Desde su trabajo en los años 80 con el favorito de MTV Til Tuesday hasta sus aclamados discos en solitario ”Whatever” y “I’m With Stupid” en los 90, Aimee Mann siempre ha estado a la vanguardia de los compositores contemporáneos. El final del milenio le trajo su mayor éxito, con los lanzamientos simultáneos de “Bachelor nº 2” y la banda sonora de la película Magnolia, que fue nominada a un Oscar, un Globo de Oro y tres Grammys.
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
AmAm/BAm/CAm/G#DmDm7FE7 Oh, for the sake of momentum I've allowed my fears to get larger than life And it's brought me to my current agendum whereupon I deny fulfillment has yet to arrive
FGCD7 And I know life is getting shorter I can't bring myself to set the scene Even when it's approaching torture FGFAm/EDmC I've got my routine
AmAm/BAm/CAm/G#DmDm7FE7 Oh, for the sake of momentum even though I agree with that stuff about seizing the day But I hate to think of effort expended all those minutes and days and hours I have frittered away.
FGCD7 And I know life is getting shorter I can't bring myself to set the scene Even when it's approaching torture FGFAm/EDmC I've got my routine
BbmCmDbAb But I can't confront the doubts I have I can't admit that maybe the past was bad AmAm/BAm/CD7 And so, for the sake of momentum E7 I'm condemning the future to death so it can match the past
AmAm/BAm/CAm/G#DmDm7FE7 2x FGCD7 3x FGFAmDmC
BbmCmDbF7 But I can't confront the doubts I have I can't admit that maybe the past was bad AmAm/BAm/CD7 And so, for the sake of momentum E7 I'm condemning the future to death so it can match the past