Desde su trabajo en los años 80 con el favorito de MTV Til Tuesday hasta sus aclamados discos en solitario ”Whatever” y “I’m With Stupid” en los 90, Aimee Mann siempre ha estado a la vanguardia de los compositores contemporáneos. El final del milenio le trajo su mayor éxito, con los lanzamientos simultáneos de “Bachelor nº 2” y la banda sonora de la película Magnolia, que fue nominada a un Oscar, un Globo de Oro y tres Grammys.
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Csus2GFAm7/E Ray, as of today I can't say things will CG/BAm7 Ever be the same And that could be a shame Csus2GFAm7/E 'Cause though I think I know another lonely CG/BAm7 Exile when I see one And you appear to be one CG/BAm7F Still
chorus: GFEmEm7A7 I'm playing it down 'cause I could really be found CGCF If you've got it to spare GFEmEm7A7 I'm playing it cool but it's terribly cruel CGCsus2 'Cause I ought to be there
Csus2GFAm7/E And Ray, what can I say you don't know me and CG/BAm7 It's just wishful thinking To keep myself from sinking Csus2GFAm7/E Hence, no evidence to support any CG/BAm7 Theory I have handy That you could understand me CG/BAm7F And so
[chorus]
DCGF 'Cause you're as bad off as me
EmEm7A7CGCsus2
Csus2GFAm7/E And Ray, can we repay ourselves for days that we've CG/BAm7 Lost through indecision With one of recognition Csus2GF (hesitate) Am7/E If so, then here I go 'cause some things you know -ow CG/BAm7 And some you just believe in Hope it comes out even CG/BAm7F Ahh ah ah