Bright Eyes es una banda de indie rock conformada por el guitarrista y cantautor Conor Oberst, el multiinstrumentista y productor Mike Mogis, y una alineación rotativa de colaboradores provenientes principalmente de la escena indie de Omaha, Nebraska. La facilidad que tiene Oberst para la crítica social y la filosofía le han hecho ganarse comparaciones con Bob Dylan, aunque sus temas más oscuros, de depresión, ansiedad y alcoholismo tienen más reminiscencias a Leonard Cohen o a Simon Joyner.
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Hello.... I took about 2 hours and improved the chords to this song. Everything is more thorough, and all the chord changed are exact, I just finished listening to the song. this helps a little better.
Credit to Yoshima for tabbing the original version of this, with some of his still intact.
The following pattern is played 4 times for the intro and also forms the main theme of song; the bass notes being plucked with the thumb and the highest four strings are strummed;
.....C..........Csus2/B....Am.......................... e|-------0-0-0------0-0-0------0-0-0------------------| B|-------1-1-1------1-1-1------1-1-1------------------| INTRO: G|-------0-0-0------0-0-0------2-2-2------------------| <--- 4x D|-------2-2-2------0-0-0------2-2-2--3p2h3p2h3p2-----| <--- note that A|---3----------2----------0--------------------------| 3p2h3p2h3p2 E|----------------------------------------------------| is copied throughout the WHOLE song. This main theme is the repeated through the verse...
CCsus2/BAm The air was all dust 3p2h3p2h3p2 CCsus2/BAm 3p2h3p2h3p2 A night so untamed CCsus2/BAm 3p2h3p2h3p2 Csus2/BAm The ground opened up and swallowed, all of the rain 3p2h3p2h3p2 CCsus2/BAm And it swallowed you too... 3p2h3p2h3p2 CCsus2/BAm 3p2h3p2h3p2 Into distance unknown
CCsus2/BAm (let ring) F As they sat down for dinner they waited for you to get home G Yeah, they set a...place for you. CCsus2/BAm (let ring) G So don't...be....lieve everything that you read, in that...diary of CCsus2/BAm 3p2h3p2h3p2 yours.
CCsus2/BAm 3p2h3p2h3p2 C Am And this... ner – vous - ness, 3p2h3p2h3p2 CCsus2/BAm 3p2h3p2h3p2 It isn't... all your fault CCsus2/BAm 3p2h3p2h3p2 It's just these sha - king hands won't do
CCsus2/BAm 3p2h3p2h3p2 what I want them ... to.
CCsus2/BAm 3p2h3p2h3p2 And I've tried to guess what it, CCsus2/BAm 3p2h3p2h3p2 Is you thought about
CCsus2/BAm (let ring) F That act of contrition that rolled off our tongues as you wept. G What are you...crying for? CCsus2/BAm (let ring) F Just dust...my heart and you will find G There are no fingers printed there CCsus2/BAm (let ring) F Just the un...touched...place that lies inside GCCsus2/BAm 3p2h3p2h3p2 Of every...lonely boy...tonight.
***If you have one, start randomly tapping a type-writer until end***
CCsus2/BAm 3p2h3p2h3p2 CCsus2/BAm 3p2h3p2h3p2 C Csus2/B Am 3 – 2 - 0 <--- notice this change on the D string.
F (4 bars) G G (3 bars, and on the offbeat before the 4th bar: “And all.....”, so that you on “all” with the G chord, signifying that “all” is the 4th bar
GCCsus2/BAm (let ring) F And all this o... pen ...air has caused me to choke GCCsus2/B 3p2h3p2h3p2 On your...new-found hope...for me. CCsus2/BAm 3p2h3p2h3p2 CCsus2/BAm 3p2h3p2h3p2 CCsus2/BAm 3p2h3p2h3p2...3p2h3p2h3p2...3p2h3p2h3p2...3p2h3p2h3p2.