bass.
(EC uses C/E a lot)
The A# augmented chord is weird and has something else in it,
possible an open E? My best guess for a fingering would be:
E string: deadened
A string: 1st finger on 1st fret
D string: 4th finger on 4th fret
G string: 2nd finger on 3rd fret
B string: 3rd finger on 3rd fret
E string: Open
I don't know, though-I've never seen Elvis live-sigh-I have a laser disc of
The Juliet Letters, but of course he doesn't play guitar on that one.
The bridge is also strange-you have the right bassline: E F# G F# E (B) A D,
but I think the chord just stays on Emi, although some instrument other
than the guitar keeps hinting at D#'s
[The early 70's dylan inflections are beautiful in this section]
The second part of the bridge (boasting of loving the daylights...)
sounds like the first part transposed up a whole step, so
F#mi, F#mi/G#, F#mi/A, etc.
Then back to the Emi
and then when he says "you know the night just hours" [what does he
mean by that?] the bass goes: E and then in 8th notes: F# G F# G, still
all against some kind of Emi. I'm just playing the bass line and
plucking the G B and E strings open for the E mi
On the F#mi part, I'm barring the 2nd fret to get the 3 highest
strings and then playing the bassline on the low string.
Your descending bassline coming down against the A chord is right, as
is the rest of the transcription.
I hope my carriage returns aren't coming out weird. Let me know.
Now I've got to go buy the CD to hear it better. I was going to
wait for the box set reissues to get to this album.
Does anyone know when the next box set is due to be released?
From: Stu Shea
On Mon, 22 Aug 1994, Mark J. Schnitzius wrote:
>
> Here's my best stab at this song. Parts of it seem to be not quite
> right (especially the part where Elvis is stating whose turn it is
> to do what). Improvements are more than welcome. --Mark
Looks good to me except that the chorus might be a bit different:
>
> G F#m Em D
> Now it's my turn to talk and your turn to think
> G A D G
> Your turn to buy and my turn to drink
> G F#m Em D
> Your turn to cry and my turn to sink
> G Em
G F#m Em D
Now it's my turn to talk and your turn to think
G A Bbm Bm
Your turn to buy and my turn to drink
G F#m C Bm
Your turn to cry and my turn to sink
blah blah
Or something like that.
Stuart Shea
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: [email protected] (Mark J. Schnitzius)
Blue Chair
from Blood and Chocolate
tabbed by Mark Schnitzius ([email protected])
corrections below by [email protected] (Kevin Moore)
and Stu Shea
Here's my best stab at this song. Parts of it seem to be not quite
right (especially the part where Elvis is stating whose turn it is
to do what). Improvements are more than welcome. --Mark
---------------------------------------------------------------------
[Intro stays on D]
D G D
Now it's just you and me, my blue friend
D
And you say that it's you that she's thinking of
G F#7
And our affair must end
D
But if it's you that she's thinking of
G F#7
I think my broken heart might mend
G F#m Em D
Now it's my turn to talk and your turn to think
G A D G
Your turn to buy and my turn to drink
G F#m Em D
Your turn to cry and my turn to sink
G Em
Down in the Blue Chair
G A D
Down in the Blue Chair
Now I've made up my mind
I've made my mistake
And I know that she cries for you
When she's barely awake
Well she's going to bend your mind
Well I hope it don't break
[Repeat chorus]
Em
Down in the Blue Chair
F#m G
We can watch our troubles rise
F#m Em
Like smoke into the air
A D
And drift up to the ceiling
Em
Down in the Blue Chair
F#m G F#m
You can feel just like a boy or a man
Em A D
And next minute you can find yourself kneeling
F#m
Down in the Blue Chair
G#m A G#m
They're boasting of loving the daylights
F#m G#m Bm
right out of her in the small hours
Em
Down in the Blue Chair
F#m G F#m
You say that your love lasts forever
Em G A A/G A/F# A/E
when you know the night just hours uh ho ho ho ho ho
And still I want her right now
Not any minute, hour or day
And wherever she is tonight
I want her anyway
I suppose she never said to you,
You were just in the way
G F#m Em D
Now it's my turn to talk and your turn to think
G A D G
Your turn to buy and my turn to drink
G F#m Em D
Your turn to cry and my turn to sink
G Em
Down in the Blue Chair
G A D
Down in the Blue Chair
G Bm
Down in the Blue Chair
Bb A D [N.C.]
Down in the Blue Chair
G A D
Down in the Blue Chair
G A D
Down in the Blue Chair
G A B7
Down in the Blue Chair
Em F#m
Down in the blue
G Bm
Blue becomes you
G A D
Down in the Blue Chair
From: [email protected] (Kevin Moore)
This is definitely a challenging one:
Here's what I got :
> G F#m7 C/E D
>Now it's my turn to talk and your turn to think
>G A A# aug Bmi
>Your turn to buy and my turn to drink
>G F#m7 C/E D
>Your turn to cry and my turn to sink ...
C/E would just be a normal C chord with an open E in the bass.
(EC uses C/E a lot)
The A# augmented chord is weird and has something else in it,
possible an open E? My best guess for a fingering would be:
E string: deadened
A string: 1st finger on 1st fret
D string: 4th finger on 4th fret
G string: 2nd finger on 3rd fret
B string: 3rd finger on 3rd fret
E string: Open
I don't know, though-I've never seen Elvis live-sigh-I have a laser disc of
The Juliet Letters, but of course he doesn't play guitar on that one.
The bridge is also strange-you have the right bassline: E F# G F# E (B) A D,
but I think the chord just stays on Emi, although some instrument other
than the guitar keeps hinting at D#'s
[The early 70's dylan inflections are beautiful in this section]
The second part of the bridge (boasting of loving the daylights...)
sounds like the first part transposed up a whole step, so
F#mi, F#mi/G#, F#mi/A, etc.
Then back to the Emi
and then when he says "you know the night just hours" [what does he
mean by that?] the bass goes: E and then in 8th notes: F# G F# G, still
all against some kind of Emi. I'm just playing the bass line and
plucking the G B and E strings open for the E mi
On the F#mi part, I'm barring the 2nd fret to get the 3 highest
strings and then playing the bassline on the low string.
Your descending bassline coming down against the A chord is right, as
is the rest of the transcription.
I hope my carriage returns aren't coming out weird. Let me know.
Now I've got to go buy the CD to hear it better. I was going to
wait for the box set reissues to get to this album.
Does anyone know when the next box set is due to be released?
From: Stu Shea
On Mon, 22 Aug 1994, Mark J. Schnitzius wrote:
>
> Here's my best stab at this song. Parts of it seem to be not quite
> right (especially the part where Elvis is stating whose turn it is
> to do what). Improvements are more than welcome. --Mark
Looks good to me except that the chorus might be a bit different:
>
> G F#m Em D
> Now it's my turn to talk and your turn to think
> G A D G
> Your turn to buy and my turn to drink
> G F#m Em D
> Your turn to cry and my turn to sink
> G Em
G F#m Em D
Now it's my turn to talk and your turn to think
G A Bbm Bm
Your turn to buy and my turn to drink
G F#m C Bm
Your turn to cry and my turn to sink
blah blah
Or something like that.
Stuart Shea
Ely Guerra
Elzbieta Adamiak
Em Harris
Emarosa
Ember Island
Emilíana (...)
Emiliana Torrini
Emilie Autumn
Emilie Simon
Emily Afton