Biografía:
Blondie emergió de la escena underground de Nueva York de fines de los 70, y logró hacer realmente masivo el sonido que provenía del punk, encabezando la movida más estilizada de esa vertiente que la prensa llamaría new wave.
La banda encontró una indeleble marca registrada en la imagen y actitud de su cantante, la magnética Debbie Harry y a nivel musical se permitió coquetear con gracia entre distintos ritmos como el punk, el glam rock, el sonido de grupos de los 60 como The Ronettes, y la música disco.
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Otras canciones:
- Atomic
- Call Me
- Denis
- Dreaming
- Hanging On The Telephone
- Heart Of Glass
- Maria
- One Way Or Another
- Rip Her To Shreds
- The Tide Is High
- Sunday Girl
- 11 59
- Accidents Never Happen
- Angels On The Balcony
- Bermuda Triangle Blues
- Contact In Red Square
- Danceaway
- Die Young Stay Pretty
- Doom Or Destiny
- Double Take
- English Boys
- Fade Away And Radiate
- Fragments
- Free To Fall
- Girlie Girlie
- Heres Looking At You
- I Know But I Dont Know
- Im Always Touched By Your Presence Dear
- In The Flesh
- Living In The Real World
- Long Time
- Look Good In Blue
- Mother
- My Monster
- Nothing Is Real But The Girl
- Picture This
- Rapture
- Shayla
- Slow Motion
- Sugar On The Side
- Suzy And Jeffrey
- Touched By Your Presence
- Union City Blue
- What I Heard
- Will Anything Happen
- X Offender
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
-------------------------------------------------------------------------------
CONTACT IN RED SQUARE - Blondie
-------------------------------------------------------------------------------
capo II
intro James Bond theme: |: 52 10 52 53 10 53 54 10 54 53 53 10 53 :| D
(52=A string, second fret etc.)
G D
Although I'm young I got a job to do.
Em F C G
Hid the microfilm in the lining of my shoe.
D
Call it a business trip.
Em F C G Bb G Bb
Got to hide inside my trenchcoat and be clever.
G D
I got my papers and a cyanide pill.
Em F C G
My polaroid's a taser in disguise.
D Em F C G Bb Bb
There's a base-in-the-hills, and the wheat fields look like Kansas in November.
Cm Ab Bb F
Astrovia, sweet comrade, your nation is your gun.
Ab Bb Cm Cm
Your love reads like the broken code you sent me.
Cm Ab Bb F
One last contact in red square, unless I have to run
Ab Bb Cm Cm G D
and the long arms of the K.G.B. detect me.
G D
Can't trust a soul, secret messenger,
Em F C G
just the rules that lie like circuits in your brain
D
and a cool .45.
Em F C G Bb G Bb
The wind is ice and foreign air tastes strange.
Cm Ab
I.C.B.M.* Bang! Bang! You're dead!
Bb F
No one left to worry.
Ab Bb Cm Cm
Kiss me quick, now I have to hurry.
Cm Ab Bb F
Our last contact in red square, unless I have to run
Ab Bb Cm Cm
and the long arms of the C.I.A. detect me.
G Bb G Bb G Bb G Bb F G Hey!
G Bb F G Hey! G Hey! G (F) G
*Intercontinental Ballistic Missile
CONTACT IN RED SQUARE - Blondie
-------------------------------------------------------------------------------
capo II
intro James Bond theme: |: 52 10 52 53 10 53 54 10 54 53 53 10 53 :| D
(52=A string, second fret etc.)
G D
Although I'm young I got a job to do.
Em F C G
Hid the microfilm in the lining of my shoe.
D
Call it a business trip.
Em F C G Bb G Bb
Got to hide inside my trenchcoat and be clever.
G D
I got my papers and a cyanide pill.
Em F C G
My polaroid's a taser in disguise.
D Em F C G Bb Bb
There's a base-in-the-hills, and the wheat fields look like Kansas in November.
Cm Ab Bb F
Astrovia, sweet comrade, your nation is your gun.
Ab Bb Cm Cm
Your love reads like the broken code you sent me.
Cm Ab Bb F
One last contact in red square, unless I have to run
Ab Bb Cm Cm G D
and the long arms of the K.G.B. detect me.
G D
Can't trust a soul, secret messenger,
Em F C G
just the rules that lie like circuits in your brain
D
and a cool .45.
Em F C G Bb G Bb
The wind is ice and foreign air tastes strange.
Cm Ab
I.C.B.M.* Bang! Bang! You're dead!
Bb F
No one left to worry.
Ab Bb Cm Cm
Kiss me quick, now I have to hurry.
Cm Ab Bb F
Our last contact in red square, unless I have to run
Ab Bb Cm Cm
and the long arms of the C.I.A. detect me.
G Bb G Bb G Bb G Bb F G Hey!
G Bb F G Hey! G Hey! G (F) G
*Intercontinental Ballistic Missile
Blossoms
Blu
Blue
Blue Diamonds
Blue Foundation